{"id":99881,"date":"2016-06-29T09:34:54","date_gmt":"2016-06-29T13:34:54","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=99881"},"modified":"2016-06-29T11:02:36","modified_gmt":"2016-06-29T15:02:36","slug":"were-all-on-location-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/06\/29\/were-all-on-location-and-other-news\/","title":{"rendered":"We\u2019re All on Location, and Other News"},"content":{"rendered":"<div id=\"attachment_99884\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/intoleranceset-rgb.png\" rel=\"attachment wp-att-99884\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-99884\" class=\"wp-image-99884\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/intoleranceset-rgb.png\" alt=\"\" width=\"600\" height=\"411\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/intoleranceset-rgb.png 836w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/intoleranceset-rgb-300x205.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/intoleranceset-rgb-768x525.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-99884\" class=\"wp-caption-text\">From the set of <i>Intolerance<\/i>.<\/p><\/div>\n<ul>\n<li>D.\u2009W. Griffith\u2019s film <em>Intolerance <\/em>is a\u00a0hundred years old. Its lavish sets\u2014replete with plaster elephants, ornate ten-story walls, and all manner of Babylonian spectacle\u2014testify to a creepy brand of movie magic that has long since leaped from the screen: \u201c<a href=\"http:\/\/thebaffler.com\/salvos\/true-fakes-carson?utm_content=bufferf4476&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\">Intolerance is where fake movie architecture began its complicated dance with the real thing, affecting how audiences perceive the past, reconfigure their present, and anticipate the future<\/a> \u2026\u00a0Even though it\u2019s largely vanished from movies, the attraction of a reality that is recognizably phony and yet honest-to-gosh exists has hardly vanished from our culture \u2026 Increasingly, shopping malls, hotels, and the like do their best to emulate the same effect. We\u2019re <em>all <\/em>on location, baby, even when we\u2019re just shopping or hunting for a bite to eat. <em>Intolerance <\/em>anticipated many things, and one of them was Disneyland. In turn, Disneyland anticipated a lot of the modern environment we live in\u2014not just at the multiplex or while on vacation, but full time.\u201d<\/li>\n<\/ul>\n<ul>\n<li>The journalist Suki Kim went undercover as a teacher in North Korea and wrote a book about what she witnessed there\u2014but her publishers decided to call it a memoir, thus exposing one of the industry\u2019s many fault lines. She writes, \u201c<a href=\"https:\/\/newrepublic.com\/article\/133893\/reluctant-memoirist\">As the only journalist to live undercover in North Korea, I had risked imprisonment to tell a story of international importance by the only means possible<\/a>. By casting my book as personal rather than professional\u2014by marketing me as a woman on a journey of self-discovery, rather than a reporter on a groundbreaking assignment\u2014I was effectively being stripped of my expertise on the subject I knew best. It was a subtle shift, but one familiar to professional women from all walks of life. I was being moved from a position of authority\u2014<em>What do you know?<\/em>\u2014to the realm of emotion: <em>How did you feel?<\/em>\u201d<\/li>\n<\/ul>\n<ul>\n<li>In which Geoff Dyer reflects on the condition of the secular pilgrim: \u201c<a href=\"http:\/\/hazlitt.net\/feature\/serious-while-being-funny-and-funny-while-being-serious-interview-geoff-dyer\">I\u2019m always up for a bit of pilgrimage, really. But I\u2019m so aware of the capacity of the secular pilgrimage to disappoint, whereby you go to the place the great writer lived, and it doesn\u2019t work for you<\/a>. That\u2019s something I talk about in the Lawrence book [<em>Out of Sheer Rage<\/em>]. You can\u2019t fake it. You might try to summon up the feeling, but quite often you can\u2019t. So although the pilgrimage itself might be disappointing, quite often there\u2019ll be all sorts of incidentals that render the pilgrimage worthwhile. So in the case of that chapter on Gauguin, you know, it pretty well all sucked, all the Gauguin stuff in Tahiti that I encountered, but there were other incidental things that made it very worthwhile.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Stephen Orgel\u2019s <em>The Reader in the Book: A Study of Spaces and Traces <\/em>reminds us that \u201cthe history of any particular book does not conclude with its publication.\u201d As Dustin Illingworth writes: \u201c<a href=\"https:\/\/lareviewofbooks.org\/article\/an-incomplete-eloquence\/\">Over five in-depth studies, including an investigation of a school boy\u2019s 500-year-old Latin grammar book and a deep dive into a bold countess\u2019s library and letters, [Orgel] conducts a kind of archaeology of margins, gleaning sociological insight and human depth from the calcified life at the edge of the text<\/a> \u2026 This historical understanding of books as <em>locations<\/em>, as readerly edifices within which one might store practical information, binding legal documentation, jokes, and ownership lists, alongside more traditional textual engagement, challenges our contemporary perception of a book\u2019s materiality, one which often equates pristine margins with the value of the new.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Let\u2019s check in on the ever-widening field of self-help, shall we? Treatments today\u2014especially, one imagines, in the Greater Los Angeles area\u2014increasingly resemble a kind of conceptual-art experience: \u201c<a href=\"https:\/\/features.wearemel.com\/self-help-patrol-dream-reality-cinema-293d844cb359#.yxbfjjto7\">Dream Reality Cinema (DRC) comes from Budapest \u2026 According to the company\u2019s upbeat, Kickstarter-ish video, the practice gives you the ability to \u2018hack the firewall between the subconscious and conscious minds\u2019 using lucid dreaming<\/a> \u2026 The first half-hour was gentle, screen-saver-y, repetitive\u200a\u2014\u200ain two distinct sections (with a hypnotic interlude in between), a pulsing orb moved around the screen against changing backgrounds. My soothing female voice instructed me in the ways of the life force, the ways in which knowledge is connected, whole systems can be comprehended, all awareness is attainable. At one point, I saw faces in the background grid.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>D.\u2009W. Griffith\u2019s film Intolerance is a\u00a0hundred years old. Its lavish sets\u2014replete with plaster elephants, ornate ten-story walls, and all manner of Babylonian spectacle\u2014testify to a creepy brand of movie magic that has long since leaped from the screen: \u201cIntolerance is where fake movie architecture began its complicated dance with the real thing, affecting how audiences [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[23023,23025,8705,1761,23024,188,23029,12648,10368,191,23027,272,53,6705,12964,23028,23026],"class_list":["post-99881","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-d-w-griffith","tag-film-sets","tag-films","tag-geoff-dyer","tag-intolerance","tag-journalism","tag-lucid-dreaming","tag-marginalia","tag-memoirs","tag-north-korea","tag-pilgrimage","tag-publishing","tag-reading","tag-self-help","tag-set-design","tag-stephen-orgel","tag-suki-kim"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>D. 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Its lavish sets\u2014replete with plaster elephants, ornate ten-story walls, and all manner of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/06\/29\/were-all-on-location-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-06-29T13:34:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-06-29T15:02:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/intoleranceset-rgb.png\" \/>\n\t<meta property=\"og:image:width\" content=\"836\" \/>\n\t<meta property=\"og:image:height\" content=\"572\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/06\/29\/were-all-on-location-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/06\/29\/were-all-on-location-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"We\u2019re All on Location, and Other News\",\"datePublished\":\"2016-06-29T13:34:54+00:00\",\"dateModified\":\"2016-06-29T15:02:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/06\/29\/were-all-on-location-and-other-news\/\"},\"wordCount\":743,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/06\/29\/were-all-on-location-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/intoleranceset-rgb.png\",\"keywords\":[\"D.W. 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