{"id":93785,"date":"2016-01-25T19:57:00","date_gmt":"2016-01-26T00:57:00","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93785"},"modified":"2016-01-26T10:44:49","modified_gmt":"2016-01-26T15:44:49","slug":"lost-downtown","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/","title":{"rendered":"Lost Downtown"},"content":{"rendered":"<div id=\"attachment_93787\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg\" rel=\"attachment wp-att-93787\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93787\" class=\"wp-image-93787\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg\" alt=\"\" width=\"600\" height=\"604\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg 1489w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr-298x300.jpeg 298w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr-768x774.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr-1016x1024.jpeg 1016w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93787\" class=\"wp-caption-text\">Peter Hujar,<i> Candy Darling on her Deathbed<\/i>, 1973, digital pigment print, 20&#8243; x 16&#8243;.<\/p><\/div>\n<p><em>\u201c<a href=\"http:\/\/www.paulkasmingallery.com\/exhibition\/peter-hujar--lost-downtown\" target=\"_blank\">Peter Hujar: Lost Downtown<\/a>\u201d opens this Thursday at Paul Kasmin Gallery. The exhibition chronicles Hujar\u2019s time on the Lower East Side between 1972 and 1985, when he photographed his friends and acquaintances, including Susan Sontag, John Waters, Andy Warhol, David Wojnarowicz, Paul Thek, Edwin Denby, Divine, Fran Lebowitz, and William Burroughs. \u201cThere was something about him that invited a personal intimacy,\u201d the writer Vince Aletti said of Hujar, who died in 1987. \u201cHe was very allowing. He allowed people to be themselves.\u201d <\/em><em>Hujar\u2019s photos are on view through February 27.\u00a0<\/em><!--more--><\/p>\n<p><div id=\"attachment_93786\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.016-eph-0135-3_john-waters-i-1975_hr.jpeg\" rel=\"attachment wp-att-93786\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93786\" class=\"wp-image-93786\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.016-eph-0135-3_john-waters-i-1975_hr.jpeg\" alt=\"\" width=\"600\" height=\"595\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.016-eph-0135-3_john-waters-i-1975_hr.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.016-eph-0135-3_john-waters-i-1975_hr-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.016-eph-0135-3_john-waters-i-1975_hr-300x297.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.016-eph-0135-3_john-waters-i-1975_hr-768x761.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.016-eph-0135-3_john-waters-i-1975_hr-1024x1015.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93786\" class=\"wp-caption-text\"><i>John Waters (I)<\/i>, 1975, vintage gelatin silver print, 20&#8243; x 16&#8243;.<\/p><\/div> <div id=\"attachment_93788\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.023.2-eph-0021-6_susan-sontag-1975_hr.jpeg\" rel=\"attachment wp-att-93788\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93788\" class=\"wp-image-93788\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.023.2-eph-0021-6_susan-sontag-1975_hr.jpeg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.023.2-eph-0021-6_susan-sontag-1975_hr.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.023.2-eph-0021-6_susan-sontag-1975_hr-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.023.2-eph-0021-6_susan-sontag-1975_hr-300x300.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.023.2-eph-0021-6_susan-sontag-1975_hr-768x767.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.023.2-eph-0021-6_susan-sontag-1975_hr-1024x1024.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93788\" class=\"wp-caption-text\"><i>Susan Sontag<\/i>, 1975, vintage gelatin silver print, 19 7\/8&#8243; x 15 7\/8&#8243;.<\/p><\/div> <div id=\"attachment_93789\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.076-eph-0117-gsp1_paul-thek-ii-1975_hr.jpeg\" rel=\"attachment wp-att-93789\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93789\" class=\"wp-image-93789\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.076-eph-0117-gsp1_paul-thek-ii-1975_hr.jpeg\" alt=\"\" width=\"600\" height=\"599\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.076-eph-0117-gsp1_paul-thek-ii-1975_hr.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.076-eph-0117-gsp1_paul-thek-ii-1975_hr-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.076-eph-0117-gsp1_paul-thek-ii-1975_hr-300x300.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.076-eph-0117-gsp1_paul-thek-ii-1975_hr-768x767.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.076-eph-0117-gsp1_paul-thek-ii-1975_hr-1024x1024.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93789\" class=\"wp-caption-text\"><i>Paul Thek (II)<\/i>, 1975, digital pigment print, 20&#8243; x 16&#8243;.<\/p><\/div> <div id=\"attachment_93790\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.103-eph-0099-1_vince-aletti-1975_hr.jpeg\" rel=\"attachment wp-att-93790\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93790\" class=\"wp-image-93790\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.103-eph-0099-1_vince-aletti-1975_hr.jpeg\" alt=\"\" width=\"600\" height=\"598\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.103-eph-0099-1_vince-aletti-1975_hr.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.103-eph-0099-1_vince-aletti-1975_hr-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.103-eph-0099-1_vince-aletti-1975_hr-300x300.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.103-eph-0099-1_vince-aletti-1975_hr-768x765.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.103-eph-0099-1_vince-aletti-1975_hr-1024x1021.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93790\" class=\"wp-caption-text\"><i>Vince Aletti<\/i>, 1975, vintage gelatin silver print, 20&#8243; x 16&#8243;.<\/p><\/div> <div id=\"attachment_93791\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.358-eph-0454-1_larry-ree-backstage-c.1973_hr.jpeg\" rel=\"attachment wp-att-93791\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93791\" class=\"wp-image-93791\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.358-eph-0454-1_larry-ree-backstage-c.1973_hr.jpeg\" alt=\"\" width=\"600\" height=\"596\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.358-eph-0454-1_larry-ree-backstage-c.1973_hr.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.358-eph-0454-1_larry-ree-backstage-c.1973_hr-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.358-eph-0454-1_larry-ree-backstage-c.1973_hr-300x298.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.358-eph-0454-1_larry-ree-backstage-c.1973_hr-768x763.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.358-eph-0454-1_larry-ree-backstage-c.1973_hr-1024x1017.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93791\" class=\"wp-caption-text\"><i>Larry Ree Backstage<\/i>, c. 1973. vintage gelatin silver print, 20&#8243; x 16&#8243;.<\/p><\/div> <div id=\"attachment_93792\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21159.jpeg\" rel=\"attachment wp-att-93792\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93792\" class=\"wp-image-93792\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21159.jpeg\" alt=\"\" width=\"600\" height=\"594\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21159.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21159-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21159-300x297.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21159-768x760.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21159-1024x1014.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93792\" class=\"wp-caption-text\"><i>John Heys in Lana Turner Dress #1<\/i>, 1979, vintage gelatin silver print, 20&#8243; x 16&#8243;.<\/p><\/div> <div id=\"attachment_93793\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21161.jpeg\" rel=\"attachment wp-att-93793\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93793\" class=\"wp-image-93793\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21161.jpeg\" alt=\"PK 21161\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21161.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21161-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21161-300x300.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21161-768x767.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21161-1024x1024.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93793\" class=\"wp-caption-text\"><i>Fran Lebowitz [at Home in Morristown]<\/i>, 1974, vintage gelatin silver print, 16 3\/4&#8243; x 13 1\/2&#8243;.<\/p><\/div> <div id=\"attachment_93794\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21166.jpeg\" rel=\"attachment wp-att-93794\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93794\" class=\"wp-image-93794\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21166.jpeg\" alt=\"\" width=\"600\" height=\"599\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21166.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21166-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21166-300x300.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21166-768x766.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21166-1024x1022.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93794\" class=\"wp-caption-text\"><i>Andy Warhol (III)<\/i>, 1975, vintage gelatin silver print, 20&#8243; x 16&#8243;.<\/p><\/div> <div id=\"attachment_93795\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21183.jpeg\" rel=\"attachment wp-att-93795\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93795\" class=\"wp-image-93795\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21183.jpeg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21183.jpeg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21183-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21183-300x300.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21183-768x768.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/pk-21183-1024x1024.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93795\" class=\"wp-caption-text\"><i>David Wojnarowicz<\/i>, 1981, digital pigment print, 20&#8243; x 16&#8243;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cPeter Hujar: Lost Downtown\u201d opens this Thursday at Paul Kasmin Gallery. The exhibition chronicles Hujar\u2019s time on the Lower East Side between 1972 and 1985, when he photographed his friends and acquaintances, including Susan Sontag, John Waters, Andy Warhol, David Wojnarowicz, Paul Thek, Edwin Denby, Divine, Fran Lebowitz, and William Burroughs. \u201cThere was something about [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[922,15825,1528,428,125,13916,17349,13271,20891,100,10443,7537,8306,501,3741],"class_list":["post-93785","post","type-post","status-publish","format-standard","hentry","category-look","tag-andy-warhol","tag-david-wojnarowicz","tag-fran-lebowitz","tag-john-waters","tag-new-york-city","tag-openings","tag-paul-kasmin","tag-paul-kasmin-gallery","tag-peter-hujar","tag-photography","tag-photos","tag-pictures","tag-portraits","tag-susan-sontag","tag-william-burroughs"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lost Downtown: Peter Hujar\u2019s Portraits from NYC in the \u201970s<\/title>\n<meta name=\"description\" content=\"Hujar photographed Susan Sontag, John Waters, and Andy Warhol, among others.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lost Downtown by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"January 25, 2016 \u2013 \u201cPeter Hujar: Lost Downtown\u201d opens this Thursday at Paul Kasmin Gallery. The exhibition chronicles Hujar\u2019s time on the Lower East Side between 1972 and\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-01-26T00:57:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-01-26T15:44:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1489\" \/>\n\t<meta property=\"og:image:height\" content=\"1500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Lost Downtown\",\"datePublished\":\"2016-01-26T00:57:00+00:00\",\"dateModified\":\"2016-01-26T15:44:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/\"},\"wordCount\":245,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg\",\"keywords\":[\"Andy Warhol\",\"David Wojnarowicz\",\"Fran Lebowitz\",\"John Waters\",\"New York City\",\"openings\",\"Paul Kasmin\",\"Paul Kasmin Gallery\",\"Peter Hujar\",\"photography\",\"photos\",\"pictures\",\"portraits\",\"Susan Sontag\",\"William Burroughs\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/\",\"name\":\"Lost Downtown: Peter Hujar\u2019s Portraits from NYC in the \u201970s\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg\",\"datePublished\":\"2016-01-26T00:57:00+00:00\",\"dateModified\":\"2016-01-26T15:44:49+00:00\",\"description\":\"Hujar photographed Susan Sontag, John Waters, and Andy Warhol, among others.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/huj.017.4-eph-0003-gsp2_candy-darling-on-her-deathbed-1973_hr.jpeg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/lost-downtown\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Lost Downtown\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. 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