In seventh grade, we read The Catcher in the Rye. One day, Ms. C. handed out xeroxed maps of New York City and asked us to trace Holden Caulfield’s path through New York. We did. “Do you see the pattern?” she kept asking excitedly. “Do you see what it’s all pointing to?” No one did. “He’s heading home! He’s circling around home!” she finally shouted, exasperated. We were collectively underwhelmed. I suspect Holden Caulfield might have been, too.
Maybe our teacher was onto something, though: in a sense, she was urging us to do the same thing Becky Cooper conceived of in her collaborative art project Mapping Manhattan, now collected in a book. A range of New Yorkers—artists, writers, thinkers, kooks—present maps colored (in some cases literally) by their personal experiences. The results are as wide-ranging and fascinating as one might expect. None, that I can see, are leading to the author’s childhood home—but then, if memory serves, I only got a B+ in that class.