{"id":94856,"date":"2016-02-23T09:06:56","date_gmt":"2016-02-23T14:06:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=94856"},"modified":"2016-02-23T13:44:20","modified_gmt":"2016-02-23T18:44:20","slug":"come-for-the-secrets-stay-for-the-art-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/02\/23\/come-for-the-secrets-stay-for-the-art-and-other-news\/","title":{"rendered":"Come for the Secrets, Stay for the Art, and Other News"},"content":{"rendered":"<div id=\"attachment_94858\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/02\/afam-eye-banner.jpg\" rel=\"attachment wp-att-94858\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-94858\" class=\"wp-image-94858\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/02\/afam-eye-banner.jpg\" alt=\"\" width=\"600\" height=\"418\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/02\/afam-eye-banner.jpg 672w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/02\/afam-eye-banner-300x209.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-94858\" class=\"wp-caption-text\">Artist unknown,<em> Independent Order of Odd Fellows banner<\/em> (detail), c. 1900\u201320), paint on canvas with wood and metal, 88.5&#8243; x 71&#8243;. Photo: Jos\u00e9 Andr\u00e9s Ram\u00edrez. Courtesy of American Folk Art Museum). Photo via Hyperallergic<\/p><\/div>\n<ul>\n<li>A decade before Virginia Woolf and her calls for a room of one\u2019s own, there was Lola Ridge, a poet whose 1919 presentation \u201cWomen and Creative Will\u201d was a watershed moment for feminism: \u201c \u2018<a href=\"https:\/\/newrepublic.com\/article\/130144\/forgotten-feminism-lola-ridge\" target=\"_blank\">They say there never has been, there is not, and there never will be a really great woman artist<\/a>,\u2019 Ridge begins her speech, fifty-two years before Linda Nochlin asked, \u2018Why have there been no great women artists?\u2019 \u2026 She sees that \u2018the [male] artist is naturally predatory. His soul sits like a patient spider, throwing out infinite antennae, clutching and drawing within,\u2019 and writes that he allows women in the salons solely for his own stimulation.\u201d<\/li>\n<li>I like to keep all my rare books in my car, for ease of access and transport. I see the error of my ways now. Lawrence Van De Carr, a rare books dealer, had his van stolen with some $350,000 in merchandise in it. \u201c<a href=\"http:\/\/www.sfgate.com\/bayarea\/article\/Van-filled-with-350-000-rare-books-stolen-in-6843521.php\" target=\"_blank\">One suspect has been arrested, he said, but his van filled with novels penned by Faulkner, Hemingway and Cormac McCarthy, among other famous authors, has not been found<\/a> \u2026 Joshua Anderson, thirty, went to Moe\u2019s Books in Berkeley shortly after the bookseller association sent out an alert. He and an alleged accomplice had four books, valued around $14,000, that they were trying to sell, said John Wong, manager at the store \u2026 The men said they got the valuable volumes from a deceased uncle, but Anthony, one of Wong\u2019s employees, wasn\u2019t buying it \u2026 When officers arrived, one of the men escaped through a back door, but Anderson ran out through the front, where he was caught and arrested, Wong said.\u201d<\/li>\n<li>America\u2019s secret societies have been occultist, dubiously charitable, and occasionally outright supremacist\u2014but they came with some truly bizarre art, as demonstrated in the\u00a0new book\u00a0<em>As Above, So Below: Art of the American Fraternal Society, 1850\u20131930<\/em>: \u201cAs fraternal associations grew in the U.S. in the late 1800s, <a href=\"http:\/\/hyperallergic.com\/276730\/americas-secret-societies-a-new-book-probes-their-art-and-mysteries\/?ref=featured\" target=\"_blank\">they looked to Etruscan, ancient Greek and Egyptian, Gothic, Moorish and so-called Oriental sources for themes and influences<\/a> (echoing that era\u2019s popular fascination with the \u2018exotic\u2019), which were reflected in their rituals, costumes and objects, and even in the fantasy architecture of some of their assembly halls.\u201d<\/li>\n<li>Tough guys are changing, and <em>Deadpool<\/em>, for all its schlocky vulgarity, is proof: unlike the taciturn screen idols of yore, its hero is free to run his mouth. \u201cThe contours of <em>Deadpool<\/em>\u2019s drama\u2014maturing in love while maturing in allegiance\u2014nudge against those of the classic Hollywood wartime loners exemplified by Bogart \u2026 Reynolds is no Bogart (who is?), but, in any case, <a href=\"http:\/\/www.newyorker.com\/culture\/richard-brody\/the-deadpool-phenomenon-and-the-american-male\" target=\"_blank\">the very nature of flamboyant sarcasm has changed\u2014and, at least in one way, for the better. In Bogart\u2019s time, the tough guy was epigrammatic, speaking in terse and tight-lipped aphorisms, leaving florid verbosity to the (usually affected, often European) villains. One great thing that hip-hop has done, over the past thirty or thirty-five years, is to create a bridge between intricate verbal intelligence and masculine strength<\/a>, or, to put it differently, to make poetry streetwise and unleash it from its old-fashioned stereotype as feminine or effete. Pop-culture tough guys can be fast talkers now.\u201d<\/li>\n<li>Today in subversive skeleton keys: The artist Jordan Seiler makes chunky metal rods that you can use to access the advertisements hidden behind Plexiglas all over the city. His Public Ad Campaign urges people to find and replace every ad they come across\u2014a kind of perfect counter effort against those who seek to plaster every public surface labeled <small>POST NO BILLS<\/small> with as many handbills as possible. \u201c<a href=\"http:\/\/www.slate.com\/articles\/video\/video\/2016\/02\/jordan_seiler_s_public_ad_campaign_gives_you_access_to_the_ad_displays_along.html\" target=\"_blank\">Seiler\u2019s work seeks to remind you that if you live in a major city, your eyes are currency<\/a>. Agencies are constantly coming up with new ways to turn public spaces into ads. This is what the Public Ad Campaign hopes to fight. Seiler wants to distribute his keys as widely as possible to everyday people so they can help quiet the unavoidable ads into a dull roar.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>A decade before Virginia Woolf and her calls for a room of one\u2019s own, there was Lola Ridge, a poet whose 1919 presentation \u201cWomen and Creative Will\u201d was a watershed moment for feminism: \u201c \u2018They say there never has been, there is not, and there never will be a really great woman artist,\u2019 Ridge begins [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[679,21247,80,21248,1102,21249,7629,8252,21246,12251,21245,969],"class_list":["post-94856","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-advertising","tag-as-above-so-below","tag-cinema","tag-deadpool","tag-feminism","tag-jordan-seiler","tag-lola-ridge","tag-rare-books","tag-secret-societies","tag-theft","tag-vans","tag-virginia-woolf"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Art of America\u2019s Elusive Secret Societies<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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