{"id":97241,"date":"2016-04-21T18:30:56","date_gmt":"2016-04-21T22:30:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=97241"},"modified":"2016-04-21T18:30:56","modified_gmt":"2016-04-21T22:30:56","slug":"morning-street","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/","title":{"rendered":"Morning Street"},"content":{"rendered":"<div id=\"attachment_97250\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97250\" class=\" wp-image-97250\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-1024x685.jpg\" alt=\"William Edouard Scott, Rainy Night at Etaples, 1912\" width=\"600\" height=\"401\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-1024x685.jpg 1024w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-300x201.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-768x514.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1.jpg 1600w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-97250\" class=\"wp-caption-text\"><em>William Edouard Scott<\/em>, Rainy Night at Etaples, <em>1912<\/em><\/p><\/div>\n<p><em>Carlos Drummond de Andrade\u2019s poem \u201cMorning Street\u201d appeared in our <a href=\"https:\/\/www.theparisreview.org\/back-issues\/97\" target=\"_blank\">Fall 1986<\/a> issue. He is considered by some to be the greatest Portuguese-language poet of all time.<\/em><\/p>\n<p>The splashing rain<br \/>unearthed my father. <br \/>I never imagined<br \/>him buried thus, <br \/>to the din of trolleys<br \/>on an asphalt street<br \/>giant palm trees slanting on the beach<br \/>(and a voice from sleep<br \/>to stroke my hair), <br \/>as melodies wash up<br \/>with lost money<br \/>discarded confessions<br \/>old papers, glasses, pearls.<\/p>\n<p>To see him exposed<br \/>to the damp, acrid air,<br \/>that drifts in with the tide<br \/>and cuts your breath,<br \/>to wish to love him<br \/>without deceit<br \/>to cover him with kisses, with flowers, with swallows,<br \/>to alter time<br \/>to offer the warm<br \/>of a quiet embrace<br \/>from this elderly recluse,<br \/>discarded confessions<br \/>and a lamb-like truce.<\/p>\n<p>To feel the lack<br \/>of inborn strengths<br \/>to want to carry him<br \/>to the older sofa<br \/>of a bygone ranch,<br \/>but splashes of rain<br \/>but sheets of mud beneath reddish street lamps<br \/>but all that exists<br \/>of morning and wind<br \/>between one nature and another<br \/>yawning sheds by the docks<br \/>discarded confessions<br \/>ingratitude. <br \/>What should a man do<br \/>at dawn<br \/>(a taste of defeat<br \/>in his mouth, in the air)<br \/>in whatever place?<br \/>Everything spoken, drunk, or even pretended<br \/>and the rest still buried<br \/>in the folds of sleep,<br \/>cigarette stubs<br \/>the wet glare of streets<br \/>discarded confessions<br \/>morning defeat.<\/p>\n<p>Vague mountains<br \/>greening waves<br \/>newspapers already white,<br \/>hesitant melody<br \/>trying to spawn<br \/>conditions for hope<br \/>on this gray day, of a broken lament. <br \/>Nothing left to remind me<br \/>of the seamless asphalt.<br \/>Abandoned cellars<br \/>my body shivers<br \/>discarded confessions: <br \/>abruptly, the walk home.<\/p>\n<p style=\"text-align: right;\"><i>\u2014Translated from the Portuguese\u00a0by Thomas Colchie<br \/><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carlos Drummond de Andrade\u2019s poem \u201cMorning Street\u201d appeared in our Fall 1986 issue. He is considered by some to be the greatest Portuguese-language poet of all time. The splashing rainunearthed my father. I never imaginedhim buried thus, to the din of trolleyson an asphalt streetgiant palm trees slanting on the beach(and a voice from sleepto [&hellip;]<\/p>\n","protected":false},"author":967,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1188],"tags":[11261,2186,8226,4065,22041,7922,165,10796,691,530,22040],"class_list":["post-97241","post","type-post","status-publish","format-standard","hentry","category-from-the-archive","tag-carlos-drummond-de-andrade","tag-death","tag-family","tag-father","tag-mourning","tag-ocean","tag-poetry","tag-portuguese","tag-rain","tag-translation","tag-trolley"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cMorning Street,\u201d a poem by Carlos Drummond de Andrade<\/title>\n<meta name=\"description\" content=\"From our Fall 1986 issue\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Morning Street by Carlos Drummond de Andrade\" \/>\n<meta property=\"og:description\" content=\"April 21, 2016 \u2013 Carlos Drummond de Andrade\u2019s poem \u201cMorning Street\u201d appeared in our Fall 1986 issue. He is considered by some to be the greatest Portuguese-language poet\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-21T22:30:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1070\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Carlos Drummond de Andrade\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Carlos Drummond de Andrade\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/\"},\"author\":{\"name\":\"Carlos Drummond de Andrade\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/49ca511b7f64efa1f07959fe9a554d5a\"},\"headline\":\"Morning Street\",\"datePublished\":\"2016-04-21T22:30:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/\"},\"wordCount\":257,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-1024x685.jpg\",\"keywords\":[\"Carlos Drummond de Andrade\",\"death\",\"family\",\"father\",\"Mourning\",\"ocean\",\"poetry\",\"Portuguese\",\"rain\",\"translation\",\"Trolley\"],\"articleSection\":[\"From the Archive\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/\",\"name\":\"\u201cMorning Street,\u201d a poem by Carlos Drummond de Andrade\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-1024x685.jpg\",\"datePublished\":\"2016-04-21T22:30:56+00:00\",\"description\":\"From our Fall 1986 issue\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1.jpg\",\"width\":1600,\"height\":1070,\"caption\":\"William Edouard Scott, Rainy Night at Etaples, 1912\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Morning Street\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/49ca511b7f64efa1f07959fe9a554d5a\",\"name\":\"Carlos Drummond de Andrade\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8ecf3b9514a73bc7ffe65eb0376f6d22b51c370d81dea3163a100eb9e0844a20?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8ecf3b9514a73bc7ffe65eb0376f6d22b51c370d81dea3163a100eb9e0844a20?s=96&d=mm&r=g\",\"caption\":\"Carlos Drummond de Andrade\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/carlosdrummonddeandrade\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u201cMorning Street,\u201d a poem by Carlos Drummond de Andrade","description":"From our Fall 1986 issue","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/","og_locale":"en_US","og_type":"article","og_title":"Morning Street by Carlos Drummond de Andrade","og_description":"April 21, 2016 \u2013 Carlos Drummond de Andrade\u2019s poem \u201cMorning Street\u201d appeared in our Fall 1986 issue. He is considered by some to be the greatest Portuguese-language poet","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-04-21T22:30:56+00:00","og_image":[{"width":1600,"height":1070,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1.jpg","type":"image\/jpeg"}],"author":"Carlos Drummond de Andrade","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Carlos Drummond de Andrade","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/"},"author":{"name":"Carlos Drummond de Andrade","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/49ca511b7f64efa1f07959fe9a554d5a"},"headline":"Morning Street","datePublished":"2016-04-21T22:30:56+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/"},"wordCount":257,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-1024x685.jpg","keywords":["Carlos Drummond de Andrade","death","family","father","Mourning","ocean","poetry","Portuguese","rain","translation","Trolley"],"articleSection":["From the Archive"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/","name":"\u201cMorning Street,\u201d a poem by Carlos Drummond de Andrade","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1-1024x685.jpg","datePublished":"2016-04-21T22:30:56+00:00","description":"From our Fall 1986 issue","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/scott-rainy_night_tpr-1.jpg","width":1600,"height":1070,"caption":"William Edouard Scott, Rainy Night at Etaples, 1912"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/21\/morning-street\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Morning Street"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/49ca511b7f64efa1f07959fe9a554d5a","name":"Carlos Drummond de Andrade","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8ecf3b9514a73bc7ffe65eb0376f6d22b51c370d81dea3163a100eb9e0844a20?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8ecf3b9514a73bc7ffe65eb0376f6d22b51c370d81dea3163a100eb9e0844a20?s=96&d=mm&r=g","caption":"Carlos Drummond de Andrade"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/carlosdrummonddeandrade\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/97241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/967"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=97241"}],"version-history":[{"count":9,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/97241\/revisions"}],"predecessor-version":[{"id":97253,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/97241\/revisions\/97253"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=97241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=97241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=97241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}