{"id":93753,"date":"2016-01-25T07:00:54","date_gmt":"2016-01-25T12:00:54","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93753"},"modified":"2016-01-25T08:43:42","modified_gmt":"2016-01-25T13:43:42","slug":"the-art-of-investing-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/the-art-of-investing-and-other-news\/","title":{"rendered":"The Art of Investing, and Other News"},"content":{"rendered":"<div id=\"attachment_93756\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/sme-109.jpg\" rel=\"attachment wp-att-93756\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93756\" class=\"wp-image-93756\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/sme-109.jpg\" alt=\"\" width=\"600\" height=\"497\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/sme-109.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/sme-109-300x248.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/sme-109-768x636.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93756\" class=\"wp-caption-text\">Sarah Meyohas, <i>Paradise INC on January 12, 2016<\/i>, 2016, Oil stick on canvas, 50&#8243; x 60&#8243;. Image via 303 Gallery<\/p><\/div>\n<ul>\n<li>Today in translating bugs: The Irish writer Lafcadio Hearn\u2019s <em>Insect Literature <\/em>(1921), newly reissued, reminds that certain literary tropes are far from universal: \u201cYoko Tawada recently remarked that one of the difficulties she faced when translating <em>The Metamorphosis <\/em>into Japanese was that <a href=\"http:\/\/www.japantimes.co.jp\/culture\/2016\/01\/23\/books\/insect-literature\/#.VqU6F5MrLeR\" target=\"_blank\">the associations Japanese people had with insects\u2014even presumably giant beetles\u2014were different from those of Europeans<\/a> \u2026 In Japan, Buddhism teaches that a person might be reincarnated as any kind of animal or insect, creating a strong sense of continuity between the human and insect realms. That butterfly flapping above your head may contain the soul of a deceased lover \u2026 Humans (in the West at least) had, [Hearn] argued, become numb to the magic and horror implicit in the daily lives of insects.\u201d<\/li>\n<li>Want to support the work of young artists without pumping capital into the infernal machine that is Big Finance? Invest in Sarah Meyohas, whose first solo show is up now: \u201cMeyohas, who studied finance at Wharton and recently received an M.F.A. from Yale, is known for creating a cryptocurrency called BitchCoin. Here, <a href=\"http:\/\/www.nytimes.com\/2016\/01\/22\/arts\/design\/heres-how-an-artist-plays-the-stock-market.html?smid=tw-nytimesarts&amp;smtyp=cur&amp;mtrref=undefined&amp;gwh=21FCF80A2E00635F4C9D17E186E49525&amp;gwt=pay\" target=\"_blank\">she cheerfully explains to visitors that she is using her laptop to buy and sell stocks on the New York Stock Exchange. Every day she selects a company for which little or no trading is happening, and with her own money she buys stock in that company, which drives up its price<\/a>. This precipitates a sell-off, at which point she may or may not buy more stocks. After cashing out, she takes a black marker and draws a line on one of the canvases, loosely tracing the stock\u2019s price line during the time she invested in it.\u201d<\/li>\n<li>Tim Parks does a close reading of Primo Levi in translation, looking at what changes in his prose and why: \u201c<a href=\"http:\/\/www.nybooks.com\/daily\/2016\/01\/19\/tumult-of-translation-primo-levi\/\" target=\"_blank\">The fact is that much space is required to say anything even halfway serious about a translation<\/a>. For example, the three volumes of Levi\u2019s\u00a0<em>Complete Works\u00a0<\/em>include fourteen books and involved ten translators \u2026 While Levi liked to describe himself as a writer with a determinedly plain style, the truth is rather different. Often a direct, speaking voice shifts between the colloquial and the literary, the ironically highfalutin and the grittily scientific. It\u2019s true that there are rarely serious problems of comprehension, but the exact nature of the register, which is to say the manner in which the author addresses us, the relationship into which he draws us, is a complex and highly mobile animal. It is here that the translator is put to the test.\u201d<\/li>\n<li>In <em>Medieval Graffiti<\/em>, the historian and archaeologist Matthew Champion studies the long history of defacing English churches and the thin line between desecration and devotion: \u201c<a href=\"http:\/\/hyperallergic.com\/266861\/witch-marks-curses-and-magic-in-the-neglected-history-of-medieval-graffiti\/\" target=\"_blank\">Rarely were these marks and messages removed or written over by other parish members, showing a sign of respect and acceptance<\/a>. Curiously, many of the graffiti traces discovered by Champion relate to curses, magic, and more pagan practices than are often connected\u00a0with\u00a0Christianity \u2026 It wasn\u2019t outside the realm of belief that a symbolic carving in this sacred space had transformative power.\u201d<\/li>\n<li>Diana Kennedy is a ninety-two-year-old writer living in Mexico City. She\u2019s also, as it happens, embroiled in a fierce debate about Mexican food writing: \u201c<a href=\"http:\/\/www.lrb.co.uk\/blog\/2016\/01\/22\/inigo-thomas\/whales-squirrils-and-other-victuals\/\" target=\"_blank\">Kennedy is far more than just a writer of cook books<\/a>. \u2018All anthropologists and botanists, they ought to learn to cook,\u2019 she has said, \u2018or they will miss the whole point of how culture and plants and food come together\u2019 \u2026 There\u2019s probably no better contemporary book that illustrates the food\/non-food question than Diana Kennedy\u2019s\u00a0<em>Oaxaca al Gusto: An Infinite Gastronomy<\/em>. The book is exotic less for its unlikely ingredients, although there are plenty of them, than for its variety: throughout the province of Oaxaca, there are thousands of valley-specific dishes.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Today in translating bugs: The Irish writer Lafcadio Hearn\u2019s Insect Literature (1921), newly reissued, reminds that certain literary tropes are far from universal: \u201cYoko Tawada recently remarked that one of the difficulties she faced when translating The Metamorphosis into Japanese was that the associations Japanese people had with insects\u2014even presumably giant beetles\u2014were different from those [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[20881,35,1671,3567,20880,1945,11389,20879,3286,13740,20878,13107,7014,530],"class_list":["post-93753","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-303-gallery","tag-art","tag-cooking","tag-diana-kennedy","tag-investment","tag-japan","tag-kafka","tag-matthew-champion","tag-mexico","tag-primo-levi","tag-sarah-meyohas","tag-stocks","tag-tim-parks","tag-translation"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How Sarah Meyohas Uses Art to Play the Market<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/the-art-of-investing-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Art of Investing, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"January 25, 2016 \u2013 Today in translating bugs: The Irish writer Lafcadio Hearn\u2019s Insect Literature (1921), newly reissued, reminds that certain literary tropes are far from\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/25\/the-art-of-investing-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" 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