{"id":96292,"date":"2016-03-30T17:50:11","date_gmt":"2016-03-30T21:50:11","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=96292"},"modified":"2016-03-31T13:31:09","modified_gmt":"2016-03-31T17:31:09","slug":"waiting-in-the-sky","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/","title":{"rendered":"Waiting in the Sky"},"content":{"rendered":"<p><em>Barbara Takenaga\u2019s exhibition \u201c<a href=\"http:\/\/www.dcmooregallery.com\/exhibitions\/2016-03-31_barbara-takenaga-waiting-in-the-sky\" target=\"_blank\">Waiting in the Sky<\/a>\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her paintings, \u201cor maybe anti-gravitate, to some kind of explosive\/implosive situation. I still love the idea itself of the Big Bang \u2026\u00a0I feel like I am on this really giant ocean liner and I\u2019ve got this little tiny steering wheel, and I\u2019m turning and turning and turning it, and I\u2019m trying to make a different course for the ship, turning and turning the wheel, and nothing happens. Finally, the thing\u2014me, my attitude, the history of the work, the paintings themselves\u2014because its mass is so big, it starts moving, ever so slowly shifting.\u201d<\/em><\/p>\n<div id=\"attachment_96293\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg\" rel=\"attachment wp-att-96293\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96293\" class=\"wp-image-96293\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg\" alt=\"\" width=\"600\" height=\"503\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218-300x252.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218-768x644.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96293\" class=\"wp-caption-text\">Barbara Takenaga, <i>Amber<\/i>, 2015, acrylic on wood panel, 10&#8243; x 12&#8243;.<\/p><\/div>\n<p><!--more--><\/p>\n<p><div id=\"attachment_96294\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/arc_arch_2015_54x45_tak-0219.jpg\" rel=\"attachment wp-att-96294\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96294\" class=\"wp-image-96294\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/arc_arch_2015_54x45_tak-0219.jpg\" alt=\"\" width=\"600\" height=\"722\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/arc_arch_2015_54x45_tak-0219.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/arc_arch_2015_54x45_tak-0219-249x300.jpg 249w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/arc_arch_2015_54x45_tak-0219-768x924.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96294\" class=\"wp-caption-text\"><i>Arc\/Arch<\/i>, 2015, acrylic on linen, 54&#8243; x 45&#8243;.<\/p><\/div> <div id=\"attachment_96295\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/27th-st.-tracings_2015_tak-0217.jpg\" rel=\"attachment wp-att-96295\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96295\" class=\"wp-image-96295\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/27th-st.-tracings_2015_tak-0217.jpg\" alt=\"\" width=\"600\" height=\"701\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/27th-st.-tracings_2015_tak-0217.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/27th-st.-tracings_2015_tak-0217-257x300.jpg 257w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/27th-st.-tracings_2015_tak-0217-768x897.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96295\" class=\"wp-caption-text\"><i>27th Street Tracings<\/i>, 2015, acrylic on linen, 70&#8243; x 60&#8243;.<\/p><\/div> <div id=\"attachment_96296\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/folds_42x36-each_1200px_tak-0222.jpg\" rel=\"attachment wp-att-96296\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96296\" class=\"wp-image-96296\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/folds_42x36-each_1200px_tak-0222.jpg\" alt=\"\" width=\"600\" height=\"342\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/folds_42x36-each_1200px_tak-0222.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/folds_42x36-each_1200px_tak-0222-300x171.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/folds_42x36-each_1200px_tak-0222-768x438.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96296\" class=\"wp-caption-text\"><i>Folds<\/i> (diptych), 2015, acrylic on linen, 42&#8243; x 72&#8243;.<\/p><\/div> <div id=\"attachment_96298\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-geode.jpg\" rel=\"attachment wp-att-96298\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96298\" class=\"wp-image-96298\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-geode.jpg\" alt=\"\" width=\"600\" height=\"717\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-geode.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-geode-251x300.jpg 251w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-geode-768x918.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96298\" class=\"wp-caption-text\"><i>Red Geode<\/i>, 2015, acrylic on wood panel, 24&#8243; x 20&#8243;.<\/p><\/div> <div id=\"attachment_96299\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-june-2014-16x20-alinen.jpg\" rel=\"attachment wp-att-96299\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96299\" class=\"wp-image-96299\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-june-2014-16x20-alinen.jpg\" alt=\"\" width=\"600\" height=\"487\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-june-2014-16x20-alinen.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-june-2014-16x20-alinen-300x243.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/red-june-2014-16x20-alinen-768x623.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96299\" class=\"wp-caption-text\"><i>Red June<\/i>, 2014, acrylic on linen, 16&#8243; x 20&#8243;.<\/p><\/div> <div id=\"attachment_96300\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/small-springs-2015_12x10_tak-0226_crop.jpg\" rel=\"attachment wp-att-96300\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96300\" class=\"wp-image-96300\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/small-springs-2015_12x10_tak-0226_crop.jpg\" alt=\"\" width=\"600\" height=\"721\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/small-springs-2015_12x10_tak-0226_crop.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/small-springs-2015_12x10_tak-0226_crop-250x300.jpg 250w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/small-springs-2015_12x10_tak-0226_crop-768x923.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96300\" class=\"wp-caption-text\"><i>Small Springs<\/i>, 2015, acrylic on wood panel, 12&#8243; x 10&#8243;.<\/p><\/div> <div id=\"attachment_96297\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/incognito-2015_16x20_tak-0223.jpg\" rel=\"attachment wp-att-96297\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96297\" class=\"wp-image-96297\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/incognito-2015_16x20_tak-0223.jpg\" alt=\"\" width=\"600\" height=\"779\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/incognito-2015_16x20_tak-0223.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/incognito-2015_16x20_tak-0223-231x300.jpg 231w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/incognito-2015_16x20_tak-0223-768x997.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/incognito-2015_16x20_tak-0223-788x1024.jpg 788w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-96297\" class=\"wp-caption-text\"><i>Incognito<\/i>, 2015, acrylic on wood panel, 16&#8243; x 12&#8243;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barbara Takenaga\u2019s exhibition \u201cWaiting in the Sky\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her paintings, \u201cor maybe anti-gravitate, to some kind of explosive\/implosive situation. I still love the idea itself of the Big Bang \u2026\u00a0I feel like I am on this really giant ocean liner [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[21743,21744,35,21742,18064,7676,13916,4154],"class_list":["post-96292","post","type-post","status-publish","format-standard","hentry","category-look","tag-acrylic-on-linen","tag-acrylic-on-wood-panels","tag-art","tag-barbara-takenaga","tag-d-c-moore","tag-galleries","tag-openings","tag-paintings"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Waiting in the Sky: 8 Paintings by Barbara Takenaga<\/title>\n<meta name=\"description\" content=\"March 30, 2016 \u2013 Barbara Takenaga\u2019s exhibition \u201cWaiting in the Sky\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Waiting in the Sky by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"March 30, 2016 \u2013 Barbara Takenaga\u2019s exhibition \u201cWaiting in the Sky\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-30T21:50:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-03-31T17:31:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"671\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Waiting in the Sky\",\"datePublished\":\"2016-03-30T21:50:11+00:00\",\"dateModified\":\"2016-03-31T17:31:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/\"},\"wordCount\":235,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg\",\"keywords\":[\"acrylic on linen\",\"acrylic on wood panels\",\"art\",\"Barbara Takenaga\",\"D.C. Moore\",\"galleries\",\"openings\",\"paintings\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/\",\"name\":\"Waiting in the Sky: 8 Paintings by Barbara Takenaga\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg\",\"datePublished\":\"2016-03-30T21:50:11+00:00\",\"dateModified\":\"2016-03-31T17:31:09+00:00\",\"description\":\"March 30, 2016 \u2013 Barbara Takenaga\u2019s exhibition \u201cWaiting in the Sky\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Waiting in the Sky\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Waiting in the Sky: 8 Paintings by Barbara Takenaga","description":"March 30, 2016 \u2013 Barbara Takenaga\u2019s exhibition \u201cWaiting in the Sky\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/","og_locale":"en_US","og_type":"article","og_title":"Waiting in the Sky by Dan Piepenbring","og_description":"March 30, 2016 \u2013 Barbara Takenaga\u2019s exhibition \u201cWaiting in the Sky\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-03-30T21:50:11+00:00","article_modified_time":"2016-03-31T17:31:09+00:00","og_image":[{"width":800,"height":671,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Waiting in the Sky","datePublished":"2016-03-30T21:50:11+00:00","dateModified":"2016-03-31T17:31:09+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/"},"wordCount":235,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg","keywords":["acrylic on linen","acrylic on wood panels","art","Barbara Takenaga","D.C. Moore","galleries","openings","paintings"],"articleSection":["Look"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/","name":"Waiting in the Sky: 8 Paintings by Barbara Takenaga","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg","datePublished":"2016-03-30T21:50:11+00:00","dateModified":"2016-03-31T17:31:09+00:00","description":"March 30, 2016 \u2013 Barbara Takenaga\u2019s exhibition \u201cWaiting in the Sky\u201d opens tomorrow at DC Moore Gallery. \u201cThey still seem to naturally gravitate,\u201d she said in 2013\u00a0of her","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/amber-2015-10x12_tak-0218.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/30\/waiting-in-the-sky\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Waiting in the Sky"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=96292"}],"version-history":[{"count":8,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96292\/revisions"}],"predecessor-version":[{"id":96341,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/96292\/revisions\/96341"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=96292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=96292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=96292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}