{"id":99709,"date":"2016-06-24T09:33:00","date_gmt":"2016-06-24T13:33:00","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=99709"},"modified":"2016-06-24T10:17:05","modified_gmt":"2016-06-24T14:17:05","slug":"poets-saving-parks-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/06\/24\/poets-saving-parks-and-other-news\/","title":{"rendered":"Poets Saving Parks, and Other News"},"content":{"rendered":"<div id=\"attachment_99712\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/goats.jpg\" rel=\"attachment wp-att-99712\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-99712\" class=\"wp-image-99712\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/goats.jpg\" alt=\"\" width=\"600\" height=\"478\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/goats.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/06\/goats-300x239.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-99712\" class=\"wp-caption-text\">From a WPA poster for Yosemite.<\/p><\/div>\n<ul>\n<li>When I think of the Beats, I think of drugs, of brooding nights in dens of iniquity, of casual misogyny. But it\u2019s time to revamp their public image: they were also, as Timothy Egan writes, eloquent proponents of our national parks. \u201c<a href=\"http:\/\/www.nytimes.com\/2016\/06\/24\/opinion\/can-poets-save-the-parks.html\" target=\"_blank\">They were known as literary subversives, rebel voices in the era of Silent Generation conformity<\/a>. But among their other contributions to American life are words that some of the Beats marshaled on behalf of wild places. Kerouac, inspired by Snyder\u2019s rapture about a summer spent in the clouds, followed him as a lookout to an area that eventually became North Cascades National Park in Washington State \u2026 In this year when the Park Service is celebrating its centennial with all sorts of hand-wringing about the future, it\u2019s instructive to remember how language can save landscape. Powerful prose has been put to good use in the cause of America\u2019s Best Idea.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Cynthia Ozick, at eighty-eight, is still a force of midcentury belletristic intellectualism\u2014even her regular cabdriver in New Rochelle is quick to say that \u201cthe old lady\u201d still has \u201call her marbles.\u201d Giles Harvey paid her a visit: \u201c<a href=\"http:\/\/www.nytimes.com\/2016\/06\/26\/magazine\/cynthia-ozicks-long-crusade.html\" target=\"_blank\">Like her characters, a sorry gaggle of pallid shut-ins and thwarted fantasists, Ozick doesn\u2019t get out much<\/a>. She has spoken of her aversion to stages and of her impatience with what Henry James, her lifelong inspirator, called \u2018the twaddle of mere graciousness.\u2019 She writes at night, for years at the Sears, Roebuck desk she has owned since childhood, measuring her existence \u2018in sentences pressed out, line by line, like the lustrous ooze on the underside of the snail.\u2019 When I first wrote to her to propose this article, she responded with a detailed message about her unsuitability. As far as she could tell, her life was altogether devoid of public action, public interest. \u2018I once wrote that I\u2019d flown cross-country, solo, from the Westchester County airport to the Rocky Mountains in a single-engine 180-horsepower Piper Cherokee,\u2019 she added promisingly. \u2018But that was a lie.\u2019 \u201d<\/li>\n<\/ul>\n<ul>\n<li>In which Emma Cline offers a glimpse into her past as a child actor: \u201c<a href=\"https:\/\/www.theguardian.com\/books\/2016\/jun\/24\/my-life-before-writing-emma-cline\" target=\"_blank\">For that week of filming, it was like I had a new team of parents<\/a> \u2026 I thought the blessing would never end. And my mother must have felt it, too: she had met people who would chat with her during downtime, crew members who brought her bottles of water, other parents of kid actors who would commiserate over work permits and Screen Actors Guild dues. She belonged and so did I, marked by rare luck, sanctioned by all the busyness and effort that surrounded us. And who wouldn\u2019t want to believe that the world took notice of you, made a space for you, fussed over your presence and wished for your success?\u201d<\/li>\n<\/ul>\n<ul>\n<li>Tim Parks has read <em>The Vegetarian<\/em>\u2014Han Kang\u2019s Man Booker International Prize\u2013winning novel, translated from the Korean\u2014and he has just a few questions. \u201c<a href=\"http:\/\/www.nybooks.com\/daily\/2016\/06\/20\/raw-and-cooked-translation-why-the-vegetarian-wins\/\" target=\"_blank\">Unable to compare translation and original or even to check single English words against the corresponding Korean, since I cannot distinguish one Korean character from another, I have but one resource<\/a>. I must consider the relationship between content and style in the English translation \u2026 Looked at closely, the prose is far from an epitome of elegance, the drama itself neither understated nor beguiling, the translation frequently in trouble with register and idiom. Studying the thirty-four endorsements again, and the praise after the book won the prize, it occurs to me there is a shared vision of what critics would like a work of \u2018global fiction\u2019 to be and that <em>The Vegetarian<\/em> has managed to present itself as a candidate that can be praised in those terms.\u201d<\/li>\n<\/ul>\n<ul>\n<li>True-crime stories are more popular than ever\u2014and so, too, by extension, are white dudes with martyr complexes hoping to solve cold cases. James Renner\u2019s new book <em>True Crime Addict <\/em>tells a familiar tale: \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/true-crime-addict-and-the-problem-of-internet-sleuths\" target=\"_blank\">Cold cases have long attracted hangers-on like Renner, who work for years on \u2018solving\u2019 the crime but never do<\/a>. In cases that broke before the advent of Internet sleuthing, they often called themselves \u2018private investigators,\u2019 which represented a shockingly diverse category. Now many of these people gather on the Internet, posting on sites like Renner\u2019s. The result is a complicated morass of uncontrolled speculation. It certainly isn\u2019t justice \u2026 I\u2019m frankly surprised that a major publishing house decided to release Renner\u2019s book.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>When I think of the Beats, I think of drugs, of brooding nights in dens of iniquity, of casual misogyny. But it\u2019s time to revamp their public image: they were also, as Timothy Egan writes, eloquent proponents of our national parks. \u201cThey were known as literary subversives, rebel voices in the era of Silent Generation [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[639,22946,8668,22947,3462,10964,19296,22741,7014,530,8577],"class_list":["post-99709","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-acting","tag-beat-poets","tag-beats","tag-cold-cases","tag-cynthia-ozick","tag-emma-cline","tag-national-parks","tag-the-vegetarian","tag-tim-parks","tag-translation","tag-true-crime"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Can Poets Save the Parks? 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