{"id":98394,"date":"2016-05-19T17:12:45","date_gmt":"2016-05-19T21:12:45","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=98394"},"modified":"2016-05-20T12:03:00","modified_gmt":"2016-05-20T16:03:00","slug":"the-single-girls-guide-to-art","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/05\/19\/the-single-girls-guide-to-art\/","title":{"rendered":"The Single Girl\u2019s Guide to Art"},"content":{"rendered":"
\"A<\/a>

Jean Baptiste Greuze, A Girl With A Dead Canary<\/i>, 1765.<\/p><\/div>\n

Shannon Borg\u2019s poem \u201cThe Single Girl\u2019s Guide to Art\u201d appeared in our Spring 2002 issue<\/a>.\u00a0Her latest collection\u00a0is\u00a0<\/em><\/em>Corset<\/a>.\u00a0<\/em><\/p>\n

I. UNITY<\/p>\n

\n

On her dress she wears her body<\/em>. \u2014Blaise Cendrars<\/p>\n<\/blockquote>\n

Black, black, all black! The essence
of all that is deep, and you have
to have it! We all know the right
tools are essential to any undertaking.
Composed in just the right manner,
a little black dress can take you
anywhere. Nothing to distract the eye
from the body, in pursuit of your true art
lover. And next to you, honey, the tourists
will look like huge colorfields. The latest
lipstick is Venus, the latest shade
for nails is Mars. Perfect for museum day!<\/p>\n

 <\/p>\n

II. BALANCE<\/p>\n

\n

A woman must continually watch herself. <\/em>\u2014John Berger<\/p>\n<\/blockquote>\n

In line, position yourself near the possible
object of your desire. Pay with plastic,
sign with a flourish. Think of your life
as one well-wrought performance piece,
and be sure to get the little pin; position it
above your breast, on your best side. Always
think ahead! You\u2019ll thank me later\u2014a fabulous
conversation piece, that pin, later at the caf\u00e9.
Remember, your entry into his frame must be
oblique, cause tension. Move to the corner
of his eye, but don\u2019t linger, if he is to engage you
in what we will call the gaze<\/em>.<\/p>\n

 <\/p>\n

III. RHYTHM<\/p>\n

\n

I paint with my prick. <\/em>\u2014Auguste Renoir<\/p>\n<\/blockquote>\n

What do you desire in a man? Money,
Looks or (heaven forbid) Personality?
Determine your sequence in this manner.
For instance, the Renaissance is all good
and fine, but resist the tempting male
nude. We all know <\/em>the perfect man
is a statue. But what straight man
can truly appreciate this? And stay away
from canvases of war. Narrative is the death
of art; it just goes on and on, and you,
my dear, are not even in that story.
Don\u2019t get me started.<\/p>\n

 <\/p>\n

IV. DOMINANCE<\/p>\n

\n

Here, nothing but a great thing can happen. The tall woman becomes taller. <\/em>\u2014Louis Aragon<\/p>\n<\/blockquote>\n

As you move through the pure white halls,
think: Sargent, Klimt<\/em>. Thin fingers, thin forms.
Yes. Judith looks as if she\u2019s dreaming
up some plot, avoiding the painter\u2019s eye.
Follow her gaze. At its end you\u2019ll inevitably find
a man. But beware, if his eyes are big as paintpots,
he\u2019ll cling. Brushwork, gold foil is all he wants.
Now. This is the moment when life becomes
art. Circle the room slowly, mixing your blackness
into his linen (no polyester, of course). If he moves
after you, he\u2019s fascinated. Follows to Picasso?
He might be yours. (Make sure to use protection.)<\/p>\n

 <\/p>\n

V. CONTRAST<\/p>\n

\n

The less you resemble us, the more you are sure to charm. <\/em>\u2014John Jacques Rousseau<\/p>\n<\/blockquote>\n

Position yourself, waiflike, in front of a Rothko.
Watch yourself being watched. But for God\u2019s sake,
choose the one that goes with your skin! Yellows
wash you out. Green? Too creepy. Red?
Yes, a dark, sensual crimson. You, diagonal,
just outside the frame. Resist time\u2019s constant
passing (a nip here, a tuck there) with the eye\u2019s
endless desire. That\u2019s what art is all about,
of course. You can do it, girls. You are the site
where the eye will stop. Be the object
and the frame. The looking, and the looking
away. Now let\u2019s go. We haven\u2019t got all day!<\/p>\n

Enjoy this poem? Subscribe to\u00a0<\/a><\/em>The Paris Review\u00a0<\/a>to read more<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Shannon Borg\u2019s poem \u201cThe Single Girl\u2019s Guide to Art\u201d appeared in our Spring 2002 issue.\u00a0Her latest collection\u00a0is\u00a0Corset.\u00a0<\/p>\n","protected":false},"author":985,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1188],"tags":[22449,19907,22448,165,22447,36],"class_list":["post-98394","post","type-post","status-publish","format-standard","hentry","category-from-the-archive","tag-art-galleries","tag-from-the-archive","tag-paris-review-archive","tag-poetry","tag-shannon-borg","tag-women"],"acf":[],"yoast_head":"\nThe Single Girl\u2019s Guide to Art<\/title>\n<meta name=\"description\" content=\"A poem from the archive.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/05\/19\/the-single-girls-guide-to-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Single Girl\u2019s Guide to Art by Shannon Borg\" \/>\n<meta property=\"og:description\" content=\"May 19, 2016 \u2013 Shannon Borg\u2019s poem \u201cThe Single Girl\u2019s Guide to Art\u201d appeared in our Spring 2002 issue.\u00a0Her latest collection\u00a0is\u00a0Corset.\u00a0I. 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