{"id":93566,"date":"2016-01-18T09:26:59","date_gmt":"2016-01-18T14:26:59","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93566"},"modified":"2016-01-19T12:50:34","modified_gmt":"2016-01-19T17:50:34","slug":"press-triangle-for-more-information-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/","title":{"rendered":"Press Triangle for More Information, and Other News"},"content":{"rendered":"<div id=\"attachment_93567\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg\" rel=\"attachment wp-att-93567\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93567\" class=\"wp-image-93567\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg\" alt=\"\" width=\"600\" height=\"418\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2-300x209.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2-768x535.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93567\" class=\"wp-caption-text\">Camille Henrot, <i>Guilt Tripping<\/i>, 2015, three-dimensional nylon polyamide print with video and telephone components, 28&#8243; x 7 7\/8&#8243; x 2 3\/8&#8243;. Courtesy of the artist and Metro Pictures, New York. Via <em>BOMB<\/em><\/p><\/div>\n<ul>\n<li>Orson Welles and Hemingway had a vexed friendship, if <em>friendship<\/em> is even the word\u2014their first encounter came to blows, after all. In interviews, Welles tended to speak respectfully, if not kindly, of the writer. But now, a 1973 screenplay by Welles, <em>Crazy Weather<\/em>, has come to light. Set in Spain, the story features a Hemingway-esque tourist with a macho, ersatz approach to the Spanish culture: \u201c<a href=\"http:\/\/www.theguardian.com\/film\/2016\/jan\/16\/what-orson-welles-really-thought-about-ernest-hemingway\" target=\"_blank\">The protagonist in the script, Jim Foster, is travelling to a bullfight with his Spanish wife, Amparo, when they encounter a nameless youth who taunts Foster about his misogyny, flirts with Amparo and later sabotages their car tires<\/a>. Despite having a Spanish wife and spending years living in Spain, Foster speaks the language only in \u2018limited and rather stilted\u2019 form, and is continually mocked for his cliched idea of Spain.\u201d<\/li>\n<li>What do women want in a mate? And what do men want? For years, I\u2019ve looked to late-night phone-sex ads and flimsy self-help books to answer these timeless questions; Adelle Waldman looked to literature instead. \u201cThe ideal mate, for Jane Austen\u2019s heroines, for Charlotte Bront\u00eb\u2019s, for George Eliot\u2019s, <a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/the-ideal-marriage-according-to-novels?intcid=mod-latest\" target=\"_blank\">is someone intelligent enough to appreciate fully and respond deeply to their own intelligence, a partner for whom they feel not only desire but a sense of kinship, of intellectual and moral equality<\/a>,\u201d she writes. \u201cStraight male authors devote far less energy to considering the intelligence of their heroes\u2019 female love interests; instead, they tend to emphasize visceral attraction and feelings. From Tolstoy, whose psychological acuity helped to redefine what the novel is capable of, to unabashed chroniclers of sex like Saul Bellow and Philip Roth to contemporary, stroller-pushing, egalitarian dad Karl Ove Knausgaard, men have been, in a sense, the real romantics: they are far more likely than women to portray love as something mysterious and irrational, impervious to explanation, tied more to physical qualities and broad personal appeal than to a belief\u2014or hope\u2014in having found an intellectual peer.\u201d<\/li>\n<li>Elena Ferrante\u2019s English translator Ann Goldstein talks about her process and being haunted by Ferrante\u2019s work: \u201cWith <em>The Days of Abandonment<\/em>, partly because it was the first one and partly because it is so haunting, and it\u2019s so concentrated, I was very upset by it. There were things in it that I think everyone recognizes. Like the scene with the key where she thinks she\u2019s locked herself in\u2014I have trouble with keys. <a href=\"https:\/\/www.guernicamag.com\/interviews\/the-face-of-ferrante\/\" target=\"_blank\">And with something like that, she\u2019s writing your nightmare. Those things really did upset me and haunt me<\/a>. I identified with the narrator\u2014one naturally identifies to some extent with an \u2018I\u2019 female narrator going through something that you recognize whether you\u2019ve gone through it or not \u2026 When I started translating the first Neapolitan novel, <em>My Brilliant Friend<\/em>, I had not read the other ones, of course, because they weren\u2019t written yet. So it wasn\u2019t until I got to the end of the last one that I knew the whole story. That was a strange experience: to be reading something, or translating something, that I didn\u2019t really know the end of.\u201d<\/li>\n<li>Camille Henrot\u2019s latest exhibition featured a series of hotline phones, all designed to show the vagaries and confusions of language. \u201cI picked up and heard a male voice,\u201d Michael Barron writes, \u201c<a href=\"http:\/\/bombmagazine.org\/article\/546917\/camille-henrot\" target=\"_blank\">who, friendly enough and definitely assertive, had me run a gamut of bizarre questions, such as \u2018If your dad has fathered more than nine children, press 0 \/ If your father has eaten any of his children, press 1<\/a>.\u201d \u201cI always felt like language was a way to dominate people,\u201d Henrot told him in reference to the hotlines. \u201cYou want to go to the end of the options. That\u2019s the way we\u2014me and the poet Jacob Bromberg\u2014wrote and structured them. The first one we wrote, \u2018Hello &amp; Thank You\u2019\u2014the one that was presented at the Lyon Biennial\u2014was so massive, with a maze of multiple choices. Navigating the whole thing from beginning to end would\u2019ve taken over four hours.\u201d<\/li>\n<li>Attention, shoppers: have you been feeling guilty about buying used books? Probably not. <a href=\"http:\/\/www.salon.com\/2016\/01\/16\/dont_feel_guilty_about_buying_used_books_writers_wont_see_a_dime_of_that_sale_but_its_the_long_game_that_counts\/\" target=\"_blank\">But if you have been, stop<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Orson Welles and Hemingway had a vexed friendship, if friendship is even the word\u2014their first encounter came to blows, after all. In interviews, Welles tended to speak respectfully, if not kindly, of the writer. But now, a 1973 screenplay by Welles, Crazy Weather, has come to light. Set in Spain, the story features a Hemingway-esque [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[20812,20813,4217,13206,571,13053,504,657,6260,1470,11920,8207,20814],"class_list":["post-93566","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-ann-goldstein","tag-camille-henrot","tag-charlotte-bronte","tag-elena-ferrante","tag-ernest-hemingway","tag-hotlines","tag-literature","tag-marriage","tag-mating","tag-orson-welles","tag-phones","tag-used-books","tag-used-bookstores"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Camille Henrot\u2019s Confounding Hotlines<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Press Triangle for More Information, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"January 18, 2016 \u2013 Orson Welles and Hemingway had a vexed friendship, if friendship is even the word\u2014their first encounter came to blows, after all. In interviews, Welles\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-01-18T14:26:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-01-19T17:50:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"697\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Press Triangle for More Information, and Other News\",\"datePublished\":\"2016-01-18T14:26:59+00:00\",\"dateModified\":\"2016-01-19T17:50:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/\"},\"wordCount\":735,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg\",\"keywords\":[\"Ann Goldstein\",\"Camille Henrot\",\"Charlotte Bronte\",\"Elena Ferrante\",\"Ernest Hemingway\",\"hotlines\",\"literature\",\"marriage\",\"Mating\",\"Orson Welles\",\"phones\",\"used books\",\"used bookstores\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/\",\"name\":\"Camille Henrot\u2019s Confounding Hotlines\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg\",\"datePublished\":\"2016-01-18T14:26:59+00:00\",\"dateModified\":\"2016-01-19T17:50:34+00:00\",\"description\":\"This and more in today\u2019s roundup.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Press Triangle for More Information, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Camille Henrot\u2019s Confounding Hotlines","description":"This and more in today\u2019s roundup.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"Press Triangle for More Information, and Other News by Dan Piepenbring","og_description":"January 18, 2016 \u2013 Orson Welles and Hemingway had a vexed friendship, if friendship is even the word\u2014their first encounter came to blows, after all. In interviews, Welles","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-01-18T14:26:59+00:00","article_modified_time":"2016-01-19T17:50:34+00:00","og_image":[{"width":1000,"height":697,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Press Triangle for More Information, and Other News","datePublished":"2016-01-18T14:26:59+00:00","dateModified":"2016-01-19T17:50:34+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/"},"wordCount":735,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg","keywords":["Ann Goldstein","Camille Henrot","Charlotte Bronte","Elena Ferrante","Ernest Hemingway","hotlines","literature","marriage","Mating","Orson Welles","phones","used books","used bookstores"],"articleSection":["On the Shelf"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/","name":"Camille Henrot\u2019s Confounding Hotlines","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg","datePublished":"2016-01-18T14:26:59+00:00","dateModified":"2016-01-19T17:50:34+00:00","description":"This and more in today\u2019s roundup.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/camillehenrot_2.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/18\/press-triangle-for-more-information-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Press Triangle for More Information, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/93566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=93566"}],"version-history":[{"count":4,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/93566\/revisions"}],"predecessor-version":[{"id":93601,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/93566\/revisions\/93601"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=93566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=93566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=93566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}