{"id":93258,"date":"2016-01-07T13:07:39","date_gmt":"2016-01-07T18:07:39","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93258"},"modified":"2016-01-07T13:31:46","modified_gmt":"2016-01-07T18:31:46","slug":"russian-book-jackets-from-the-1930s","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/01\/07\/russian-book-jackets-from-the-1930s\/","title":{"rendered":"Russian Book Jackets from the 1930s"},"content":{"rendered":"<div id=\"attachment_93259\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d35d-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93259\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93259\" class=\"wp-image-93259\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d35d-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"269\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d35d-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d35d-a3d9-e040-e00a18064a99.001.w-300x135.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93259\" class=\"wp-caption-text\">E. Kuznetsov, <i>Circus<\/i>, 1931.<\/p><\/div>\n<p><em>These Russian book jackets from the thirties are among the many riches on offer in the New York Public Library\u2019s <a href=\"http:\/\/www.nypl.org\/blog\/2016\/01\/05\/share-public-domain-collections\" target=\"_blank\">newly enhanced digital collections<\/a>. Below are some favorites; you can <a href=\"http:\/\/digitalcollections.nypl.org\/collections\/scrap-book-of-russian-bookjackets-1917-1942?format=html&amp;id=scrap-book-of-russian-bookjackets-1917-1942&amp;per_page=250&amp;page=3#\/?tab=about\" target=\"_blank\">see the whole collection here<\/a>.\u00a0<\/em><!--more--><\/p>\n<p><div id=\"attachment_93279\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed21-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93279\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93279\" class=\"wp-image-93279\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed21-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"290\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed21-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed21-a3d9-e040-e00a18064a99.001.w-300x145.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93279\" class=\"wp-caption-text\">Unknown author and title.<\/p><\/div> <div id=\"attachment_93278\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed1e-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93278\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93278\" class=\"wp-image-93278\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed1e-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"318\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed1e-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-ed1e-a3d9-e040-e00a18064a99.001.w-300x159.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93278\" class=\"wp-caption-text\">Boris Efimov, <i>Nazism \u2013 an Enemy of Peoples<\/i>, 1937.<\/p><\/div> <div id=\"attachment_93277\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd39-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93277\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93277\" class=\"wp-image-93277\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd39-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"283\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd39-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd39-a3d9-e040-e00a18064a99.001.w-300x142.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93277\" class=\"wp-caption-text\">Nikolai Ernestovich Radlov, <i>Imaginary Portraits<\/i>, 1933.<\/p><\/div> <div id=\"attachment_93276\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd21-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93276\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93276\" class=\"wp-image-93276\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd21-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"283\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd21-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd21-a3d9-e040-e00a18064a99.001.w-300x142.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93276\" class=\"wp-caption-text\">Kornei Ivanovich Chukovskii, <i>Fairy Tales<\/i>, 1935.<\/p><\/div> <div id=\"attachment_93275\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd5b-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93275\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93275\" class=\"wp-image-93275\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd5b-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"306\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd5b-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd5b-a3d9-e040-e00a18064a99.001.w-300x153.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93275\" class=\"wp-caption-text\">Aleksandr Belyayev, <i>Jump Into Nowhere<\/i>, 1932.<\/p><\/div> <div id=\"attachment_93274\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1c-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93274\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93274\" class=\"wp-image-93274\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1c-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"301\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1c-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1c-a3d9-e040-e00a18064a99.001.w-300x150.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93274\" class=\"wp-caption-text\">V. Vasilev, N. Menshikov, and M. Kiriushina, <i>Two Years in the Tundra<\/i>, 1935.<\/p><\/div> <div id=\"attachment_93273\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dce2-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93273\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93273\" class=\"wp-image-93273\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dce2-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"289\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dce2-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dce2-a3d9-e040-e00a18064a99.001.w-300x144.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93273\" class=\"wp-caption-text\">Unknown author and title.<\/p><\/div> <div id=\"attachment_93272\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1a-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93272\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93272\" class=\"wp-image-93272\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1a-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"336\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1a-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dd1a-a3d9-e040-e00a18064a99.001.w-300x168.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93272\" class=\"wp-caption-text\">Unknown author, <i>How Brother Rabbit Defeated the Lion<\/i>, 1935.<\/p><\/div> <div id=\"attachment_93271\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcd1-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93271\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93271\" class=\"wp-image-93271\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcd1-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"299\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcd1-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcd1-a3d9-e040-e00a18064a99.001.w-300x150.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93271\" class=\"wp-caption-text\">Petr Mikhailovich Ershov, <i>The Little Humpback Horse<\/i>, 1933.<\/p><\/div> <div id=\"attachment_93270\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dccc-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93270\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93270\" class=\"wp-image-93270\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dccc-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"295\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dccc-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dccc-a3d9-e040-e00a18064a99.001.w-300x148.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93270\" class=\"wp-caption-text\">Unknown author, <i>A Hundred Years of the Aleksandrinskii Theater<\/i>, 1932.<\/p><\/div> <div id=\"attachment_93269\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcc3-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93269\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93269\" class=\"wp-image-93269\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcc3-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"333\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcc3-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dcc3-a3d9-e040-e00a18064a99.001.w-300x167.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93269\" class=\"wp-caption-text\">Boris Efimov, <i>A Solution Will Be Found<\/i>, 1932.<\/p><\/div> <div id=\"attachment_93268\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc96-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93268\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93268\" class=\"wp-image-93268\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc96-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"276\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc96-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc96-a3d9-e040-e00a18064a99.001.w-300x138.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93268\" class=\"wp-caption-text\">Leonid Sergeevich Sobolev, <i>Major Repairs<\/i>, 1933.<\/p><\/div> <div id=\"attachment_93267\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc86-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93267\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93267\" class=\"wp-image-93267\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc86-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"288\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc86-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc86-a3d9-e040-e00a18064a99.001.w-300x144.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93267\" class=\"wp-caption-text\">Lev Isaevich Slavin, <i>The Intervention<\/i>, 1933.<\/p><\/div> <div id=\"attachment_93266\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc56-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93266\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93266\" class=\"wp-image-93266\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc56-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"316\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc56-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc56-a3d9-e040-e00a18064a99.001.w-300x158.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93266\" class=\"wp-caption-text\">T. Boritskii, <i>The Conquest of the Depths<\/i>, 1934.<\/p><\/div> <div id=\"attachment_93265\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc9a-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93265\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93265\" class=\"wp-image-93265\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc9a-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"455\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc9a-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-dc9a-a3d9-e040-e00a18064a99.001.w-300x227.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93265\" class=\"wp-caption-text\">Unknown author, <i>White Sea Canal Project<\/i>, 1933.<\/p><\/div> <div id=\"attachment_93264\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d365-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93264\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93264\" class=\"wp-image-93264\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d365-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"301\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d365-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d365-a3d9-e040-e00a18064a99.001.w-300x150.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93264\" class=\"wp-caption-text\">Isaak Emanuilovich Babel, <i>Stories<\/i>, 1932.<\/p><\/div> <div id=\"attachment_93263\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d344-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93263\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93263\" class=\"wp-image-93263\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d344-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"298\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d344-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d344-a3d9-e040-e00a18064a99.001.w-300x149.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93263\" class=\"wp-caption-text\">Anton Chekhov, <i>Cherry Orchard<\/i>, 1933\u20131935.<\/p><\/div> <div id=\"attachment_93262\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d340-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93262\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93262\" class=\"wp-image-93262\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d340-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"303\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d340-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d340-a3d9-e040-e00a18064a99.001.w-300x152.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93262\" class=\"wp-caption-text\">Nikolai Mikhailovich Tseretelli, <i>A Russian Peasant Toy<\/i>, 1933.<\/p><\/div> <div id=\"attachment_93261\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d36c-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93261\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93261\" class=\"wp-image-93261\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d36c-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"277\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d36c-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d36c-a3d9-e040-e00a18064a99.001.w-300x139.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93261\" class=\"wp-caption-text\">Olga Forsh, <i>A Mooring Mast<\/i>, 1930.<\/p><\/div> <div id=\"attachment_93260\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d312-a3d9-e040-e00a18064a99.001.w.jpg\" rel=\"attachment wp-att-93260\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93260\" class=\"wp-image-93260\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d312-a3d9-e040-e00a18064a99.001.w.jpg\" alt=\"\" width=\"600\" height=\"215\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d312-a3d9-e040-e00a18064a99.001.w.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/01\/nypl.digitalcollections.510d47e2-d312-a3d9-e040-e00a18064a99.001.w-300x107.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-93260\" class=\"wp-caption-text\">Ilia Ehrenburg, <i>My Paris<\/i>, 1933.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>These Russian book jackets from the thirties are among the many riches on offer in the New York Public Library\u2019s newly enhanced digital collections. Below are some favorites; you can see the whole collection here.\u00a0<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,1975,15017,17,216,20702,10661,2237,104,6053],"class_list":["post-93258","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-book-design","tag-book-jackets","tag-books","tag-design","tag-digital-collections","tag-images","tag-new-york-public-library","tag-nypl","tag-public-domain"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Russian Book Jackets from the 1930s<\/title>\n<meta name=\"description\" content=\"January 7, 2016 \u2013 These Russian book jackets from the thirties are among the many riches on offer in the New York Public Library\u2019s newly enhanced digital collections. 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