Art and Literature Are Teeming with Monsters, and Other News

Art credit Hieronymus Bosch.

Behold, art and literature’s greatest monsters! Plenty of welcome departures from the norm here—Frankenstein and Dracula didn’t make the list. Neither did Chuck Palahniuk.
In a synergistic turn worthy of the greatest CEOs, Donna Tartt’s The Goldfinch has caused a spike in attendance at the Frick, where its namesake painting resides. (There’s a tote bag now, too.)
An intrepid sociologist gets at the roots of uptalk—the irritating tendency to inflect every sentence as if it were a question—by watching Jeopardy!
Disparaging nondisparagement agreements: Byliner canned editor Will Blythe, and he’s not going quietly. Or rather, he is going quietly, but he would prefer to reserve the right not to.

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