{"id":9701,"date":"2011-01-11T11:00:21","date_gmt":"2011-01-11T16:00:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=9701"},"modified":"2011-01-11T14:58:29","modified_gmt":"2011-01-11T19:58:29","slug":"portfolio-industrial-spaces","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/01\/11\/portfolio-industrial-spaces\/","title":{"rendered":"Portfolio: Industrial Spaces"},"content":{"rendered":"<p>My process is different every time. Sometimes I stumble upon places, objects or spaces that I then go back and photograph. I also do research and travel to cities in the U.S. that are historically known as industrial, like Bethlehem and Bath in Western Pennsylvania. I\u2019m not actually looking for anything specific; there\u2019s no predetermined idea in my mind. I walk around these industrial sites until I find the shapes and structures that are rich in lines and geometric forms. I often travel to New Jersey, mainly to Elizabeth. It\u2019s a heavily industrial city, a blue-collar working-class city. A friend of mine wanted to come shoot with me one day\u2014he\u2019s from Cleveland, which is where I grew up. He found it hilarious that I moved from Cleveland to New York, because I keep going to places that look like Cleveland. <\/p>\n<p>As a photographer, I\u2019m visually attracted to the same things I found compelling when I thought I\u2019d be an industrial designer. When I started art school, I realized I liked the medium of photography and its immediacy more than drawing. When I take photos of these places that already exist I can then see them through my own perspective, instead of re-creating them through a sketch or a drawing. The photographs featured in the show were taken in New York, New Jersey, Ohio, and Western Pennsylvania. <\/p>\n<div id=\"attachment_9703\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_factorywallelizabethnj09_lr.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9703\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_factorywallelizabethnj09_lr.jpg\" alt=\"\" title=\"Nathan Harger, Factory Wall, Elizabeth, New Jersey\" width=\"574\" height=\"383\" class=\"aligncenter size-full wp-image-9703\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_factorywallelizabethnj09_lr.jpg 720w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_factorywallelizabethnj09_lr-300x200.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-9703\" class=\"wp-caption-text\">Factory Wall, Elizabeth, New Jersey<\/p><\/div>\n<div id=\"attachment_9704\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_crane19newyorkny08_lr.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9704\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_crane19newyorkny08_lr.jpg\" alt=\"\" title=\"Nathan Harger, Crane 19, New York, New York\" width=\"574\" height=\"525\" class=\"aligncenter size-full wp-image-9704\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_crane19newyorkny08_lr.jpg 720w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_crane19newyorkny08_lr-300x274.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-9704\" class=\"wp-caption-text\">Crane 19, New York, New York<\/p><\/div>\n<p><!--more--><div id=\"attachment_9705\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_pierdnewyorkny10_lr.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9705\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_pierdnewyorkny10_lr.jpg\" alt=\"\" title=\"Nathan Harger, Pier D, New York, New York\" width=\"574\" height=\"383\" class=\"aligncenter size-full wp-image-9705\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_pierdnewyorkny10_lr.jpg 720w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_pierdnewyorkny10_lr-300x200.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-9705\" class=\"wp-caption-text\">Pier D, New York, New York<\/p><\/div><\/p>\n<div id=\"attachment_9706\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_processtankbrooklynny10_lr.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9706\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_processtankbrooklynny10_lr.jpg\" alt=\"\" title=\"Nathan Harger, Process Tank, Brooklyn, New York\" width=\"574\" height=\"574\" class=\"aligncenter size-full wp-image-9706\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_processtankbrooklynny10_lr.jpg 792w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_processtankbrooklynny10_lr-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_processtankbrooklynny10_lr-300x300.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-9706\" class=\"wp-caption-text\">Process Tank, Brooklyn, New York<\/p><\/div>\n<div id=\"attachment_9707\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_shipgraveyard-10_lr.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9707\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_shipgraveyard-10_lr.jpg\" alt=\"\" title=\"Nathan Harger, Ship Graveyard\" width=\"574\" height=\"383\" class=\"aligncenter size-full wp-image-9707\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_shipgraveyard-10_lr.jpg 720w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/01\/nh_shipgraveyard-10_lr-300x200.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-9707\" class=\"wp-caption-text\">Ship Graveyard<\/p><\/div>\n<p><em>An exhibition of <a href=\"http:\/\/www.nathanhargerphotography.com\/\">Nathan Harger<\/a>&#8216;s photographs are on display at the <a href=\"http:\/\/hastedkraeutler.com\/ \">Hasted Kraeutler Gallery<\/a> in New York City until January 29, 2011. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My process is different every time. Sometimes I stumble upon places, objects or spaces that I then go back and photograph. I also do research and travel to cities in the U.S. that are historically known as industrial, like Bethlehem and Bath in Western Pennsylvania. I\u2019m not actually looking for anything specific; there\u2019s no predetermined [&hellip;]<\/p>\n","protected":false},"author":107,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[1649,385,1646,1648,1645,1644,1647,387,100],"class_list":["post-9701","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-art-photography-portfolio","tag-cleveland","tag-elizabeth","tag-industrial-design","tag-industrial-spaces","tag-nathan-harger","tag-new-jersey","tag-ohio","tag-photography"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Portfolio: Industrial Spaces by Nathan Harger<\/title>\n<meta name=\"description\" content=\"January 11, 2011 \u2013 My process is different every time. 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