{"id":93663,"date":"2016-01-21T08:22:45","date_gmt":"2016-01-21T13:22:45","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93663"},"modified":"2016-01-21T10:39:58","modified_gmt":"2016-01-21T15:39:58","slug":"shut-off-your-heating-systems-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/21\/shut-off-your-heating-systems-and-other-news\/","title":{"rendered":"Shut Off Your Heating Systems, and Other News"},"content":{"rendered":"<div id=\"attachment_93665\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/bakhchanyan_2.jpg\" rel=\"attachment wp-att-93665\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93665\" class=\"wp-image-93665\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/bakhchanyan_2.jpg\" alt=\"\" width=\"600\" height=\"484\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/bakhchanyan_2.jpg 1195w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/bakhchanyan_2-300x242.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/bakhchanyan_2-768x620.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/bakhchanyan_2-1024x826.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93665\" class=\"wp-caption-text\">Vagrich Bakhchanyan, <i>Attention!<\/i> (detail), 1972\u201373, transfer process, colored pencil, and ink on paper. Courtesy of Zimmerli Art Museum, via Hyperallergic<\/p><\/div>\n<ul>\n<li>We\u2019ve known for a while that fairy tales are old, but only now have we discovered that they\u2019re in fact really, really, really old\u2014an important distinction. <a href=\"http:\/\/www.theguardian.com\/books\/2016\/jan\/20\/fairytales-much-older-than-previously-thought-say-researchers\" target=\"_blank\">Stories like \u201cBeauty and the Beast\u201d and \u201cRumpelstiltskin\u201d originated thousands of years ago<\/a>, researchers suggest, in \u201cprehistoric times, with one tale originating from the bronze age\u201d: \u201cUsing techniques normally employed by biologists, they studied common links between 275 Indo-European fairy tales from around the world and found some have roots that are far older than previously known, and \u2018long before the emergence of the literary record.\u2019\u2009\u201d<\/li>\n<li>\u201c<a href=\"http:\/\/www.lrb.co.uk\/blog\/2016\/01\/18\/gillian-darley\/how-buildings-sound\/?utm_source=LRB+online+email&amp;utm_medium=email&amp;utm_campaign=20151215+online&amp;utm_content=ukrw_nonsubs&amp;hq_e=el&amp;hq_m=4112595&amp;hq_l=9&amp;hq_v=14b278eff0\" target=\"_blank\">The sound is as important as the surface and the feel. It\u2019s important because our ears define for me the nature of space<\/a>,\u201d said Derek Sugden, an acoustic engineer who died this week at ninety-one. He headed Arup Acoustics, which designed buildings with sound in mind, thus starting a kind of quiet revolution in architecture, as Gillian Darley writes: \u201cThe more recent transformation of the Rijksmuseum in Amsterdam by Cruz y Ortiz takes its responsibilities to an immense visiting public seriously. Enormous frame-form baffles hang from the Gothic Revival roof of the original atrium, while several interior windows are blanked out with fabric \u2018shutters\u2019 to keep resonance at a minimum. Thousands of people come and go (the caf\u00e9 is in a separate space beyond) and the experience remains convivial and pleasurable, sound levels no higher than a gentle hum. Yet nothing is made of this achievement in features on the renovated museum in the architectural press: Sugden was right, architects don\u2019t hear.\u201d<\/li>\n<li>The Soviet artist Vagrich Bakhchanyan hoped to subvert his government by using its own language against it in his art: \u201c<a href=\"http:\/\/hyperallergic.com\/267864\/a-soviet-artists-lifelong-search-for-a-universal-artistic-language\/?ref=featured\" target=\"_blank\">He made works on paper in which appropriated texts and images were combined and layered using transfer techniques, some utilizing official notices by Soviet administrators\u2014the terse, usually handwritten flyers that punctuated the everyday life of Soviet citizens with warnings, admonitions, and exhortations<\/a>. One such announcement scribbled on a page torn out of a logbook reads: \u2018Comrade residents! On Monday the 19th there won\u2019t be any cold or hot water. We ask you to close the taps and shut off the heating system in your apartments.\u2019 Over top of this message, Bakhchanyan has layered an image of a peaceful country landscape. In this and other works, the juxtaposition of random texts and images was meant to produce a momentary disorientation, a visual and mental shock caused by two or more layers of signification clashing and negating one another. The artworks reflect the absurdities and humiliations of the Soviet life\u2014the tragic contradictions between the official ideology of socialism and its everyday reality.\u201d<\/li>\n<li>Last November, Yurina Ko went to the Big Eaters World Championship in Times Square, where passersby were fascinated by a Japanese woman\u2014everyone called her a girl\u2014who could eat and eat and eat: \u201c\u2009\u2018But the girl. She can <em>eat<\/em>.\u2019 \u2018I wonder what her stomach looks like\u2019 \u2026 <a href=\"http:\/\/thenewinquiry.com\/essays\/little-big-eater-girl\/\" target=\"_blank\">It\u2019s the magic of the Little Big Eater Girl. She\u2019s skinny, prepubescent, and childlike in her seeming ignorance about what constitutes an appropriate portion of food. And yet she\u2019s an adult<\/a>. If you take her on a date, she won\u2019t order just a salad but every item on the menu and beg for dessert after. After enjoying every spoonful of this giant meal, she still looks healthy, small, and fuckable \u2026 Someone in the crowd points to the Japanese eater and says, \u2018But look, now she\u2019s sick.\u2019 The woman looks like she\u2019s in pain, breathing into a paper bag. What\u2019s really happening is she\u2019s starting to regurgitate into it. People scatter at the sight of this.\u201d<\/li>\n<li>Today in corporate-media pissing contests: <a href=\"http:\/\/pagesix.com\/2016\/01\/17\/conde-is-passe-compared-to-hearst\/\" target=\"_blank\">anyone who dreams of landing a gig at Cond\u00e9 Nast has a foolish, outmoded dream, because all the cool kids work at Hearst now<\/a>. \u201cWorking at Cond\u00e9 is pass\u00e9,\u201d an \u201cinsider\u201d told Page Six. (Another compared Cond\u00e9 to Icarus.) \u201cHearst has the better perks now: visiting chefs in the cafeteria and free workout clothes in the gym. There are also master classes from the likes of Gloria Steinem, Ethan Hawke, and Arianna Huffington.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019ve known for a while that fairy tales are old, but only now have we discovered that they\u2019re in fact really, really, really old\u2014an important distinction. Stories like \u201cBeauty and the Beast\u201d and \u201cRumpelstiltskin\u201d originated thousands of years ago, researchers suggest, in \u201cprehistoric times, with one tale originating from the bronze age\u201d: \u201cUsing techniques normally [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[19575,1657,20836,20840,597,20837,7265,20839,1945,7090,20838],"class_list":["post-93663","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-acoustics","tag-architecture","tag-bronze-age","tag-competitive-eating","tag-conde-nast","tag-derek-sugden","tag-fairy-tales","tag-hearst","tag-japan","tag-soviet-art","tag-vagrich-bakhchanyan"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - 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