{"id":94729,"date":"2016-02-19T08:40:36","date_gmt":"2016-02-19T13:40:36","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=94729"},"modified":"2016-02-19T12:56:10","modified_gmt":"2016-02-19T17:56:10","slug":"naming-miss-rumphius-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/02\/19\/naming-miss-rumphius-and-other-news\/","title":{"rendered":"Naming Miss Rumphius, and Other News"},"content":{"rendered":"<div id=\"attachment_94735\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-94735\" class=\"wp-image-94735 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/02\/334818.jpg\" alt=\"334818\" width=\"600\" height=\"309\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/02\/334818.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/02\/334818-300x155.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-94735\" class=\"wp-caption-text\">A detail of the cover of <i>Miss Rumphius<\/i>, by Barbara Cooney.<\/p><\/div>\n<ul>\n<li>This account of <a href=\"http:\/\/www.atlasobscura.com\/articles\/the-doomed-blind-botanist-who-brought-poetry-to-plant-description?utm_source=twitter&amp;utm_medium=atlas-page\" target=\"_blank\">Georg Eberhard Rumpf<\/a>, a seventeenth-century botanist, is fascinating enough. But can we talk about the fact that he was manifestly the inspiration for one of the greatest characters in all picture-book literature, Barbara Cooney\u2019s Lupine Lady? Rumpf, Atlas Obscura tells us, \u201cpreferred to go by Rumphius, the Latinate spelling of his name.\u201d <em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Miss_Rumphius\" target=\"_blank\">Miss Rumphius<\/a><\/em>, which won the National Book Award for Children<a href=\"http:\/\/www.vulture.com\/2016\/02\/metropolitan-museums-new-logo-the-met.html\" target=\"_blank\">\u2019<\/a>s Picture Books in 1983, is about a woman who adds beauty to the world by sowing lupines far and wide.\u00a0<\/li>\n<li>Other stealth children\u2019s-lit news:\u00a0<small><a href=\"http:\/\/www.theguardian.com\/world\/2016\/feb\/18\/monkey-paraiba-brazil-bar-drinks-rum-takes-knife\" target=\"_blank\">FURIOUS GEORGE<\/a><\/small>, reads the headline. Seeing the Year of the Monkey in with a bang, a capuchin of\u00a0Para\u00edba,\u00a0Brazil, quaffed some\u00a0cacha\u00e7a in a bar and chased patrons around with a knife.\u00a0\u201cIt was a bar staff oversight that ended with the monkey drinking some rum and taking the knife,\u201d said fire-department Lieutenant Colonel Saul Laurentino. So they put him in a nature preserve. But George was furious! Narrates Laurentino,\u00a0\u201cWe had to recapture him because he was causing problems and threatening children living near the reserve.\u201d In other news, he punched the Man with\u00a0the Yellow Hat and robbed an armored car. \u00a0<\/li>\n<li>In which <em>The New Yorker <\/em><a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/copy-editing-trump\" target=\"_blank\">applies its famously rigorous copyediting process<\/a> to Donald\u00a0Trump\u2019s statement on the Pope.\u00a0<\/li>\n<li>As fans of <em>Soul Mining<\/em> and proud bearers of the word <em>the<\/em>\u2014it\u2019s in all <em>Paris Review<\/em> e-mail addresses\u2014we have complicated feelings about the <a href=\"http:\/\/www.vulture.com\/2016\/02\/metropolitan-museums-new-logo-the-met.html\" target=\"_blank\">Metropolitan Museum of Arts\u2019s new logo<\/a>. Primarily among them: this does nothing to elucidate the age-old confusion between the museum and the opera. Vulture has not hesitated to term the bold, new design a \u201cgraphic misfire,\u201d but, while some of us may mourn the passing of the art-nouveau <em>M<\/em> that graced their buttons for decades, it\u2019s always good to see the humble article getting its due.\u00a0<\/li>\n<li>Andreas Huyssen defines the written miniature <a href=\"https:\/\/lareviewofbooks.org\/interview\/literature-and-close-reading\/\" target=\"_blank\">for the <em>LA Review of Books<\/em><\/a>:\u00a0\u201cModernist miniatures are short prose texts written for little magazines or newspaper feuilletons (arts supplements) by major German, French, and Austrian modernists. Always published in groups, they reflect on the fleeting experiences of modern city life, especially as it was shaped by the arrival of photography and early cinema. As such, they register the resulting historical transformation in perceptions of time and space in the later 19th and earlier 20th centuries. These feuilleton texts, which we now read in book form\u2014for example, Baudelaire\u2019s\u00a0<em>Le Spleen de Paris\u00a0<\/em>or Benjamin\u2019s\u00a0<em>One-Way Street<\/em>\u2014sought to capture the visceral feeling of acceleration and compression, social conflict, and cultural upheaval that defined urban existence. In their focus on dream images, ghostly appearances, surreal memories, and urban phantasmagorias, they largely shunned the realistic description, typical of older urban sketches like those of Louis S\u00e9bastien Mercier in the 18th century. The miniature did not merely imitate visual media \u2014 it absorbed them, condensing objec\u00adtive and subjective perceptions into the very structure of language and text and asserting the aesthetic specificity of literary language and its own power to capture visual experience. In their compressed form, miniatures also accommodate the short attention spans of urban readers, but in their conceptual ambition and complexity, they sit like foreign bodies in the feuilleton, a section of the newspaper mainly geared toward easy consumption.\u201d\u00a0<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>This account of Georg Eberhard Rumpf, a seventeenth-century botanist, is fascinating enough. But can we talk about the fact that he was manifestly the inspiration for one of the greatest characters in all picture-book literature, Barbara Cooney\u2019s Lupine Lady? Rumpf, Atlas Obscura tells us, \u201cpreferred to go by Rumphius, the Latinate spelling of his name.\u201d [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[21218,12018,21215,21216,21214,16252,40],"class_list":["post-94729","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-andreas-huyssen","tag-barbara-cooney","tag-curious-george","tag-donad-trump","tag-georg-everhard-rumpf","tag-the-met","tag-the-new-yorker"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rumphius Among the Lupines, and Other News<\/title>\n<meta name=\"description\" content=\"This and more in today&#039;s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/02\/19\/naming-miss-rumphius-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Naming Miss Rumphius, and Other News by Sadie Stein\" \/>\n<meta property=\"og:description\" content=\"February 19, 2016 \u2013 This account of Georg Eberhard Rumpf, a seventeenth-century botanist, is fascinating enough. 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