{"id":93524,"date":"2016-01-15T08:57:26","date_gmt":"2016-01-15T13:57:26","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93524"},"modified":"2016-01-15T10:27:30","modified_gmt":"2016-01-15T15:27:30","slug":"the-pour-of-melted-chocolate-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/15\/the-pour-of-melted-chocolate-and-other-news\/","title":{"rendered":"The Pour of Melted Chocolate, and Other News"},"content":{"rendered":"<div id=\"attachment_93526\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93526\" class=\"wp-image-93526\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/hebden_water.jpg\" alt=\"\" width=\"600\" height=\"448\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/hebden_water.jpg 640w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/hebden_water-300x224.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-93526\" class=\"wp-caption-text\">Hebden Bridge, 1970.<\/p><\/div>\n<ul>\n<li>Ben Lerner remembers C. D. Wright: \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/postscript-c-d-wright-1949-2016\" target=\"_blank\">She was part of a line of mavericks and contrarians who struggled to keep the language particular in times of ever-encroaching standardization<\/a>. I think of the messy genius of James Agee and Mary Austin as two possible antecedents for her genre-bending, lyrically charged, often outraged and outrageous American English \u2026 She had no illusions about what poetry could do in the face of \u2018the factory model, the corporate model, the penitentiary model, which by my lights are one and the same.\u2019 But she had no patience for disillusion, for those who would surrender their wonder before the world.\u201d<\/li>\n<li>Bernard Williams attempted a rare thing for a philosopher: clarity. Exasperated by the discipline\u2019s obscurantism and by Continental philosophy\u2019s aversion to plain speaking, he wrote his books, emphatically, to be read. As Nakul Krishna writes, \u201c<a href=\"http:\/\/thepointmag.com\/2016\/examined-life\/add-your-own-egg\" target=\"_blank\">The hardest thing in philosophy, Williams wrote in the preface to <em>Morality<\/em> \u2026 was finding the right style<\/a>, \u2018in the deepest sense of <em>style<\/em> in which to discover the right style is to discover what you are really trying to do\u2019 \u2026 Could a piece of philosophical writing combine abstract argument with concrete detail? Could its inevitably schematic descriptions of complex situations ever represent enough of their reality? Could philosophy, in other words, have room in it for a real human voice?\u201d<\/li>\n<li>Ted Hughes once wrote of sitting with Sylvia Plath at a pub in Hebden Bridge, West Yorkshire, where he was born: \u201cA gorge of ruined mills and abandoned chapels, \/ The fouled nest of the Industrial Revolution \/ That had flown.\u201d What\u2019s in Hebden Bridge today? The remains of an awful flood, as Tom Overton writes. \u201c<a href=\"http:\/\/www.lrb.co.uk\/blog\/2016\/01\/14\/tom-overton\/ted-hughes-in-hebden-bridge\/\" target=\"_blank\">Up on the moors on Boxing Day last year, the level of rainfall gave normally modest streams a resonant fullness<\/a>. In \u2018Four March Watercolours\u2019, from <em>River<\/em>, Hughes calls it \u2018baroque superabundance\u2019; \u2018the pour \/ Of melted chocolate.\u2019 Turning into something more like the apocalyptic flood at the beginning of <em>Tales from Ovid<\/em>, it poured into the boutiques and cafes on Hebden\u2019s Market Street, and washed a small bus along with it. The\u00a0independent bookshop\u00a0lost its entire stock. The canal and river burst their banks and met in the pub between them, the Stubbing Wharf.\u201d<\/li>\n<li>At last, the days of digitized pop-up books are upon us. You can now peruse a translation of Johann Remmelin\u2019s 1613 work\u00a0<em>Captoptrum Microcosmicum<\/em>, a medical text with 120 flaps\u2014proof that that pop-up was once the province of adult pedagogy, not children\u2019s entertainment. \u201c<a href=\"http:\/\/www.smithsonianmag.com\/smart-news\/check-out-medical-pop-up-book-from-17th-century-180957803\/?is_pocket=1\" target=\"_blank\">Astronomy, geometry, theology and technology have all been the subject of early pop-up books<\/a> \u2026 They\u00a0were\u00a0once called mechanical books, for the moving flaps and revolving parts they featured \u2026 Mechanical books were almost exclusively used in scholarly works until the 18th century, though that delay may be because few of these early tomes were\u00a0aimed at children. The first examples of moveable books for children were Paper Doll Books produced beginning in 1810 and William Grimaldi\u2019s lift-the-flap\u00a0<em>The Toilet<\/em>.\u201d<\/li>\n<li>\u201cHow is it that this novel could be sexy, entertaining, experimental, politically radical, and wildly popular all at once? Its success was no sure thing,\u201d Paul Elie writes of <em>One Hundred Years of Solitude<\/em>. Its creation, to say nothing of its arrival on the international stage, was a complicated affair. Mario Vargas Llosa said, \u201c<a href=\"http:\/\/www.vanityfair.com\/culture\/2015\/12\/gabriel-garcia-marquez-one-hundred-years-of-solitude-history\" target=\"_blank\">This was the book that enlarged the Spanish-language reading public to include intellectuals and also ordinary readers because of its clear and transparent style<\/a>. At the same time, it was a very representative book: Latin America\u2019s civil wars, Latin America\u2019s inequalities, Latin America\u2019s imagination, Latin America\u2019s love of music, its color\u2014all this was in a novel in which realism and fantasy were mixed in a perfect way.\u2019\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Ben Lerner remembers C. D. Wright: \u201cShe was part of a line of mavericks and contrarians who struggled to keep the language particular in times of ever-encroaching standardization. I think of the messy genius of James Agee and Mary Austin as two possible antecedents for her genre-bending, lyrically charged, often outraged and outrageous American English [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[3263,13181,1450,13429,3071,20799,13933,16622,7179],"class_list":["post-93524","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-ben-lerner","tag-bernard-williams","tag-c-d-wright","tag-floods","tag-gabriel-garcia-marquez","tag-hebden-bridge","tag-medical-texts","tag-pop-up-books","tag-ted-hughes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ted Hughes in \u201cThe Fouled Nest of the Industrial Revolution\u201d<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/15\/the-pour-of-melted-chocolate-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Pour of Melted Chocolate, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"January 15, 2016 \u2013 Ben Lerner remembers C. 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Wright: \u201cShe was part of a line of mavericks and contrarians who struggled to keep the language particular in times of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/15\/the-pour-of-melted-chocolate-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-01-15T13:57:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-01-15T15:27:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/hebden_water.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"478\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/15\/the-pour-of-melted-chocolate-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/15\/the-pour-of-melted-chocolate-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"The Pour of Melted Chocolate, and Other News\",\"datePublished\":\"2016-01-15T13:57:26+00:00\",\"dateModified\":\"2016-01-15T15:27:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/15\/the-pour-of-melted-chocolate-and-other-news\/\"},\"wordCount\":636,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/01\/15\/the-pour-of-melted-chocolate-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/hebden_water.jpg\",\"keywords\":[\"Ben Lerner\",\"Bernard Williams\",\"C. 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