{"id":93069,"date":"2015-12-23T15:00:41","date_gmt":"2015-12-23T20:00:41","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93069"},"modified":"2015-12-21T11:58:25","modified_gmt":"2015-12-21T16:58:25","slug":"updike-portrait-of-the-artist-as-a-young-fan-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/23\/updike-portrait-of-the-artist-as-a-young-fan-2\/","title":{"rendered":"Updike: Portrait of the Artist as a Young Fan"},"content":{"rendered":"<p><em>We\u2019re away until January 4, but we\u2019re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/6a00d8341c630a53ef013484409f0d970c-pi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-81490\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/6a00d8341c630a53ef013484409f0d970c-pi.jpg\" alt=\"Updike\" width=\"593\" height=\"334\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/6a00d8341c630a53ef013484409f0d970c-pi.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/01\/6a00d8341c630a53ef013484409f0d970c-pi-300x169.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>\u201cI can\u2019t remember the moment when I fell in love with cartoons, I was so young,\u201d John Updike once recalled in <em>Hogan\u2019s Alley <\/em>magazine. \u201cI still have a <em>Donald Duck <\/em>book, on oilclothy paper in big-print format, and remember a smaller, cardboard-covered book based on the animated cartoon <em>Three Little Pigs<\/em>. It was the intense stylization of those images, with their finely brushed outlines and their rounded and buttony furniture and their faces so curiously amalgamated of human and animal elements, that drew me in, into a world where I, child though I was, loomed as a king, and where my parents and other grownups were strangers.\u201d<\/p>\n<p>This is one of many passages where Updike talks about his childhood love of comics, a theme that recurs not just in essays but also in poems and short stories. What deserves attention in this passage is not only what Updike is saying but the textured and sensual language he\u2019s using when he recalls the \u201coilclothy paper\u201d and the \u201cbuttony furniture.\u201d His tingling prose, where every idea and emotion is rooted in sensory experience, owes much to such modern masters as Joyce, Proust, and Nabokov, but it was also sparked by the cartoon images he saw in childhood, which trained his eyes to see visual forms as aesthetically pleasing. Indeed, the comparison with Nabokov is instructive since the Russian-born author of <em>Lolita<\/em> was also a cartoon fan. The critic Clarence Brown has coined the term <em>bedesque<\/em> (roughly translated as \u201ccomic strip-influenced\u201d) to describe the cartoony quality of Nabokov\u2019s fiction, including its antic loopiness, its quicksilver movement from scene to scene, and its visual intensity. I think one reason Updike felt an affinity for Nabokov is because they both wrote bedesque prose. <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/01\/14\/updike-portrait-of-the-artist-as-a-young-fan\/\">Read More &gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019re away until January 4, but we\u2019re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year! \u201cI can\u2019t remember the moment when I fell in love with cartoons, I was so young,\u201d John Updike once recalled in Hogan\u2019s Alley magazine. \u201cI still have a Donald Duck book, on [&hellip;]<\/p>\n","protected":false},"author":785,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20653],"tags":[16582,10345,131,16579,615,16580,16577,1483,16578,16576,967,16581],"class_list":["post-93069","post","type-post","status-publish","format-standard","hentry","category-best-of-2015","tag-arnold-roth","tag-chester-brown","tag-comics","tag-harold-gray","tag-john-updike","tag-little-orphan-annie","tag-milton-caniff","tag-saul-steinberg","tag-terry-and-the-pirates","tag-virgil-partch","tag-vladimir-nabokov","tag-william-h-pritchard"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why John Updike Loved Comics<\/title>\n<meta name=\"description\" content=\"As a boy, John Updike adored comics\u2014he wrote fan letters to cartoonists, and their work influenced his distinctive prose style.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/23\/updike-portrait-of-the-artist-as-a-young-fan-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Updike: Portrait of the Artist as a Young Fan by Jeet Heer\" \/>\n<meta property=\"og:description\" content=\"December 23, 2015 \u2013 We\u2019re away until January 4, but we\u2019re re-posting some of our favorite pieces from 2015. 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