Poem of the Day
Study of Children
By Asha Futterman
did you know
that you all work for me?
I asked them as a joke
did you know
that you all work for me?
I asked them as a joke
Not the wrist of the sunset
which sinks every night
below the electrical wires—
The photographer is blind to what he sees—
He hits the shutter: indifferent film will hold the scene together.
Clarence was a chosen person that they got somewhere
To be lower than a cook, but higher than a dishboy.
How quickly
How thick
Midlife pools.
After the rabbits and doves
and the sawed-in-two lady,
slowly unscrew your arms
What is this bizarre collection of titles
(quasi-porno side by side with classics)
The story of how the animal was sent
across the Mediterranean on a ship,
wearing a strip of parchment around her neck
While we were waiting for the movie to begin,
my wife caught up with her old friend Maryann,
and because I could only make out every
third or fourth word, my attention fluttered off
in search of something else and landed on
the thirty-five-ish couple sitting three rows
in front of us—the backs of their heads
We’d sentenced everything that had become our lives
to a year’s confinement in a small dark cell,
In 1834, when Alexander Kinglake
stood by the banks of the Sava River,
at the frontier of the Ottoman Empire,