Adolph Menzel, Eisenwalzwerk (Moderne Cyklopen), ca. 1872.
- Congratulations to our art editor, Charlotte Strick, whose design for Lydia Davis’s Can’t and Won’t made the New York Times’s list of the best book covers of 2014.
- Humankind has felt crunched for time for centuries, but now we really, really, really feel crunched for time. “If one’s leisure time feels like work that one doesn’t have time for, work itself increasingly feels like work one doesn’t have time for.” What effect has the speedup had on our cultural lives? A line from George Gissing’s New Grub Street (1891), of all things, applies perfectly to the rise of the online think piece: “The evil of the time is the multiplication of ephemerides … hence a demand for essays, descriptive articles, fragments of criticism, out of all proportion to the supply of even tolerable work.”
- How did a work of One Direction fan fiction garner more than a billion reads and a six-figure book deal? Especially when this is its plot synopsis? “When clean-cut Tessa leaves her family (and cardigan-wearing good-guy boyfriend, Noah) behind for university, she meets Hardin, a darker version of One Direction’s Harry Styles—a pierced and tattooed punk with a reputation as campus lothario. They start an excruciating on-again off-again relationship, punctuated with drunk sex, laddish input from Hardin’s friends (the other pseudonymous 1D boys), and some of literature’s saddest handjobs. All that in a few thousand pages … ” The secret lies in the devotion of fan-fic communities.
- Among AbeBooks’s most expensive used-book sales of 2014: a five-volume set of French Art Deco posters, Das Kapital, eighty-one Renaissance-era engravings of Mediterranean fish, a first edition of le Carré’s debut novel.
- And now, finally, pictures of people standing next to their televisions.