{"id":99776,"date":"2016-06-27T09:15:09","date_gmt":"2016-06-27T13:15:09","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=99776"},"modified":"2016-06-27T10:45:16","modified_gmt":"2016-06-27T14:45:16","slug":"the-typefaces-of-blade-runner-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/06\/27\/the-typefaces-of-blade-runner-and-other-news\/","title":{"rendered":"The Typefaces of <i>Blade Runner<\/i>, and Other News"},"content":{"rendered":"<div id=\"attachment_99779\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/bladerunner_0_05_15_tyrell_corp_full.jpg\" rel=\"attachment wp-att-99779\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-99779\" class=\"wp-image-99779\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/bladerunner_0_05_15_tyrell_corp_full.jpg\" alt=\"\" width=\"600\" height=\"444\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/bladerunner_0_05_15_tyrell_corp_full.jpg 1078w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/bladerunner_0_05_15_tyrell_corp_full-300x222.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/bladerunner_0_05_15_tyrell_corp_full-768x568.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/bladerunner_0_05_15_tyrell_corp_full-1024x757.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-99779\" class=\"wp-caption-text\">From <i>Blade Runner<\/i>.<\/p><\/div>\n<ul>\n<li>At ninety-seven, Lawrence Ferlinghetti is still telling stories, hanging out with Sterling Lord, and drinking Merlot, as one does: \u201c<a href=\"http:\/\/www.nytimes.com\/2016\/06\/26\/fashion\/a-literary-bromance-now-in-its-sixth-decade.html\" target=\"_blank\">The partnership between Mr. Ferlinghetti and Mr. Lord, two towering legends in the publishing world, traces back to the heady, early days of the Beat movement, when a literary and cultural revolution was ignited by a band of iconoclastic writers<\/a> \u2026 Both men attribute the longevity of their lives and careers partly to the fact that they weren\u2019t as wild as the Beat writers they championed. Mr. Lord, who cycled through four marriages, hung around with many of the rebellious, semi-feral writers he represented, but he was always the straight man. He never even smoked cigarettes, at least not in the last half-century. \u2018I did smoke a little, in my thirties,\u2019 he said. \u2018But I didn\u2019t inhale.\u2019 \u201d<\/li>\n<\/ul>\n<ul>\n<li>The biographer Michael Shelden would like to say that Herman Melville had a mistress, and William Giraldi would like to say that it doesn\u2019t really matter: \u201c<a href=\"https:\/\/newrepublic.com\/article\/133898\/fifty-shades-moby-dick\" target=\"_blank\">Biographers have long known about Sarah Morewood, the Melvilles\u2019 bewitching neighbor in Pittsfield, Massachusetts\u2014an indefatigable thrower of parties and the Berkshires\u2019 top literary hanger-on\u2014but Shelden wants you to know her in the Biblical sense<\/a>. \u2018Sexy beyond measure,\u2019 Morewood is \u2018one of the great unsung figures in literary history,\u2019 a woman who \u2018didn\u2019t like to take no for an answer.\u2019 Shelden describes her as Melville\u2019s \u2018goddess in his Berkshire paradise,\u2019 the \u2018powerful key to unlocking his secrets,\u2019 an \u2018untamed spirit\u2019 whose \u2018seductive powers worked their wonders on more than a few men.\u2019 Her supposed years-long affair with Melville was \u2018so intimate and revealing that it colored every aspect of his life.\u2019 Shelden\u2019s panting, clich\u00e9-choked style soon has you reaching for the light switch and candle, then the cigarette and bonbons.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Eliot, Auden, and Yeats all praised David Jones\u2019s 1937 <em>In Parenthesis <\/em>as a masterpiece, the best long poem to come out of World War I\u2014so how come no one reads it anymore? \u201c<a href=\"https:\/\/www.theguardian.com\/books\/2016\/jun\/25\/in-parenthesis-no-longer-who-was-the-author-of-the-greatest-poem-of-the-first-world-war?CMP=twt_books_b-gdnbooks\" target=\"_blank\">Fuelled by direct experience, but highly composed, with a frame of reference that reaches across centuries, <em>In Parenthesis <\/em>works at the level of poetry, yet isn\u2019t verse, nor, I\u2019d argue, a poem<\/a>. Multiple narrative possibilities are deployed throughout, fragmented lyricism giving way to sections of prose, dialogue, stream of consciousness, slang and song. The flow between these modes and registers never feels anything less than organic, and yet the work is built upon a parenthetical structure of mathematical precision; a subterranean architecture of image, pace and movement that provides a governing background rhythm to the multiple transitions of voice, perspective and cadence \u2026 In the seventy years since its publication it has been too rarely read, or even known, though it has maintained an influence on writers and poets working in its wake.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Isn\u2019t it time you took a good, hard look at the typefaces and art design in <em>Blade Runner<\/em>? The movie is set in 2019, and that\u2019s right around the corner\u2014best to be prepared. Don\u2019t worry. A lot of it will be familiar, including \u201c<a href=\"https:\/\/typesetinthefuture.com\/2016\/06\/19\/bladerunner\/\">a neon advertisement for popular American food processor manufacturer\u00a0Cuisinart \u2026 Cuisinart are far from the only 1980s company advertised in 2019\u2019s Los Angeles cityscape, however<\/a>. We once again meet\u00a0American flag-carrier\u00a0Pan Am \u2026 popular carbonated sugar-water Coca-Cola \u2026 perennial halitosis-mitigator Dentyne \u2026 extraterrestrial\u00a0game\u00a0manufacturer\u00a0Atari \u2026 regularly product-placed watch manufacturer Bulova \u2026 alcoholic\u00a0beverage brand\u00a0Budweiser \u2026 and\u00a0genius, irreverent, sexy\u00a0mythical perfume\u00a0brand\u00a0J\u014dvan.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Spending time in Berlin this summer? I know this cool artists\u2019 collective curating this cool Biennale you might want to che\u2014oh \u2026 wait \u2026 \u201c<a href=\"http:\/\/hyperallergic.com\/306932\/the-9th-berlin-biennale-a-vast-obsolescent-pageant-of-irrelevance\/\" target=\"_blank\">the Berlin Biennale has, under DIS\u2019s curation, transformed from one of Europe\u2019s most critical pinnacles of contemporary art into a vast obsolescent pageant of irrelevance, a disposable cobranding opportunity made to measure for privileged shareholders with little (if any) connection to the numerous issues facing Germany, Europe, or the international community today<\/a>. Instead, what DIS have come up with is an exhibition so vacuous, ideologically apathetic, ahistorical, sarcastic, and dehumanizing, it\u2019s a wonder it hasn\u2019t been blacklisted solely on account of its conformity to commodity fetishism.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>At ninety-seven, Lawrence Ferlinghetti is still telling stories, hanging out with Sterling Lord, and drinking Merlot, as one does: \u201cThe partnership between Mr. Ferlinghetti and Mr. Lord, two towering legends in the publishing world, traces back to the heady, early days of the Beat movement, when a literary and cultural revolution was ignited by a [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[22969,22968,22966,14346,4083,22967,5867,22965,200,22964,13388,14923],"class_list":["post-99776","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-berlin-biennale","tag-blade-runner","tag-david-jones","tag-dis-magazine","tag-herman-melville","tag-in-parenthesis","tag-lawrence-ferlinghetti","tag-sarah-morewood","tag-science-fiction","tag-sterling-lord","tag-typefaces","tag-world-war-one"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Very, Very Thorough Look at Blade Runner\u2019s Typefaces<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta 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