These poems by Don Share bring surprising music and thrilling turns of mind to the matter of everyday life. We especially liked the eerie litany of woebegone objects in “Rice in the Spoon”: “Sea glass beached / on a porch bench” or, better yet, “A brown bust / of a sad man.” Whether Jethro Tull’s Aqualung is or is not a classic is a question Share’s readers are left to settle for themselves. —Dan Chiasson
THE CREW CHANGE Hobo, Bono, bone heap. I mutilate dandelions in the sun, rattle my rake like a saber When Michelle-my-neighbor, over compost, opines that Aqualung’s a classic; “At least I think so. U2?” Does she mean: me, too? In the foul rag and compost pile Of my creaky abdomen I rustle all the leaves of my locomotive breath to agree because anything you say, Michelle, must be so! We live in a time of need. Your hair always looks brushed. Our conversations Are abrupt. And yet … The children grow and play over time like centipedes behind our sofas; The tools I never use seem delightful on their pegs in the shed, like the hopes I sharpened Once beside the gleaming rails as a schoolboy, a hiker, a little hobo never far from someone’s back yard trampoline. RICE IN THE SPOON Each in his house, thinking of the key, the locks, the windows, doors, and roof. In my sleep I lift a finger. I see … opposing blocks, like Legos, in painful composure of modes, not moods. Fake red feathers fluffed in a spotted vase. Sea glass beached on a porch bench. A brown bust of a sad man. A huge tin pitcher, parched for years. Rice glued to a badly washed spoon. Even the dust quit moving to settle. Even the snow is a qualm, a sea.
THE CREW CHANGE
Hobo, Bono, bone heap. I mutilate dandelions in the sun, rattle my rake like a saber
When Michelle-my-neighbor, over compost, opines that Aqualung’s a classic;
“At least I think so. U2?” Does she mean: me, too? In the foul rag and compost pile
Of my creaky abdomen I rustle all the leaves of my locomotive breath to agree because anything you say,
Michelle, must be so! We live in a time of need. Your hair always looks brushed. Our conversations
Are abrupt. And yet … The children grow and play over time like centipedes behind our sofas;
The tools I never use seem delightful on their pegs in the shed, like the hopes I sharpened
Once beside the gleaming rails as a schoolboy, a hiker, a little hobo never far from someone’s back yard trampoline.
RICE IN THE SPOON
Each in his house, thinking of the key,
the locks, the windows, doors, and roof.
In my sleep I lift a finger. I see …
opposing blocks, like Legos, in painful
composure of modes, not moods.
Fake red feathers fluffed in a spotted vase.
Sea glass beached on a porch bench.
A brown bust of a sad man.
A huge tin pitcher, parched for years.
Rice glued to a badly washed spoon.
Even the dust quit moving to settle.
Even the snow is a qualm, a sea.
Don Share is Senior Editor of Poetry magazine. His most recent book of poems is Wishbone.
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