{"id":95907,"date":"2016-03-22T17:58:23","date_gmt":"2016-03-22T21:58:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=95907"},"modified":"2016-03-24T10:37:35","modified_gmt":"2016-03-24T14:37:35","slug":"ocean-vuong-poetry","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/22\/ocean-vuong-poetry\/","title":{"rendered":"Ocean Vuong, Poetry"},"content":{"rendered":"
\"\"<\/a>

Photo: Peter Bienkowski<\/p><\/div>\n

Ocean Vuong holds a B.A. from Brooklyn College and will complete an M.F.A. from NYU in 2016. His poems have appeared in Best New Poets<\/em>, Harvard Review<\/em>, Kenyon Review<\/em>, The Nation<\/em>, The<\/em> New Republic<\/em>, The New Yorker<\/em>, Poetry<\/em>,\u00a0and The\u00a0American Poetry Review<\/em>. He has published two chapbooks, No<\/em>\u00a0(2013) and\u00a0Burnings<\/em>\u00a0(2010); his first full-length collection, Night Sky with Exit Wounds<\/em>, will be published by this year. Vuong is the recipient of a 2014 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. He is originally from Saigon and lives in New York City.<\/p>\n

 <\/p>\n

Citation<\/em><\/p>\n

\"\"<\/a>What a pleasure to behold how Ocean Vuong writes with such attention to the inside of our ears, the aural island. This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level. His collection, \u201cNight Sky With Exit Wounds,\u201d forms an autobiography of sorts, tracing relationships with fathers, mothers, and lovers, and with a country that Vuong left when he was a young boy. The imagery in his work is often shimmeringly beautiful, but it\u2019s cut through by intimations of violence and its after effects. The collection is a stunning introduction\u00a0to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.<\/p>\n

 <\/p>\n

Telemachus<\/em><\/p>\n

Like any good son, I pull my father out
of the water, drag him by his hair<\/p>\n

through white sand, his knuckles carving a trail
the waves rush in to erase. Because the city<\/p>\n

beyond the shore is no longer\u2028
where we left it. Because the bombed<\/p>\n

cathedral is now a cathedral\u2028
of trees. I kneel beside him to see how far<\/p>\n

I might sink. Do you know who I am,\u2028
Ba? <\/em>But the answer never comes. The answer<\/p>\n

is the bullet hole in his back, brimming
with seawater. He is so still I think<\/p>\n

he could be anyone’s father, found
the way a green bottle might appear<\/p>\n

at a boy’s feet containing a year
he has never touched. I touch<\/p>\n

his ears. No use. I turn him
over. To face it. The cathedral<\/p>\n

in his sea-black eyes. The face
not mine\u2014but one I will wear<\/p>\n

to kiss all my lovers goodnight:
the way I seal my father’s lips<\/p>\n

with my own & begin\u2028
the faithful work of drowning.<\/p>\n

 <\/p>\n

Homewrecker<\/em><\/p>\n

& this is how we danced: our mothers’\u2028
white dresses spilling from our feet, late August<\/p>\n

turning our hands dark red. & this is how we loved:\u2028
a fifth of vodka & an afternoon in the attic, your fingers<\/p>\n

through my hair\u2014my hair a wildfire. We covered
our ears & your father’s tantrum turned<\/p>\n

to heartbeats. When our lips touched the day closed
into a coffin. In the museum of the heart<\/p>\n

there are two headless people building a burning house.
There was always the shotgun above<\/p>\n

the fireplace. Always another hour to kill\u2014only to beg
some god to give it back. If not the attic, the car. If not<\/p>\n

the car, the dream. If not the boy, his clothes. If not alive,
put down the phone. Because the year is a distance<\/p>\n

we\u2019ve traveled in circles. Which is to say: this is how
we danced: alone in sleeping bodies. Which is to say:<\/p>\n

this is how we loved: a knife on the tongue turning
into a tongue.<\/p>\n

 <\/p>\n

Read more work from the 2016 Whiting Award winners here.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Ocean Vuong holds a B.A. from Brooklyn College and will complete an M.F.A. from NYU in 2016. His poems have appeared in Best New Poets, Harvard Review, Kenyon Review, The Nation, The New Republic, The New Yorker, Poetry,\u00a0and The\u00a0American Poetry Review. He has published two chapbooks, No\u00a0(2013) and\u00a0Burnings\u00a0(2010); his first full-length collection, Night Sky with […]<\/p>\n","protected":false},"author":912,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21623],"tags":[21640,165,21646],"class_list":["post-95907","post","type-post","status-publish","format-standard","hentry","category-whiting-awards-2016","tag-ocean-vuong","tag-poetry","tag-whiting-awards-2016"],"acf":[],"yoast_head":"\nWhiting Awards 2016: Ocean Vuong, Poetry<\/title>\n<meta name=\"description\" content=\"March 22, 2016 \u2013 Ocean Vuong holds a B.A. from Brooklyn College and will complete an M.F.A. from NYU in 2016. 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