{"id":97159,"date":"2016-04-20T09:14:35","date_gmt":"2016-04-20T13:14:35","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=97159"},"modified":"2016-04-20T10:42:01","modified_gmt":"2016-04-20T14:42:01","slug":"take-the-throne-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/20\/take-the-throne-and-other-news\/","title":{"rendered":"Take the Throne, and Other News"},"content":{"rendered":"<div id=\"attachment_97161\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/goldtoilet.jpg\" rel=\"attachment wp-att-97161\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97161\" class=\"wp-image-97161\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/goldtoilet.jpg\" alt=\"\" width=\"600\" height=\"549\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/goldtoilet.jpg 675w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/goldtoilet-300x275.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-97161\" class=\"wp-caption-text\">Maurizio Cattelan\u2019s mock-up of his solid-gold toilet, debuting in a bathroom at the Guggenheim this May.<\/p><\/div>\n<ul>\n<li>For years, I\u2019ve implored the management here at the <em>Review <\/em>to install a gold toilet\u2014it would raise morale and the magazine\u2019s profile. I\u2019m sad to report that the Guggenheim has beaten us to the flush. And their gold john is designed by Maurizio Cattelan, no less, who came out of retirement to make it: \u201c<a href=\"http:\/\/www.nytimes.com\/2016\/04\/20\/arts\/design\/duchamp-eat-your-heart-out-the-guggenheim-is-installing-a-gold-toilet.html?mtrref=undefined\" target=\"_blank\">You could go into the restroom just to bask in its glow, Mr. Cattelan said, but it becomes an artwork only with someone sitting on it or standing over it, answering nature\u2019s call<\/a> \u2026 Guggenheim officials said that they anticipated lines for the Cattelan bathroom and added that a guard or attendant might be placed near the door to ensure orderly waiting\u2014and also to make certain that no one tries to abscond with a piece of the toilet. They added that eighteen-karat gold was chosen for its solidity, though they acknowledged the possibility that the sculpture still could be scratched or damaged.\u201d<\/li>\n<li>Shakespeare teaches many things to many people. He taught me, for instance, how to kill kings by pouring poison in their ears. But he taught Jillian Keenan something even better: the joys of spanking. She writes of a pivotal moment in <em>A Midsummer Night\u2019s Dream<\/em>: \u201c<a href=\"http:\/\/www.slate.com\/blogs\/outward\/2016\/04\/19\/how_shakespeare_helped_a_writer_understand_her_need_for_spanking.html\" target=\"_blank\">I could find a huge spectrum of sexualities reflected in its characters. I saw passionate monogamy in Hermia and Lysander, confident polyamory in Oberon and Titania, playful anthropomorphism in Titania and Bottom, and loving bisexuality or homosexuality in Oberon and Puck. But in Helena and Demetrius, I just saw assholes<\/a>. The problem was that damn scene \u2026 My Helena is kinky. In <em>Midsummer, <\/em>she chooses the love she wants. It doesn\u2019t matter what we think of Demetrius or whether we approve of their dynamic. Helena loves him unflinchingly, and for that she deserves our respect. <em>A Midsummer Night\u2019s Dream <\/em>is a play about consent, and its message is clear: not only can we consent to sex, we can consent to love. It only demands our honesty.\u201d<\/li>\n<li>Last year, we featured \u201c<a href=\"http:\/\/bigbentears.theparisreview.org\/\" target=\"_blank\">Big, Bent Ears<\/a>,\u201d a documentary from the Big Ears Festival in Knoxville, Tennessee. Alex Ross attended this year\u2019s festival\u2014which \u201cmight be,\u201d he writes, \u201c<a href=\"http:\/\/www.newyorker.com\/magazine\/2016\/04\/25\/the-big-ears-festival-embraces-all-music?mbid=social_twitter\" target=\"_blank\">the most open-minded music gathering in the country \u2026 At Big Ears, the sounds are the stars, free of the tyranny of categories<\/a> \u2026 At Big Ears, composers serve as a center of gravity, a point of reference. Riley, Reich, and Glass have visited in past years, as have Pauline Oliveros and members of Bang on a Can. This year, the composer-in-residence was John Luther Adams; the Knoxville Symphony, under the direction of Steven Schick, kicked off the festival with the ominous surge of Adams\u2019s \u2018Become Ocean.\u2019 Such pop-classical agglomerations have happened before, not least in late sixties and seventies New York, when everything merged in a haze of droning tones. But the total map of music has seldom been unrolled on the scale that Big Ears has achieved.\u201d<\/li>\n<li>Satanists have long been regarded as creepy occultists\u2014but really they\u2019re just a voting bloc. The Satanic Temple, a religion-ish thing that doubles as a political movement\u2013ish thing, has taken the national stage: \u201c<a href=\"https:\/\/newrepublic.com\/article\/132811\/can-burgeoning-satanic-movement-effect-political-change\" target=\"_blank\">TST chapters across the country have launched campaigns demanding the same religious rights and privileges afforded to Christianity<\/a>. These have included the creation of satanic coloring books for distribution in schools in Florida and Colorado; bids to erect satanic \u2018nativity scenes\u2019 on government property in Florida, Michigan, and Indiana; offering prayers to Satan at a high school football game in Seattle; and demanding that a monument to the Ten Commandments at the Oklahoma State Capitol be accompanied by a monument to Baphomet (a goat-headed idol associated with witches\u2019 sabbaths).\u201d<\/li>\n<li>David Szalay, who won our Plimpton Prize this year, has a new novel out, <em>All That Man Is<\/em>\u2014excerpted in the <em>Review<\/em>. Jude Cook sees in Szalay a new approach to masculinity: \u201c<em>Insufficiency <\/em>is a favorite David Szalay word. The narrator of his previous novel, <em>Spring<\/em>, suffered from \u2018insufficiency of feeling\u2019; in this new collection of carefully juxtaposed tales, a Scottish ne\u2019er-do-well adrift in Croatia decides his smile is \u2018insufficient.\u2019 Szalay\u2019s dissections of masculinity can produce wonders from such banal anxieties. Over 400 pages, he goes to town on nine specimens of the male gender, only surfacing to spit out the bones \u2026 <a href=\"http:\/\/www.spectator.co.uk\/2016\/04\/all-that-man-is-a-novel-view-of-masculinity\/\" target=\"_blank\">Nobody captures the super-sadness of modern Europe as well as Szalay<\/a>. The atmosphere is stained yellow with a Mittel-European ennui.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>For years, I\u2019ve implored the management here at the Review to install a gold toilet\u2014it would raise morale and the magazine\u2019s profile. I\u2019m sad to report that the Guggenheim has beaten us to the flush. And their gold john is designed by Maurizio Cattelan, no less, who came out of retirement to make it: \u201cYou [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[2296,22023,17255,18316,22022,3477,22021,46,22024,22025,2295],"class_list":["post-97159","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-a-midsummer-nights-dream","tag-bdsm","tag-big-ears-festival","tag-david-szalay","tag-gold-toilet","tag-guggenheim","tag-maurizio-cattelan","tag-music","tag-satanists","tag-the-satanic-temple","tag-william-shakespeare"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cancel Your Plans\u2014the Guggenheim Has a Solid Gold Toilet<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/20\/take-the-throne-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Take the Throne, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 20, 2016 \u2013 For years, I\u2019ve implored the management here at the Review to install a gold toilet\u2014it would raise morale and the magazine\u2019s profile. 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