The Art of Fiction No. 181
“I recall lying on a bed, looking at a manuscript on the floor as I reached to turn pages, and thinking to myself, I must mean everything I say, every word.”
“I recall lying on a bed, looking at a manuscript on the floor as I reached to turn pages, and thinking to myself, I must mean everything I say, every word.”
A year and a few months after the end of the war and the German occupation, Paris was muted and looked bruised and forlorn. Everywhere I went, I sensed the tracks of the wolf that had tried to devour the city. But Paris proved as inedible as it had been since its tribal beginning on an island in the Seine, He de la Cite.
In early December 1946, I arrived in Warsaw at midnight after an arduous train journey from Prague. In their retreat, the Germans had nearly destroyed Poland's railroad system, and our train with its few passengers took four times as long to reach Warsaw as it had before the war.
Jack and Dwayne lived in apartment 6E in a twelve-story building facing Central Park on the Upper West Side of Manhattan. One morning in the late fifties, I moved into the apartment above theirs with my two young sons, our clothes, a few pieces of furniture, some boxes of books and games and papers, including my divorce decree, and a carton or two of kitchen odds and ends.