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Reading’s Journey from Chore to Passion, and Other News

By

On the Shelf

La_Touche_Lennui_1893

Gaston de la Touche, L’ennui, 1893.

  • We begin with the decline and fall of the English major: Have our nation’s youth really found something better to do? “If our spring 2015 numbers follow the pattern of our recent death spiral,” one professor said, “we will have lost in four years twice as many majors as we gained in fifteen.” Another theorized that “many students who would prefer to declare humanities majors might be challenged or advised to declare a ‘practical major.’ ”
  • But even those of us who threw caution to the wind and majored in English have not done such a hot job of pursuing literature in other languages. “About 3 percent of all the books published in the U.S. every year are translations. But the bulk of these are technical writings or reprints of literary classics; only 0.7 percent are first-time translations of fiction and poetry.”
  • Still, shouldn’t we congratulate ourselves for living in an era when reading is regarded as a joy, a passion, rather than as a necessary, bland consequence of rhetorical culture? “For a long time, people didn’t love literature. They read with their heads, not their hearts (or at least they thought they did), and they were unnerved by the idea of readers becoming emotionally attached to books and writers. It was only over time—over the century roughly between 1750 and 1850—that reading became a ‘private and passional’ activity, as opposed to a ‘rational, civic-minded’ one.”
  • Today, by contrast, we’re so in love with literature that one can earn seven hundred dollars a week simply by writing poems on the subway. And they don’t have to be good poems, either. (“Faint sweeps / Of sea breeze / In the light stream of / Water … ”)
  • Most of us prefer to write in private—others of us have no choice. Anna Lyndsey has a rare illness that makes her skin burn whenever she’s exposed to light, even the light of an iPhone. She lives in darkness. She gets her news from the radio. She writes. “She found that, with practice, she could write in her head—marshal thoughts into sentences, arrange sentences into paragraphs—before writing longhand in a notebook. It was liberating, not being able to see her words on the page. Darkness, it seems, is also a cure for self-consciousness.”