{"id":97047,"date":"2016-04-18T09:17:56","date_gmt":"2016-04-18T13:17:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=97047"},"modified":"2016-06-07T16:40:58","modified_gmt":"2016-06-07T20:40:58","slug":"words-in-light-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/18\/words-in-light-and-other-news\/","title":{"rendered":"Words in Light, and Other News"},"content":{"rendered":"<div id=\"attachment_97048\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/henri_cole_02-953.jpg\" rel=\"attachment wp-att-97048\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-97048\" class=\"wp-image-97048\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/henri_cole_02-953.jpg\" alt=\"\" width=\"600\" height=\"444\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/henri_cole_02-953.jpg 734w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/henri_cole_02-953-300x222.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-97048\" class=\"wp-caption-text\">Jenny Holzer, <i>Xenon for the Peggy Guggenheim<\/i> (detail), featuring Henri Cole\u2019s poem \u201cBlur\u201d projected on the Palazzo Corner della Ca\u2019 Granda, Venice, Italy, 2003.<\/p><\/div>\n<ul>\n<li>Our advisory editor Hilton Als has an \u201cemotional retrospective\u201d\u2014\u201cOne Man Show: Holly, Candy, Bobbie, and the Rest\u201d\u2014at the Artist\u2019s Institute. Seph Rodney paid a visit: \u201c<a href=\"http:\/\/hyperallergic.com\/286365\/an-emotional-retrospective-for-hilton-als\/\" target=\"_blank\">The retrospective consists mainly of portraits, photographs found, taken, owned or commissioned by Als. He\u2019s added colored light bulbs, placed next to the images to give the space a nightclub feel, with certain corners red and sultry, others yellow or blue, and some lime green<\/a>. The institute\u2019s town house with its hardwood floors, fireplace, and separate rooms is an apt place for this exhibition; the setting conveys a sense of intimacy with what are essentially Als\u2019s ghosts. Walking the rooms you want to treat these unfamiliar memories\u2014many of the characters depicted are only known to Als\u2014with tenderness \u2026 The retrospective mirrors his critical writing: it\u2019s deeply personal resonances refracted by his keen analytical attention so that intimate friends, historical moments, and his own self and experiences are progressively unpacked until the reader sees how they intersect and inform each other.\u201d<\/li>\n<li>The artist Jenny Holzer has been projecting words onto buildings since 1991. Thus Henri Cole has seen several of his poems illuminated as \u201cthe touch of light against the surface of public spaces\u201d: \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/light-as-touch-jenny-holzers-nighttime-poetry-projections\">Seeing my poems projected in this way, onto landscapes and buildings, I feel that the words leap out from a different zone, where they are observed as much as read<\/a>.\u00a0Language is more direct, open, unself-conscious, precise, and human.\u00a0It doesn\u2019t belong to me anymore but to the atmosphere, and this makes me happy. In Holzer\u2019s installations, words\u2014not images\u2014strive to say something true, often about love, death, sex, war, or forgiveness.\u201d<\/li>\n<li>Breaking: Hilary Mantel\u2019s writing process reveals, emphatically, that this whole \u201cnovelist\u201d thing is no mere pastime for her. \u201c<a href=\"http:\/\/www.theguardian.com\/books\/2016\/apr\/16\/hilary-mantel-my-writing-day\" target=\"_blank\">Some writers claim to extrude a book at an even rate like toothpaste from a\u00a0tube, or to build a story like a wall, so many feet per day. They sit at their desk and knock off their word quota, then frisk into their leisured evening, preening\u00a0themselves. This is so alien to me that it might be another trade entirely<\/a> \u2026 The most frequent question writers are asked is some variant on, \u2018Do you write every day, or do you just wait for inspiration to strike?\u2019 I want to snarl, \u2018Of course I\u00a0write every day, what do you think I\u00a0am, some kind of hobbyist?\u2019 But I\u00a0understand the question is really about the central mystery\u2014what is inspiration? Eternal vigilance, in my opinion. Being on the watch for your material, day or night, asleep or awake.\u201d<\/li>\n<li>An interview with Adonis, the Syrian poet in exile, finds him dismissing the idea that <small>ISIS<\/small> can write poems: \u201c<a href=\"http:\/\/www.nybooks.com\/daily\/2016\/04\/16\/syria-now-writing-starts-interview-adonis\/\" target=\"_blank\">You cannot compare the bomb with the poem. You should not draw this comparison<\/a>. Any ignorant bullet can change a regime, any despicable bullet can kill a great person, like Kennedy, for example. You cannot draw such a comparison because it is fundamentally wrong. Making poetry is like making air, like making perfume, like breathing. It cannot be measured by materialistic standards. This is why poetry despises war and is never related to it \u2026 poetry is a social phenomenon. When culture is a part of everyday life, everyone is a poet and everyone is a novelist. You now have thousands of novelists. But if you found five who are good to read, then you are in a good place. In America \u2026 there are thousands of novels; you will find five or six good ones, and the rest is garbage. The same goes for the Arabs. All Arabs are poets, but 95 percent of them are rubbish.\u201d<\/li>\n<li>\u201cThe food of the true revolutionary,\u201d Mao once said, \u201cis the red pepper.\u201d Which is great, unless you happen to be an aspiring revolutionary with a weak stomach. How, at any rate, did the pepper come to enlist itself as an agent of Maoism? \u201c<a href=\"http:\/\/nautil.us\/issue\/35\/boundaries\/why-revolutionaries-love-spicy-food\" target=\"_blank\">For years culinary detectives have been on the chili pepper\u2019s trail, trying to figure out how a New World import became so firmly rooted in Sichuan, a landlocked province on the southwestern frontier of China<\/a> \u2026 Food historians have pointed to the province\u2019s hot and humid climate, the principles of Chinese medicine, the constraints of geography, and the exigencies of economics. Most recently neuropsychologists have uncovered a link between the chili pepper and risk-taking. The research is provocative because the Sichuan people have long been notorious for their rebellious spirit; some of the momentous events in modern Chinese political history can be traced back to Sichuan\u2019s hot temper.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Our advisory editor Hilton Als has an \u201cemotional retrospective\u201d\u2014\u201cOne Man Show: Holly, Candy, Bobbie, and the Rest\u201d\u2014at the Artist\u2019s Institute. Seph Rodney paid a visit: \u201cThe retrospective consists mainly of portraits, photographs found, taken, owned or commissioned by Als. He\u2019s added colored light bulbs, placed next to the images to give the space a nightclub [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[4151,35,14359,5241,1815,9249,2153,465,15493,21987,21988,7221,8306,2125,21989,11833],"class_list":["post-97047","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-adonis","tag-art","tag-buildings","tag-chairman-mao","tag-china","tag-henri-cole","tag-hilary-mantel","tag-hilton-als","tag-isis","tag-jenny-holzer","tag-peppers","tag-poems","tag-portraits","tag-process","tag-spicy-food","tag-syria"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jenny Holzer Projects Poems onto Buildings<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/18\/words-in-light-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Words in Light, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 18, 2016 \u2013 Our advisory editor Hilton Als has an \u201cemotional retrospective\u201d\u2014\u201cOne Man Show: Holly, Candy, Bobbie, and the Rest\u201d\u2014at the Artist\u2019s Institute. 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