Authenticity and Apocalypse: An Interview with Alexandra Kleeman
Alexandra Kleeman on performance, the question of genre, and the drama of the natural world.
Alexandra Kleeman on performance, the question of genre, and the drama of the natural world.
Rachel Kushner discusses her participation in the dangerous Cabo 1000, her thoughts on whether writers need to be fearless, and her new essay collection.
Rumaan Alam on his eerily prescient new novel, the power of uncertainty, and the craft of building suspense.
To me, laughter isn’t frivolous. It is a way of surviving. Laughter when things are horribly unbearable. Laughter when things are uncomfortable. Laughter when there is nothing else to feel.
Slender and soft-spoken, Jack was as gentle as his work ethic was ferocious.
Yuknavitch writes about the body, particularly the ways bodies function as sites of emotional experience, intelligence, and memory.
In 2016, Dan Piepenbring—then The Paris Review’s online editor—was offered an opportunity to collaborate on a book with the artist Prince Rogers Nelson.