{"id":96396,"date":"2016-04-01T09:23:34","date_gmt":"2016-04-01T13:23:34","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=96396"},"modified":"2016-04-01T10:25:27","modified_gmt":"2016-04-01T14:25:27","slug":"serial-queens-now-and-forever-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/","title":{"rendered":"Serial Queens Now and Forever, and Other News"},"content":{"rendered":"<div id=\"attachment_96397\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg\" rel=\"attachment wp-att-96397\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96397\" class=\"wp-image-96397\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg\" alt=\"\" width=\"600\" height=\"496\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg 753w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960-300x248.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96397\" class=\"wp-caption-text\">The actress Ruth Roland in an advertisement for the serial <i>Hands Up<\/i> in 1918. Image via <i>The Atlantic.<\/i><\/p><\/div>\n<ul>\n<li>Remembering Zaha Hadid, the \u201cstarchitect\u201d who died yesterday at sixty-five: \u201c<a href=\"http:\/\/www.newyorker.com\/culture\/culture-desk\/postscript-zaha-hadid-1950-2016?intcid=mod-latest\" target=\"_blank\">It always amazed me that Hadid had somehow attracted a singular reputation for being difficult to deal with. Compared with other prominent architects, no one was more down to earth, more exuberantly real, than her<\/a> \u2026 Why did every second article attach \u2018diva\u2019 to her name? Isn\u2019t every architect a diva? Truly, it was because Hadid was a woman who had dared to enter a man\u2019s world, and took no shit from anybody, though plenty was offered. She had to be twice as smart and three times as tough as her male counterparts in order to get anything built. And even then she struggled for years to realize her projects, and was forced to endure cruel and humiliating referendums on such thwarted projects as the Cardiff Bay Opera House, or the ongoing Olympic-stadium debacle in Tokyo, in which the government blocked Hadid\u2019s competition-winning design from going forward after protests from prominent Japanese architects.\u201d<\/li>\n<li>In the 1910s, before women even had the vote, they were starring in swashbuckling adventures courtesy of the early film industry: \u201c<a href=\"http:\/\/www.theatlantic.com\/entertainment\/archive\/2016\/03\/the-forgotten-female-action-stars-of-the-1910s\/475635\/\" target=\"_blank\">During the early years of cinema in the 1900s and 1910s, men starred in action films such as westerns, but women dominated the so-called \u2018serial\u2019 or \u2018chapter\u2019 film genre<\/a>. These were movies in which the same character appeared over several installments released on a regular basis, with plots that were either ongoing or episodic. The story lines typically featured female leads getting into danger, getting out of danger, brandishing guns, giving chase in cars, and battling villains \u2026 By the early 1920s, those films and their stars, the so-called \u2018serial queens,\u2019 disappeared. What happened? The answer may have to do with the early film industry\u2019s short-lived tolerance of greater female involvement at all levels of the filmmaking process \u2026 \u201d<\/li>\n<li>Everyone wants to be an artist. If you want to be a wealthy artist, though, there\u2019s one simple trait you should go out of your way to cultivate: narcissism. \u201cResearchers found that work by narcissistic artists is likely to sell for more money at auction than work by their humbler counterparts \u2026 <a href=\"http:\/\/hyperallergic.com\/286887\/the-art-of-narcissists-earns-more-at-auction-researchers-claim\/\" target=\"_blank\">The\u00a0researchers\u00a0obtained the signatures of 815 modern and contemporary artists from Oxford Art Online, then used them\u00a0as a\u00a0measure of narcissism when\u00a0comparing\u00a0auction price data sets from 1980 to 2012<\/a>. In their\u00a0analysis of hundreds of pre- and postwar paintings, they\u00a0found that narcissistic artists\u2019 work sold for as much as 25 percent more than that by their less narcissistic peers.\u201d<\/li>\n<li>Teju Cole on the photographer Raghubir Singh: \u201cSingh worked from the late \u201960s until his untimely death in 1999, traveling all over India to create a series of powerful books about his homeland \u2026 Singh had a democratic eye, and he took pictures of everything: cities, towns, villages, shops, rivers, worshipers, workers, construction sites, motorbikes, statues, modern furniture, balconies, suits, dresses and, sure, turbans and saris \u2026 <a href=\"http:\/\/www.nytimes.com\/2016\/04\/03\/magazine\/a-too-perfect-picture.html\" target=\"_blank\">How do we know when a photographer caters to life and not to some previous prejudice<\/a>? One clue is when the picture evades compositional clich\u00e9. But there is also the question of what the photograph is for, what role it plays within the economic circulation of images. Some photographs, like Singh\u2019s, are freer of the censorship of the market. Others are taken only to elicit particular conventional responses\u2014images that masquerade as art but fully inhabit the vocabulary of advertising.\u201d<\/li>\n<li>Today in fact-checking imperialism: \u201cIn its last week in print, the <em>Independent<\/em> carried a piece under the headline: <a href=\"http:\/\/www.lrb.co.uk\/blog\/2016\/03\/31\/hugh-pennington\/cultures-and-imperialism\/\" target=\"_blank\"><small>ONE MORE THING IMPERIALISM HAS TO ANSWER FOR: DYSENTERY<\/small>. It\u2019s a striking statement, but is it true?<\/a> \u2026 In the case of <em>Shigella flexneri<\/em> \u2026 imperialism has to take some of the blame. Study no. 19 from the Institute of Medical Research in Kuala Lumpur, \u2018Dysentery in the Federated Malay States\u2019 by William Fletcher (a bacteriologist) and Margaret Jepps (a protozoologist), was published in 1924 \u2026 Jepps and Fletcher\u2019s laboratory studies showed that most cases of dysentery were caused by <em> flexneri<\/em>, and that the link between its mortality rate and poverty was dramatic. The Kuala Lumpur General Hospital charged fees. It had wards of three classes: first for \u2018Europeans\u2019 (mortality negligible), second for \u2018Eurasians, well-to-do Asiatics and government clerks\u2019 (mortality 2 to 3 per cent), and third for \u2018native laborers, paupers and vagrants\u2019 (mortality about 25 per cent).\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Remembering Zaha Hadid, the \u201cstarchitect\u201d who died yesterday at sixty-five: \u201cIt always amazed me that Hadid had somehow attracted a singular reputation for being difficult to deal with. Compared with other prominent architects, no one was more down to earth, more exuberantly real, than her \u2026 Why did every second article attach \u2018diva\u2019 to her [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[1657,9241,80,21762,79,21761,15127,21760,21759,12012,36,14125],"class_list":["post-96396","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-architecture","tag-artists","tag-cinema","tag-dysentery","tag-film","tag-imperialism","tag-narcissism","tag-raghubir-singh","tag-serial-queens","tag-teju-cole","tag-women","tag-zaha-hadid"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>When Women Starred in Action Movies: Serial Queens of the 1910s<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Serial Queens Now and Forever, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 1, 2016 \u2013 Remembering Zaha Hadid, the \u201cstarchitect\u201d who died yesterday at sixty-five: \u201cIt always amazed me that Hadid had somehow attracted a singular reputation\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-01T13:23:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-04-01T14:25:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"753\" \/>\n\t<meta property=\"og:image:height\" content=\"623\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Serial Queens Now and Forever, and Other News\",\"datePublished\":\"2016-04-01T13:23:34+00:00\",\"dateModified\":\"2016-04-01T14:25:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/\"},\"wordCount\":743,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg\",\"keywords\":[\"architecture\",\"artists\",\"cinema\",\"dysentery\",\"film\",\"imperialism\",\"narcissism\",\"Raghubir Singh\",\"serial queens\",\"Teju Cole\",\"women\",\"Zaha Hadid\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/\",\"name\":\"When Women Starred in Action Movies: Serial Queens of the 1910s\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg\",\"datePublished\":\"2016-04-01T13:23:34+00:00\",\"dateModified\":\"2016-04-01T14:25:27+00:00\",\"description\":\"This and more in today\u2019s roundup.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Serial Queens Now and Forever, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"When Women Starred in Action Movies: Serial Queens of the 1910s","description":"This and more in today\u2019s roundup.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"Serial Queens Now and Forever, and Other News by Dan Piepenbring","og_description":"April 1, 2016 \u2013 Remembering Zaha Hadid, the \u201cstarchitect\u201d who died yesterday at sixty-five: \u201cIt always amazed me that Hadid had somehow attracted a singular reputation","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-04-01T13:23:34+00:00","article_modified_time":"2016-04-01T14:25:27+00:00","og_image":[{"width":753,"height":623,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Serial Queens Now and Forever, and Other News","datePublished":"2016-04-01T13:23:34+00:00","dateModified":"2016-04-01T14:25:27+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/"},"wordCount":743,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg","keywords":["architecture","artists","cinema","dysentery","film","imperialism","narcissism","Raghubir Singh","serial queens","Teju Cole","women","Zaha Hadid"],"articleSection":["On the Shelf"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/","name":"When Women Starred in Action Movies: Serial Queens of the 1910s","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg","datePublished":"2016-04-01T13:23:34+00:00","dateModified":"2016-04-01T14:25:27+00:00","description":"This and more in today\u2019s roundup.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/04\/lead_960.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/04\/01\/serial-queens-now-and-forever-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Serial Queens Now and Forever, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=96396"}],"version-history":[{"count":3,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96396\/revisions"}],"predecessor-version":[{"id":96403,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96396\/revisions\/96403"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=96396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=96396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=96396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}