{"id":95683,"date":"2016-03-17T12:34:56","date_gmt":"2016-03-17T16:34:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=95683"},"modified":"2016-03-17T12:55:10","modified_gmt":"2016-03-17T16:55:10","slug":"in-bamako","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/03\/17\/in-bamako\/","title":{"rendered":"In Bamako"},"content":{"rendered":"<div id=\"attachment_95688\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms09.034-le-faux-musicien-derriere-sa-voiture-hr.jpg\" rel=\"attachment wp-att-95688\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-95688\" class=\"wp-image-95688\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms09.034-le-faux-musicien-derriere-sa-voiture-hr.jpg\" alt=\"\" width=\"600\" height=\"727\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms09.034-le-faux-musicien-derriere-sa-voiture-hr.jpg 1238w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms09.034-le-faux-musicien-derriere-sa-voiture-hr-248x300.jpg 248w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms09.034-le-faux-musicien-derriere-sa-voiture-hr-768x931.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms09.034-le-faux-musicien-derriere-sa-voiture-hr-845x1024.jpg 845w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-95688\" class=\"wp-caption-text\">Malick Sidib\u00e9,<i> Le Faux Musicien Derriere sa Voiture<\/i>, 1971\/2008, silver gelatin print, 20 7\/8&#8243; x 14&#8243;.<\/p><\/div>\n<p><em>The Malian photographer Malick Sidib\u00e9\u2019s <a href=\"http:\/\/www.jackshainman.com\/exhibitions\/20th-street\/\" target=\"_blank\">latest exhibition opens tonight at Jack Shainman Gallery<\/a>. Sidib\u00e9, who\u2019s seventy-nine or eighty, lives in Bamako, where he\u2019s worked as a photographer since the fifties; he\u2019s known for his vivacious black-and-white studies of the city\u2019s youth culture. \u201c<a href=\"https:\/\/www.lensculture.com\/articles\/malick-sidibe-interview-with-malick-sidibe\" target=\"_blank\">You go to someone\u2019s wedding, someone\u2019s christening<\/a>,\u201d he told LensCulture in 2008, speaking of the renown he gained as a party photographer:<\/em><\/p>\n<blockquote>\n<p>I was lucky enough at that time to be the intellectual young photographer with a small camera who could move around. The early photographers like Seydou Ke\u00efta worked with plate cameras and were not able to get out and use a flash. So I was much in demand by the local youth. Everywhere \u2026 in town, everywhere! Whenever there was a dance, I was invited \u2026 At night, from midnight to four <small>A.M.<\/small> or six <small>A.M.<\/small>, I went from one party to another. I could go to four different parties. If there were only two, it was like having a rest. But if there were four, you couldn\u2019t miss any. If you were given four invitations, you had to go. You couldn\u2019t miss them.\u00a0I\u2019d leave one place, I\u2019d take thirty-six shots here, thirty-six shots there, and then thirty-six somewhere else, until the morning.<\/p>\n<\/blockquote>\n<p><em>His new show spans the whole of his career; it\u2019s up through April 23.\u00a0<\/em><!--more--><\/p>\n<p><div id=\"attachment_95684\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms02.032-surprise-party-hr.jpg\" rel=\"attachment wp-att-95684\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-95684\" class=\"wp-image-95684\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms02.032-surprise-party-hr.jpg\" alt=\"\" width=\"600\" height=\"822\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms02.032-surprise-party-hr.jpg 1095w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms02.032-surprise-party-hr-219x300.jpg 219w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms02.032-surprise-party-hr-768x1052.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms02.032-surprise-party-hr-748x1024.jpg 748w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-95684\" class=\"wp-caption-text\"><i>Surprise Party<\/i>, 2002, silver gelatin print, 23 3\/4&#8243; x 19 3\/4&#8243;.<\/p><\/div> <div id=\"attachment_95685\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms03.561-vues-de-dos-unframed-hr.jpg\" rel=\"attachment wp-att-95685\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-95685\" class=\"wp-image-95685\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms03.561-vues-de-dos-unframed-hr.jpg\" alt=\"\" width=\"600\" height=\"442\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms03.561-vues-de-dos-unframed-hr.jpg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms03.561-vues-de-dos-unframed-hr-300x221.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms03.561-vues-de-dos-unframed-hr-768x566.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms03.561-vues-de-dos-unframed-hr-1024x755.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-95685\" class=\"wp-caption-text\"><i>Vues de dos\u2014Juin<\/i>, 2003\/2004, vintage gelatin silver print, glass, paint, cardboard, tape, and string, 10 3\/4&#8243; x 14 1\/2&#8243;.<\/p><\/div> <div id=\"attachment_95686\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms07.028-a-cote-de-la-voiture-mr.jpg\" rel=\"attachment wp-att-95686\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-95686\" class=\"wp-image-95686\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms07.028-a-cote-de-la-voiture-mr.jpg\" alt=\"\" width=\"600\" height=\"916\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms07.028-a-cote-de-la-voiture-mr.jpg 982w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms07.028-a-cote-de-la-voiture-mr-196x300.jpg 196w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms07.028-a-cote-de-la-voiture-mr-768x1173.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms07.028-a-cote-de-la-voiture-mr-670x1024.jpg 670w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-95686\" class=\"wp-caption-text\"><i>A C\u00f4t\u00e9 de la Voiture<\/i>, 1971\/2002, silver gelatin print on board, 23 3\/4&#8243; x 20&#8243;.<\/p><\/div> <div id=\"attachment_95689\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms08.103-les-apprentis-mecanitiens-du-garage-de-dramane-hr.jpg\" rel=\"attachment wp-att-95689\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-95689\" class=\"wp-image-95689\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms08.103-les-apprentis-mecanitiens-du-garage-de-dramane-hr.jpg\" alt=\"\" width=\"600\" height=\"753\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms08.103-les-apprentis-mecanitiens-du-garage-de-dramane-hr.jpg 1196w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms08.103-les-apprentis-mecanitiens-du-garage-de-dramane-hr-239x300.jpg 239w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms08.103-les-apprentis-mecanitiens-du-garage-de-dramane-hr-768x963.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/03\/ms08.103-les-apprentis-mecanitiens-du-garage-de-dramane-hr-816x1024.jpg 816w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-95689\" class=\"wp-caption-text\"><i>Les apprentis m\u00e9canitiens du garage de Draman\u00e9<\/i>, 1966\/2008, silver gelatin print, 15 1\/2&#8243; x 14 3\/4&#8243;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Malian photographer Malick Sidib\u00e9\u2019s latest exhibition opens tonight at Jack Shainman Gallery. Sidib\u00e9, who\u2019s seventy-nine or eighty, lives in Bamako, where he\u2019s worked as a photographer since the fifties; he\u2019s known for his vivacious black-and-white studies of the city\u2019s youth culture. \u201cYou go to someone\u2019s wedding, someone\u2019s christening,\u201d he told LensCulture in 2008, speaking [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[1867,21567,9090,7676,21565,21566,21568,17296,13916,450,3161,100,18679],"class_list":["post-95683","post","type-post","status-publish","format-standard","hentry","category-look","tag-africa","tag-bamako","tag-black-and-white","tag-galleries","tag-jack-shainman-gallery","tag-mali","tag-malick-sidibe","tag-nightlife","tag-openings","tag-parties","tag-photographs","tag-photography","tag-youth-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Malick Sidib\u00e9\u2019s Iconic Photos of Nightlife in Bamako, Mali<\/title>\n<meta name=\"description\" content=\"A new show looks at the photographer\u2019s career, spanning more than fifty years.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/03\/17\/in-bamako\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In Bamako by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"March 17, 2016 \u2013 The Malian photographer Malick Sidib\u00e9\u2019s latest exhibition opens tonight at Jack Shainman Gallery. 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