Advertisement
The Paris Review
Subscribe
Sign In
Remember me
Forgot password?
Sign In
Subscribe
The Daily
The Latest
Columns
The Quarterly
Issues
Interviews
Fiction
Poetry
Letters & Essays
Art & Photo
graphy
Authors
Podcast
About
History
Opportunities
Masthead
Prizes
Submissions
Media Kit
Bookstores
Events
Donate
Donate to
The Paris Review
Institutional Support
Newsletters
Store
The Paris Review
The Daily
The Latest
Columns
The Quarterly
Issues
Interviews
Fiction
Poetry
Letters & Essays
Art & Photography
Authors
Podcast
About
History
Opportunities
Masthead
Prizes
Submissions
Media Kit
Bookstores
Events
Donate
Donate to
The Paris Review
Institutional Support
Newsletters
Store
Sign In
Remember me
Forgot password?
Sign In
Subscribe
Sign In
Remember Me
Forgot password?
All Hail Signior Dildo, and Other News
By
Dan Piepenbring
February 13, 2015
On the Shelf
The Earl of Rochester
Authenticity: Do
you
have it?
Do your favorite writers have it
? Has any individual in the history of humankind had it? “What do we mean by authenticity? Since we can hardly ask for documentary accuracy from fiction, what is it exactly we’re looking for? … All Dickens is packed with orphans or people in uncertain relation to family groups, or clubs. It’s impossible to read anything he wrote without feeling that the question of belonging was a major issue for him … Whether or not we like the books and quite regardless of any verisimilitude, it’s clear that the author is writing directly from his personal concerns.”
The Earl of Rochester wrote directly from his personal concerns, too.
Those concerns included dildos, premature ejaculation, drunkenness, and scatology
. He was very authentic.
And Camus, who had a few questions of his own about this sort of thing, is
perhaps more relevant than ever today
, in no small part because of the Arab Spring: “For the many Americans who grew up with ‘The Guest’ and
The Stranger
, what lies ahead is a literary, political, and cinematic revival of a writer whose work has found new urgency in the embers of the Arab Spring. For readers and writers throughout the world, Camus remains an open book.”
While we’re questioning some of the basic tenets of writing—
what do writers owe their subjects
? “Do we have the right to tell their stories at all? Such complications become even more vivid when we consider them through the lens of privilege: the privilege of the storyteller to control or shape the narrative.”
Maybe it’s easiest to circumvent these questions by trusting the state to tell us which stories are okay to tell. They know what they’re doing! That’s why a Tennessee lawmaker is moving
to make the Bible his state’s official book
. It’s a classic, after all.
Last / Next
Article
Last / Next Article
Share