Issue 36, Winter 1966
In my (Tr. Note l.) room. No. 13 on the fifth floor of the Hotel Carcassonne at 24 Rue Mouffetard, to the right of the entrance door, between the stove and the sink, stands a table that VERA painted blue one day to surprise me. I have set out here to sec what the objects on a section of this table (which I could have made into a snare-picture) (see Appendix II) might suggest to me, what they might spontaneously awaken in me in describing them: the way SHERLOCK HOLMES, starting out with a single object, could solve a crime; (see Appendix III) or historians, after centuries, were able to reconstitute a whole epoch from the most famous fixation in history, Pompeii.
In case it might be helpful in understanding this experiment, I should state that it was after constructing a pair of eyeglasses equipped with needles to poke the eyes out that I felt the urge to recreate objects through the memory instead of actually displaying them. (Tr. Note 2.)