A Week in Culture: Kim Hastreiter, Editor
April 6, 2011 | by Kim Hastreiter

DAY ONE, Los Angeles
9:00 A.M. Arrived at LAX late last night. Woke up shivering cold to gray skies in my mod jumbo suite at the super friendly no-fuss Hollywood Standard Hotel on Sunset. After a week of torrential rain, LA was damn cold. I was there for a quickie four-day stint1 and had fish to fry, so I dragged my ass out of bed, hiked across the street to Enterprise, grabbed a rental Camry and headed to my friend Robert’s Los Feliz craftsman bungalow for brunch and a catch-up.

Ed Wohl boards.
11:30 A.M. After turning left on Avocado Street3, I passed Little Doms, the Los Feliz watering hole, and drove in circles looking for parking. I finally pulled up the steep hill outside my friend’s house and cracked hard into the car in front of me. Thank God for bumpers.
5:00 P.M. Back in Hollywood to meet up with my dear friend Ford Wheeler, a production designer, who’s in LA for twenty-four hours scouting for the new David Chase film he’s been working on. Funny how it takes coming to LA to see friends from New York. We hung out at the hotel for a few hours catching up on life and excitedly checking out an early copy of the spring design issue of T Magazine4. His art-filled homes are featured on a six-page spread.

Typical Brunetti madness.
In bed by eleven, but it feels like 2 A.M. Which for me, it is.
DAY TWO
10:00 A.M. E-mail from Jeffrey Deitch inviting me to stop downtown and check out his “Art on the Streets” installation-in-progress this afternoon. Dying to see it. Hope I can squeeze in time to do this, as my nephew Max (aka the street artist Ripo), who is flying in for the day from San Francisco on his way back to Barcelona (where he lives), would cream in his pants to see this.

The Ethel Merman Disco Album.
1:30 P.M. Take Lincoln Boulevard to Abbot Kinney in Venice, where Max and I meet my friends (and the Bill Cunningham New York) director and producer Richard Press and Philip Gefter5 for brunch at Gjelina, my number-one favorite restaurant on earth. After a half-hour wait for a table, I have eggs on polenta and the best cauliflower and potatoes I have ever eaten. We are all licking our chops. YUM. I run into designer Minnie Mortimer, the sister of Paper editor Peter Davis.

Sarah and David Jacob Kramer.
5:00 P.M. Back at the Standard pool, Max and I meet up with the Paper crew who flew in to work on our upcoming “Beautiful People” Los Angeles Party. Paper alumnus (and now T entertainment editor) Jacob Brown is also in tow. Time to get ready for our dinner with the Scissor Sisters.

Anna Matronic, Kim, and Jake Shears.
I am asleep as soon as my head hits the pillow.
DAY THREE
9:00 A.M. Early breakfast meeting with Drew at Joan's on Third. What a great store. We went crazy buying Easter candy in amazing colors, then headed back the hotel where I read the paper, did the crossword puzzle, worked, tweeted, and hung with Max.
1:15 P.M. Walked (I swear) down Sunset (surreal) to meet our colleague Sheri Timmons (from Levis) for a chopped-salad lunch at the Chateau Marmont and were suddenly surrounded by recognizables: Zoe Saldano, Kate Bosworth, Chris Martin, and my favorite funny actress Pamela Adlon from Californication. Oy. So LA.

Lemons. Why?

Freecity Supershop.

“Wikileaks: Giving Us Truth When Everyone Else Refuses To.”
4:00 P.M. Decided to head to check out the ever-expanding Opening Ceremony, on La Cienega. We passed an amazing pro-WikiLeaks billboard: “Giving us the TRUTH when everyone else refuses to.” Only in LA.

Kate and Laura Mulleavy with Kim.

Ryan Trecartin and Jeremy Scott.
FUN. We partied, drank margaritas like they were going out of style, ate a seven-course meal including cactus, vegan ceviche, pickle tacos, the yummiest stewed pork I’ve ever eaten, and finished with Churros dipped in chocolate.
11:30 P.M. Head back to Hollywood. No traffic. Slept as if in a coma.
Kim Hastreiter is the publisher and editor-in-chief of Paper Magazine. Check back tomorrow for the second installment of her diary.
Annotations
- I just have to say at this point that I love LA. I fell for this crazy town in the dogtown era of the mid-seventies when I was in art school at the California Institute of the Arts. Those days, I lived in Santa Monica across the street from my mentor, John Baldessari, and we all drove the seventy-five-mile trek to Newhall and back every single day. In separate cars, of course. There was very little traffic. I’d hop from the beach to Echo Park or even Pasadena for dinner three nights a week with friends. Today this would impossible. Over the years, the traffic has become so insane that I’ve watched the many diverse neighborhoods of Los Angeles actually become small villages to accommodate those who live in them, each with their own little center filled with shops, restaurants, bars, and amenities. While New York has had its rough edges sandpapered out in the past few decades from gentrification, Los Angeles—still filled with affordable nabes—has become crammed with creatives.
- I scored three pristine carved cutting boards by Wisconsin woodcraftsman Edward Wohl (collector's items) and a hand-painted H (lucky for me, Heath starts with an H) by House Industries.
- How fabulous is that?
- T looks amazing and really offbeat. Sally Singer is talented and smart. This cover blows my mind. It is a messy insane children's playroom. Adore.
- Richard and Philip were staying at the beach after premiering their amazing film at LACMA that weekend, to rave reviews. So exciting.
- Who by the way I know from when he used to be an intern at Paper, I kid you not.
- They are now in the garbage can in my hotel room.






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