{"id":98289,"date":"2016-05-18T09:15:49","date_gmt":"2016-05-18T13:15:49","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=98289"},"modified":"2016-05-18T10:23:14","modified_gmt":"2016-05-18T14:23:14","slug":"robot-cars-are-totally-soulless-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/05\/18\/robot-cars-are-totally-soulless-and-other-news\/","title":{"rendered":"Robot Cars Are Totally Soulless, and Other News"},"content":{"rendered":"<div id=\"attachment_98292\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/cd79dd467304f40280802427a7d7225e.jpg\" rel=\"attachment wp-att-98292\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-98292\" class=\"wp-image-98292\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/cd79dd467304f40280802427a7d7225e.jpg\" alt=\"\" width=\"600\" height=\"465\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/cd79dd467304f40280802427a7d7225e.jpg 616w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/cd79dd467304f40280802427a7d7225e-300x232.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-98292\" class=\"wp-caption-text\">\u201cThe Man Catcher,\u201d an early effort at pedestrian safety.<\/p><\/div>\n<ul>\n<li>Remember the sixties? Me either\u2014I was negative eighteen in \u201968. Jesse Jarnow also wasn\u2019t born yet, but his book on the psychedelic counterculture, <em>Heads<\/em>, benefits from that distance, Hua Hsu writes: \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/the-lingering-legacy-of-psychedelia?mbid=social_twitter\" target=\"_blank\">He is vigilant in his attempt to understand the idealism of the past on its own terms, and to regard the \u2018head\u2019\u2014the archetypal, open-minded sixties explorer\u2014as someone whose skepticism toward power structures and authority might still resonate with us today<\/a>. It\u2019s just that, back then, such an explorer might have found a little more help along the way \u2026 As I read Jarnow\u2019s chapter on the innocent, halcyon days of LSD experimentation, the mid-sixties started to feel further away than the seventeen-hundreds. It was easy to understand the central players\u2019 ambitions\u2014their visions of freedom aren\u2019t so different from ours\u2014but it was nearly impossible to imagine the world they found themselves in; I kept anticipating the nation\u2019s inexorable tilt back toward its Puritan roots, its choice of law and order over mind expansion.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Today in the cock ring as a metaphor: \u201c<a href=\"https:\/\/artforum.com\/inprint\/issue=201605&amp;id=59522\" target=\"_blank\">Artists hardly even qualify as whores. Contemporary art is a cock ring on a giant erection pumped up by capitalism and keeping the masters of that game from cumming<\/a>. I think they like it. I think the artists like it, too. They get to pretend to be profound. Some are. Most are hemorrhoids waiting to happen. The blood that pumps it all up is money. Green blood. Who has a problem with that? We all want some of it. Just please don\u2019t take it seriously. No, actually, do take it seriously. If you did, I would be impoverished, and maybe my life would have been worth more.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Books can be difficult\u2014so many words, and usually they\u2019re the same color. But what if we made them <em>different <\/em>colors? The Folio Society\u2019s new edition of <em>The Sound and the Fury<\/em> presents the text \u201cin fourteen different colors that represent different time zones in the narrative,\u201d and this one guy is super excited about it: \u201c<a href=\"http:\/\/mashable.com\/2016\/05\/16\/color-text-books\/#PCmbXMI2jaqx\" target=\"_blank\">Colored text \u2026 feels like a breakthrough for publishing. It\u2019s a playful approach perfectly attuned to our era.<\/a> Learning in general has already moved away from dusty tomes of monochrome text to brighter, shinier and more interactive methods. In a time of short attention spans and digital distractions, could multicolored publishing work for other difficult books?\u00a0Would <em>Gravity\u2019s Rainbow <\/em>be more popular with a rainbow-colored makeover?\u00a0Would Proust\u2019s interminable sentences be easier to navigate if they switched back and forth from one color to another, allowing the reader a sense of a light at the end of each tunnel?\u201d (Because that\u2019s why we read Proust: for the occasional sense of relief.)<\/li>\n<\/ul>\n<ul>\n<li>If you\u2019ve kept yourself up at night pondering the ethical dilemmas of driverless cars\u2014like, if they\u2019re going really fast and there\u2019s a kid in the road, and they can either plow over the kid or jerk the wheel and kill you, the passenger\u2014you might have even bigger problems to worry about. Daniel Albert writes: \u201c<a href=\"https:\/\/nplusonemag.com\/online-only\/online-only\/the-amorality-of-self-driving-cars\/\" target=\"_blank\">I\u2019m optimistic about our robot-car future. It will be really cool. But make no mistake that the development of driverless cars will flow from the same combination of forces that have carried us from the Model T to the Tesla<\/a>. For some 120 years those forces have favored not mobility precisely, but automobility: a system that melds moving from place to place with industrial production and consumerism. Promoters of autonomous vehicles promise that they will defeat those forces, will wipe the slate clean. History suggests that they might also be consumed by them \u2026 Robot cars will be neither moral nor immoral in the narrow sense premised in the thought experiments now being conducted and sold as valuable. They will not exist outside of the current automotive ecosystem. They will instead enter an automotive landscape that instantiates myriad ethical choices made in the past and rehearsed daily.\u201d<\/li>\n<\/ul>\n<ul>\n<li>In the sixties, a group of black photographers formed the Kamoinge Workshop to promote and show their work. As LeRonn P. Brooks writes, Kamoinge \u201c<a href=\"http:\/\/aperture.org\/blog\/vision-justice-online-kamoinge-workshop\/?redirect_log_mongo_id=573bb337643733001fdc0000&amp;redirect_mongo_id=573b7f793332312da9290100&amp;sb_referer_host=t.co&amp;utm_campaign=Hootsuite&amp;utm_medium=Web&amp;utm_source=Springbot\" target=\"_blank\">began when two separate groups of young black photographers\u2014including Louis Draper, Earl James, and Calvin Mercer, among others\u2014gathered in 1963 to discuss ways of using their work to address the civil-rights movement and the troubling conditions of black people in their communities<\/a>. It was concurrent with other progressively minded black artist groups such as Spiral, also based in New York, which included painters Romare Bearden (whom [Ming] Smith would photograph in 1977), Hale Woodruff, Norman Lewis, and Emma Amos, among others. Kamoinge was initially mentored by more established photographers such as Larry Stewart and Roy DeCarava served as its first director. More than just a photography collective, Kamoinge (named for a word from the Kikuyu language meaning \u2018a group of people acting together\u2019) was an important forum for creative political activity.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Remember the sixties? Me either\u2014I was negative eighteen in \u201968. Jesse Jarnow also wasn\u2019t born yet, but his book on the psychedelic counterculture, Heads, benefits from that distance, Hua Hsu writes: \u201cHe is vigilant in his attempt to understand the idealism of the past on its own terms, and to regard the \u2018head\u2019\u2014the archetypal, open-minded [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[16675,35,10484,22407,22409,22411,8558,22410,3104,1080,100,22406,22412,13720,22408,13512,4762,8922],"class_list":["post-98289","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-acid","tag-art","tag-cars","tag-cock-rings","tag-colored-texts","tag-driverless-cars","tag-ethics","tag-kamoinge","tag-lsd","tag-money","tag-photography","tag-psychedelics","tag-robot-cars","tag-text","tag-the-art-world","tag-the-sixties","tag-the-sound-and-the-fury","tag-wealth"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Amorality of Robot Cars<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/05\/18\/robot-cars-are-totally-soulless-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Robot Cars Are Totally Soulless, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"May 18, 2016 \u2013 Remember the sixties? Me either\u2014I was negative eighteen in \u201968. Jesse Jarnow also wasn\u2019t born yet, but his book on the psychedelic counterculture, Heads,\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/05\/18\/robot-cars-are-totally-soulless-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-18T13:15:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-05-18T14:23:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/05\/cd79dd467304f40280802427a7d7225e.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"616\" \/>\n\t<meta property=\"og:image:height\" content=\"477\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" 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Me either\u2014I was negative eighteen in \u201968. 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