{"id":98614,"date":"2016-05-26T09:29:07","date_gmt":"2016-05-26T13:29:07","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=98614"},"modified":"2016-05-26T10:11:37","modified_gmt":"2016-05-26T14:11:37","slug":"punk-is-dead-so-were-burning-it-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/05\/26\/punk-is-dead-so-were-burning-it-and-other-news\/","title":{"rendered":"Punk Is Dead, So We\u2019re Burning It, and Other News"},"content":{"rendered":"<div id=\"attachment_98616\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/1280px-glenn_o._coleman_-_election_night_bonfire_-_google_art_project.jpg\" rel=\"attachment wp-att-98616\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-98616\" class=\"wp-image-98616\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/1280px-glenn_o._coleman_-_election_night_bonfire_-_google_art_project.jpg\" alt=\"\" width=\"600\" height=\"434\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/1280px-glenn_o._coleman_-_election_night_bonfire_-_google_art_project.jpg 1199w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/1280px-glenn_o._coleman_-_election_night_bonfire_-_google_art_project-300x217.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/1280px-glenn_o._coleman_-_election_night_bonfire_-_google_art_project-768x555.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/1280px-glenn_o._coleman_-_election_night_bonfire_-_google_art_project-1024x740.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-98616\" class=\"wp-caption-text\">Glenn O. Coleman, <i>Election Night Bonfire<\/i>,<i>\u00a0<\/i>undated.<\/p><\/div>\n<ul>\n<li>Raymond Carver\u2019s fiction is good, sure, but you haven\u2019t really lived till you\u2019ve seen the guy\u2019s family photos. His brother, James, has shared a few with a remembrance of Raymond: \u201c<a href=\"http:\/\/electricliterature.com\/a-tribute-to-raymond-carver-on-his-birthday-by-his-brother-james-with-never-before-seen-family-photos\/\" target=\"_blank\">I remember the years we shared living together in Sacramento during the midsixties \u2026 One of his few jobs in Sacramento was working at Mercy Hospital in housekeeping<\/a>. He worked three or four hours in the evening but was paid for eight. We both had nothing but spare time; we continued to spend many hours hanging out together, talking, reminiscing, and drinking. We would get in the car and drive with nowhere special to go. We talked about all the moves we and our parents had made looking for happiness. We drank from a bottle of Ten High Bourbon we kept in the glove compartment. One of us would say, \u2018Wait until spring.\u2019 The other would say, \u2018And things will bust wide open,\u2019 meaning at last, everything would be better for all of us. We both would break into laughter. It was a private joke which we never forgot; Ray mentioned it a year before he died. We always had the ability to laugh at ourselves and our failures.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Queen Elizabeth has declared 2016 the Year of Punk, so you know someone had to stand up and flip her the bird. Joseph Corr\u00e9, the son of Vivienne Westwood and Malcolm McLaren, is doing it right: he \u201c<a href=\"https:\/\/news.artnet.com\/people\/punk-memorabilia-to-burn-450458\" target=\"_blank\">announced yesterday that he will set fire to his entire collection of punk memorabilia, estimated to be worth about\u00a0\u00a35 million ($7.1 million)<\/a> \u2026 The bonfire is slated to take place in Camden, London, on November 26, to mark the 40th anniversary of the release of the Sex Pistols single \u2018Anarchy in the UK\u2019, off the album <em>Never Mind the Bollocks, Here&#8217;s the Sex Pistols \u2026 <\/em>\u2018The Queen giving 2016, the Year of Punk, her official blessing is the most frightening thing I\u2019ve ever heard,\u2019 he says. \u2018Talk about alternative and punk culture being appropriated by the mainstream. Rather than a movement for change, punk has become like a fucking museum piece or a tribute act.\u2019 \u201d<\/li>\n<\/ul>\n<ul>\n<li>There is but one effective way of drawing our attention to the inanity of online polls, and that is fake online polls. Jonas Lund\u2019s new online artwork <em>Fair Warning<\/em> \u201c<a href=\"http:\/\/rhizome.org\/editorial\/2016\/may\/25\/review-jonas-lunds-fair-warning\/\" target=\"_blank\">takes the form of an eccentric online questionnaire or personality test. The pages invite the viewer to input their preferences. Duck or Rabbit? Window or Aisle? Idol or Douche? Apple or FBI?<\/a> There are multiple-choice questions, photographs of sculptures and paintings, and news images, as well as, occasionally, solid blocks and color gradients. Each time the animated circle at the bottom of the page completes a revolution\u2014this persistent, nagging counter mimics the buffering animations of video streaming sites and the multicolored wait cursor, aka the \u2018spinning beach ball of death\u2019 on Apple computers\u2014there is a computerized chime. This happens every four seconds \u2026 Other than an animated ripple that appears onscreen each time you click, user input doesn\u2019t affect the metronomic rhythm of the piece. Nor is it clear if your preferences are even being registered.\u201d<\/li>\n<\/ul>\n<ul>\n<li>With the rise of the suburbs came an almost simultaneous effort to theorize the suburbs\u2014why had so many families marooned themselves in a new environment, and what was going on there? As Amanda Kolson Hurley writes, midcentury studies of suburbia were far from sunny: \u201c<a href=\"http:\/\/www.curbed.com\/2016\/5\/25\/11746862\/cold-war-suburbs-1950s-health\" target=\"_blank\">Most strikingly, they reveal deep and widespread concern over the stability of mental and physical health in the new suburban environment<\/a> \u2026 It was a social experiment unprecedented in U.S. history. The first suburbanites themselves were well aware of this. Although they felt the optimism of pioneers, they shared in the widespread anxiety that the experiment might not work, an anxiety that manifested as worries about unanticipated health effects. These ranged from the daily, cumulative frustrations of a Mary Drone to more significant problems: stomach ulcers, heart attacks, anxiety, depression, sexual dysfunction, and juvenile delinquency.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Or you can look at perhaps the suburbs\u2019 most successful export, the mall. Alex Cocotas, being shown around on a visit to Tel Aviv, discovered how thoroughly the mall has metastasized abroad: \u201c<a href=\"http:\/\/www.full-stop.net\/2016\/05\/25\/features\/essays\/alex-cocotas\/the-mall-lives\/\" target=\"_blank\">We weren\u2019t there to take a dip in the Mediterranean or to feel the sand bunch between our toes; we were not there to admire the yachts or to dream of their interior lives. We were there to go to the mall<\/a>. We walked down a passageway between the boats and a row of restaurants, and entered a world that was virtually indistinguishable from its American counterparts: multistoried, brightly lit, oozing an arctic tundra of air conditioning from unseen pores, perfumes enticingly wafting from open-door oracles to the ever-confounding enigma of next season, stores bearing a familiar, supranational aesthetic, cellphone stands clotting up busy causeways between them. Everything aspired to that same ethereal timelessness, a fantasy of pure transaction \u2026 Why take a foreign traveler to a mall at all? The way I see it, the mall trip is meant to communicate a message about the local culture\u2014who they are, their country, their standard of living. They are taking me to the mall because there is a mall.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Raymond Carver\u2019s fiction is good, sure, but you haven\u2019t really lived till you\u2019ve seen the guy\u2019s family photos. His brother, James, has shared a few with a remembrance of Raymond: \u201cI remember the years we shared living together in Sacramento during the midsixties \u2026 One of his few jobs in Sacramento was working at Mercy [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[22517,11395,22519,22518,21093,20373,22521,10443,6412,7681,22520,263,514,8838,19323,10842],"class_list":["post-98614","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-family-pictures","tag-fire","tag-jonas-lund","tag-joseph-corre","tag-malcolm-mclaren","tag-malls","tag-online-art","tag-photos","tag-punk","tag-queen-elizabeth","tag-questionnaires","tag-raymond-carver","tag-suburbia","tag-tel-aviv","tag-the-suburbs","tag-vivienne-westwood"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vivienne Westwood\u2019s Son Will Burn $7.1 Million in Punk Memorabilia<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/05\/26\/punk-is-dead-so-were-burning-it-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Punk Is Dead, So We\u2019re Burning It, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"May 26, 2016 \u2013 Raymond Carver\u2019s fiction is good, sure, but you haven\u2019t really lived till you\u2019ve seen the guy\u2019s family photos. His brother, James, has shared a few with a\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/05\/26\/punk-is-dead-so-were-burning-it-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-26T13:29:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-05-26T14:11:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/1280px-glenn_o._coleman_-_election_night_bonfire_-_google_art_project.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1199\" \/>\n\t<meta property=\"og:image:height\" content=\"867\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" 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