{"id":96653,"date":"2016-04-07T20:05:17","date_gmt":"2016-04-08T00:05:17","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=96653"},"modified":"2016-04-07T20:16:01","modified_gmt":"2016-04-08T00:16:01","slug":"consuming-all-the-crystals-an-interview-with-norman-mailer","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/","title":{"rendered":"\u201cConsuming All the Crystals\u201d: An Interview with Norman Mailer"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/252401263&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>At <a href=\"http:\/\/92yondemand.org\/Topic\/poetry-center-online\/\">92Y\u2019s Unterberg Poetry Center<\/a>, <em>The Paris Review<\/em> has copresented an occasional series of live conversations with writers\u2014many of which have formed the foundations of interviews in the quarterly. Recently, 92Y and <em>The Paris Review<\/em> have made recordings of these interviews available at <a href=\"http:\/\/92yondemand.org\/Topic\/paris-review-series\/\">92Y\u2019s Poetry Center Online<\/a> and here at\u00a0<em><a href=\"https:\/\/www.theparisreview.org\/92y\">The Paris Review<\/a><\/em>. Consider them deleted scenes from our Writers at Work interviews, or directors\u2019 cuts, or surprisingly lifelike radio adaptations.<\/p>\n<p>This week we\u2019re debuting\u00a0four new recordings from the series. Today, listen to <strong>Norman Mailer<\/strong>, who talked with <strong>George Plimpton\u00a0<\/strong>on May 11, 1998.\u00a0Though Mailer has been interviewed twice for the magazine\u2014<a href=\"https:\/\/www.theparisreview.org\/interviews\/4503\/the-art-of-fiction-no-32-norman-mailer\" target=\"_blank\">first in 1964<\/a> and <a href=\"https:\/\/www.theparisreview.org\/interviews\/5775\/the-art-of-fiction-no-193-norman-mailer\" target=\"_blank\">later in 2007<\/a>\u2014this is one of the rare 92Y conversations that never made it to print, making it all the more interesting.\u00a0Mailer talked about chair preference (\u201cI like a hard chair when I write. Because I fall asleep in a soft one\u201d), casting Plimpton in a movie, and why he didn\u2019t write about his childhood:\u00a0<!--more--><\/p>\n<blockquote>\n<p>I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail\u2014what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life. And the thing that happens is, if you don\u2019t use them in writing\u2014cause I think a lot of writers tend to go for those, because that\u2019s usually where you get your best writing\u2014but if you don\u2019t use them, you can then employ them for years as a crystal, if you will, through which you can beam the light of your imagination in different directions, have totally different characters employed, working through this method, totally different messages, and it\u2019s always there, the crystal\u2019s there. It\u2019s one reason why I\u2019ve never wanted to do an autobiography. Because I felt, If I do that, I\u2019d be blowing up all the bridges, consuming all the crystals, and it would mean I\u2019m not going to do any more writing in fiction.<\/p>\n<\/blockquote>\n<p>On April 20, 92Y will host the next installment of Paris Review Live: <a href=\"http:\/\/www.92y.org\/Event\/Nathaniel-Mackey-Cathy-Park-Hong\" target=\"_blank\">the poet <strong>Nathaniel Mackey<\/strong> will read from his work and sit for a conversation with <strong>Cathy Park\u00a0Hong<\/strong><\/a>.<\/p>\n<p>Earlier this week, we featured interviews with <strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/06\/i-couldnt-dig-it-an-interview-with-arthur-miller\/\" target=\"_blank\">Arthur Miller<\/a><\/strong> and\u00a0<strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/05\/lies-dont-last-with-age-an-interview-with-john-le-carre\/\" target=\"_blank\">John le Carr\u00e9<\/a><\/strong>. If you\u2019d like to listen to more of these collaborations, check out our previous installments: the Southerners (<strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/10\/people-and-rooms-an-interview-with-gail-godwin\/\" target=\"_blank\">Gail Godwin<\/a><\/strong>, <strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/09\/that-pendulum-tick-an-interview-with-reynolds-price\/\" target=\"_blank\">Reynolds Price<\/a><\/strong>, <strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/08\/the-majoritarian-tyranny-an-interview-with-tony-kushner\/\" target=\"_blank\">Tony Kushner<\/a><\/strong>, and <strong><a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/04\/07\/you-learn-to-trust-it-an-interview-with-horton-foote\/\" target=\"_blank\">Horton Foote<\/a><\/strong>)\u00a0<a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/11\/20\/the-poets-speak\/\">the poets<\/a> (<strong>Maya Angelou<\/strong>, <strong>Denise Levertov<\/strong>, and <strong>Gary Snyder<\/strong>) and <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/03\/24\/take-a-mental-vacation-listen-to-travel-writers\/\">the travel writers<\/a> (<strong>Paul Theroux<\/strong>, <strong>Jan Morris<\/strong>, and <strong>Peter Matthiessen<\/strong>).<\/p>\n<p>We are able to share these recordings thanks to a generous gift in memory of Christopher Lightfoot Walker, longtime friend of the Poetry Center and <i>The Paris Review<\/i>.<\/p>\n<p><em>Dan Piepenbring is the web editor of <\/em>The Paris Review.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At 92Y\u2019s Unterberg Poetry Center, The Paris Review has copresented an occasional series of live conversations with writers\u2014many of which have formed the foundations of interviews in the quarterly. Recently, 92Y and The Paris Review have made recordings of these interviews available at 92Y\u2019s Poetry Center Online and here at\u00a0The Paris Review. Consider them deleted [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7646],"tags":[11557,18196,5227,2564,1132,13847,1437,13911,14627,7782,10113],"class_list":["post-96653","post","type-post","status-publish","format-standard","hentry","category-look-2","tag-92y","tag-92y-unterberg","tag-audio","tag-cathy-park-hong","tag-interviews","tag-nathaniel-mackey","tag-norman-mailer","tag-playwrights","tag-recordings","tag-the-art-of-fiction","tag-writers-at-work"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Listen to George Plimpton Interview Norman Mailer, 1998<\/title>\n<meta name=\"description\" content=\"Courtesy of the 92Y Unterberg Poetry Center.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cConsuming All the Crystals\u201d: An Interview with Norman Mailer by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 7, 2016 \u2013 At 92Y\u2019s Unterberg Poetry Center, The Paris Review has copresented an occasional series of live conversations with writers\u2014many of which have formed the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-08T00:05:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-04-08T00:16:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"\u201cConsuming All the Crystals\u201d: An Interview with Norman Mailer\",\"datePublished\":\"2016-04-08T00:05:17+00:00\",\"dateModified\":\"2016-04-08T00:16:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/\"},\"wordCount\":509,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"keywords\":[\"92Y\",\"92Y Unterberg\",\"audio\",\"Cathy Park Hong\",\"interviews\",\"Nathaniel Mackey\",\"Norman Mailer\",\"playwrights\",\"recordings\",\"the art of fiction\",\"writers at work\"],\"articleSection\":[\"Listen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/\",\"name\":\"Listen to George Plimpton Interview Norman Mailer, 1998\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"datePublished\":\"2016-04-08T00:05:17+00:00\",\"dateModified\":\"2016-04-08T00:16:01+00:00\",\"description\":\"Courtesy of the 92Y Unterberg Poetry Center.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u201cConsuming All the Crystals\u201d: An Interview with Norman Mailer\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Listen to George Plimpton Interview Norman Mailer, 1998","description":"Courtesy of the 92Y Unterberg Poetry Center.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/","og_locale":"en_US","og_type":"article","og_title":"\u201cConsuming All the Crystals\u201d: An Interview with Norman Mailer by Dan Piepenbring","og_description":"April 7, 2016 \u2013 At 92Y\u2019s Unterberg Poetry Center, The Paris Review has copresented an occasional series of live conversations with writers\u2014many of which have formed the","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-04-08T00:05:17+00:00","article_modified_time":"2016-04-08T00:16:01+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png","type":"image\/png"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"\u201cConsuming All the Crystals\u201d: An Interview with Norman Mailer","datePublished":"2016-04-08T00:05:17+00:00","dateModified":"2016-04-08T00:16:01+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/"},"wordCount":509,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"keywords":["92Y","92Y Unterberg","audio","Cathy Park Hong","interviews","Nathaniel Mackey","Norman Mailer","playwrights","recordings","the art of fiction","writers at work"],"articleSection":["Listen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/","name":"Listen to George Plimpton Interview Norman Mailer, 1998","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"datePublished":"2016-04-08T00:05:17+00:00","dateModified":"2016-04-08T00:16:01+00:00","description":"Courtesy of the 92Y Unterberg Poetry Center.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/07\/consuming-all-the-crystals-an-interview-with-norman-mailer\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"\u201cConsuming All the Crystals\u201d: An Interview with Norman Mailer"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=96653"}],"version-history":[{"count":8,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96653\/revisions"}],"predecessor-version":[{"id":96678,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96653\/revisions\/96678"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=96653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=96653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=96653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}