Advertisement
The Paris Review
Subscribe
Sign In
Remember me
Forgot password?
Sign In
Subscribe
The Daily
The Latest
Columns
The Quarterly
Issues
Interviews
Fiction
Poetry
Letters & Essays
Art & Photo
graphy
Authors
Podcast
About
History
Opportunities
Masthead
Prizes
Submissions
Media Kit
Bookstores
Events
Donate
Donate to
The Paris Review
Institutional Support
THE SPRING REVEL
Newsletters
Store
The Paris Review
The Daily
The Latest
Columns
The Quarterly
Issues
Interviews
Fiction
Poetry
Letters & Essays
Art & Photography
Authors
Podcast
About
History
Opportunities
Masthead
Prizes
Submissions
Media Kit
Bookstores
Events
Donate
Donate to
The Paris Review
Institutional Support
THE SPRING REVEL
Newsletters
Store
Sign In
Remember me
Forgot password?
Sign In
Subscribe
Sign In
Remember Me
Forgot password?
The World Is Upside Down, and Other News
By
Dan Piepenbring
February 18, 2014
On the Shelf
McArthur’s Universal Corrective Map of the World, 1979.
It’s time to reconsider in earnest that elusive, anxious thing: the
Great American Novel
.
Why do we love maps of imaginary places?
Umberto Eco has some ideas
. (And some fine maps of imaginary places.)
Relatedly,
how did the north come to be the default direction for the tops of maps
? It’s the thirty-fifth anniversary of McArthur’s Universal Corrective Map of the World, which famously flipped things around so that south faced up.
Roger Angell at ninety-three: “
I’m feeling great
. Well, pretty great, unless I’ve forgotten to take a couple of Tylenols in the past four or five hours, in which case I’ve begun to feel some jagged little pains shooting down my left forearm and into the base of the thumb.”
A personal ad from a seventeenth-century British alchemist might read something like this: “When I’m not busy attempting to turn various substances into gold,
I like to have Dutch masters paint portraits of me in my workshop
.”
Last / Next
Article
Last / Next Article
Share