Advertisement
The Paris Review
Subscribe
Sign In
Remember me
Forgot password?
Sign In
Subscribe
The Daily
The Latest
Columns
The Quarterly
Issues
Interviews
Fiction
Poetry
Letters & Essays
Art & Photo
graphy
Authors
Podcast
About
History
Opportunities
Masthead
Prizes
Submissions
Media Kit
Bookstores
Events
Donate
Donate to
The Paris Review
Institutional Support
THE SPRING REVEL
Newsletters
Store
The Paris Review
The Daily
The Latest
Columns
The Quarterly
Issues
Interviews
Fiction
Poetry
Letters & Essays
Art & Photography
Authors
Podcast
About
History
Opportunities
Masthead
Prizes
Submissions
Media Kit
Bookstores
Events
Donate
Donate to
The Paris Review
Institutional Support
THE SPRING REVEL
Newsletters
Store
Sign In
Remember me
Forgot password?
Sign In
Subscribe
Sign In
Remember Me
Forgot password?
$190,000 Birds, and Other News
By
Dan Piepenbring
February 6, 2015
On the Shelf
Image via AbeBooks
Latin, the most famous dead language, is enjoying
another of its many posthumous lives
: “A language can fall out of everyday use, its forms can cease to change, and yet writers will still use it to do new things. This happened to Sumerian and Hebrew—and it happened to Latin too. People all over the Mediterranean world and beyond continued to use Latin after Virgil and Cicero—and they did so in endlessly creative ways.”
The hazards of open endings: Why does so much literary fiction refuse to provide a real resolution? “
An authorial strategy now so widespread to have almost become the norm
in literary fiction was so ‘unfamiliar’ back in 1925 that Woolf suggested readers ‘need a very daring and alert sense of literature to make us hear the tune.’ ”
A 1765 book about ornithology
has sold for $190,000
: “Published in Florence in Italian in five volumes, it contains 600 beautiful hand-colored engraved plates of birds. Commissioned by Maria Luisa, the Grand Duchess of Tuscany, the book took ten years to complete … Some consider the book to be a commentary on 18th-century Italian high society because the bird poses are almost human.”
Technicolor turns 100
: “We realize that color is violent and for that reason we restrained it,” an early adopter once said. But today, Technicolor has developed “this very vibrant, saturated palette … When these films started getting more colorful, that’s what audiences reacted to. They loved this artificial, fantasy, over-the-top palette. And that’s the way color shifted. It’s idealized.”
Running a bookstore is hard. Running an anarchist bookstore is even harder. And not because of the anarchy, it turns out—because of the antianarchy. At San Francisco’s Bound Together, “
there’ve been plenty of adventures
, like the time when the bookstore was threatened by Neo-Nazis in the eighties and members slept in the space nightly to protect it. There was also an attempted arson in the eighties, when someone dumped gasoline through the mail slot and tossed a lit match in to start a fire.”
Last / Next
Article
Last / Next Article
Share