{"id":93057,"date":"2015-12-21T15:00:46","date_gmt":"2015-12-21T20:00:46","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=93057"},"modified":"2015-12-21T11:50:12","modified_gmt":"2015-12-21T16:50:12","slug":"nancy-drew-in-starlight-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/","title":{"rendered":"Nancy Drew in Starlight"},"content":{"rendered":"<p><em>We\u2019re away until January 4, but we\u2019re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!<\/em><\/p>\n<div id=\"attachment_90866\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-90866\" class=\"wp-image-90866 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg\" alt=\"lilac\" width=\"600\" height=\"593\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac-300x297.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-90866\" class=\"wp-caption-text\">An illustration from <i>The Mystery at Lilac Inn.<\/i><\/p><\/div>\n<p><em>Who is Nancy Drew, really? The instability of\u00a0the girl detective.<\/em><\/p>\n<p>The writer Bobbie Ann Mason once described the Nancy Drew novels as sonnets, or \u201cendless variations on an inflexible form.\u201d The same could be said of Nancy herself: though outfitted with a few baseline characteristics\u2014her freedom, her wile, her supreme politesse\u2014she\u2019s perpetually shape-shifting throughout the\u00a0series. Alternately sixteen and eighteen, Nancy Drew is a scholar of ancient languages and an amateur archaeologist; a flawless cook, an expressive painter, and a dynamite prom date. She can dance in a corps de ballet and scuba dive fathomless depths. On separate occasions, her friends have walked in on her tap dancing, learning Morse code, and tap dancing in Morse code. Even her hair color is famously inconstant\u2014from book to book, it flickers from blonde to strawberry blonde to her most distinctive shade, Titian, so named for the rosy apricot color used in many of the sixteenth-century Italian\u2019s paintings.<\/p>\n<p>And yet, there are some things Nancy Drew simply does not do. In her decades-long original run of more than fifty books, she never once goes to the movies or mentions an actor by name. Her only brush with Hollywood comes in 1931\u2019s <em>The Mystery at Lilac Inn<\/em>, where she meets the diabolical Gay Moreau, a washed-up actress who\u2019s also a Nancy Drew impersonator, committing petty crimes to defame the detective. Nancy approaches the case with some amusement at her resemblance to a \u201cblonde actress,\u201d but things take a turn for the weird when the starlet kidnaps Nancy, binds and gags her, and, to Nancy\u2019s horror, begins to<em> act<\/em>: <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/10\/14\/nancy-drew-in-starlight\/\" target=\"_blank\">Read More &gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019re away until January 4, but we\u2019re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year! Who is Nancy Drew, really? The instability of\u00a0the girl detective. The writer Bobbie Ann Mason once described the Nancy Drew novels as sonnets, or \u201cendless variations on an inflexible form.\u201d The same [&hellip;]<\/p>\n","protected":false},"author":879,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20653],"tags":[19780,19784,19781,18653,1102,19778,19783,675,7002,5370,13622,12969,995,12280,19782,19786,1373,12919,4214,747,19785,13238,19779,19777,19787],"class_list":["post-93057","post","type-post","status-publish","format-standard","hentry","category-best-of-2015","tag-anne-sheridan","tag-carolyn-keene","tag-deanna-durbin","tag-femininity","tag-feminism","tag-formulas","tag-gay-moreau","tag-gender","tag-genre-fiction","tag-ginger-rogers","tag-girlhood","tag-hair-color","tag-hollywood","tag-judy-garland","tag-midcentury-fiction","tag-mildred-wirt-benson","tag-movie-stars","tag-mysteries","tag-nancy-drew","tag-novels","tag-platinum-blonde","tag-shirley-temple","tag-starlets","tag-whitman-authorized-editions","tag-womanhood"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Who Is Nancy Drew, Really?<\/title>\n<meta name=\"description\" content=\"Isabel Ortiz on the instability of Nancy Drew, especially as revealed by Whitman Authorized Editions.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nancy Drew in Starlight by Isabel Ortiz\" \/>\n<meta property=\"og:description\" content=\"December 21, 2015 \u2013 We\u2019re away until January 4, but we\u2019re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!Who is Nancy Drew, really?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-21T20:00:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"593\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Isabel Ortiz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Isabel Ortiz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/\"},\"author\":{\"name\":\"Isabel Ortiz\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/446325e52f4f142e14ea10a637e9b803\"},\"headline\":\"Nancy Drew in Starlight\",\"datePublished\":\"2015-12-21T20:00:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/\"},\"wordCount\":318,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg\",\"keywords\":[\"Anne Sheridan\",\"Carolyn Keene\",\"Deanna Durbin\",\"femininity\",\"feminism\",\"formulas\",\"Gay Moreau\",\"gender\",\"genre fiction\",\"Ginger Rogers\",\"girlhood\",\"hair color\",\"Hollywood\",\"Judy Garland\",\"midcentury fiction\",\"Mildred Wirt Benson\",\"movie stars\",\"mysteries\",\"Nancy Drew\",\"novels\",\"Platinum Blonde\",\"Shirley Temple\",\"starlets\",\"Whitman Authorized Editions\",\"womanhood\"],\"articleSection\":[\"Best of 2015\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/\",\"name\":\"Who Is Nancy Drew, Really?\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg\",\"datePublished\":\"2015-12-21T20:00:46+00:00\",\"description\":\"Isabel Ortiz on the instability of Nancy Drew, especially as revealed by Whitman Authorized Editions.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Nancy Drew in Starlight\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/446325e52f4f142e14ea10a637e9b803\",\"name\":\"Isabel Ortiz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c6c6dbb03673664d5931cf7c92d8e6b668ab4a0c4401180b6e4936618a87e5fc?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c6c6dbb03673664d5931cf7c92d8e6b668ab4a0c4401180b6e4936618a87e5fc?s=96&d=mm&r=g\",\"caption\":\"Isabel Ortiz\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/iortiz\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Who Is Nancy Drew, Really?","description":"Isabel Ortiz on the instability of Nancy Drew, especially as revealed by Whitman Authorized Editions.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/","og_locale":"en_US","og_type":"article","og_title":"Nancy Drew in Starlight by Isabel Ortiz","og_description":"December 21, 2015 \u2013 We\u2019re away until January 4, but we\u2019re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!Who is Nancy Drew, really?","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-12-21T20:00:46+00:00","og_image":[{"width":600,"height":593,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg","type":"image\/jpeg"}],"author":"Isabel Ortiz","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Isabel Ortiz","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/"},"author":{"name":"Isabel Ortiz","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/446325e52f4f142e14ea10a637e9b803"},"headline":"Nancy Drew in Starlight","datePublished":"2015-12-21T20:00:46+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/"},"wordCount":318,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg","keywords":["Anne Sheridan","Carolyn Keene","Deanna Durbin","femininity","feminism","formulas","Gay Moreau","gender","genre fiction","Ginger Rogers","girlhood","hair color","Hollywood","Judy Garland","midcentury fiction","Mildred Wirt Benson","movie stars","mysteries","Nancy Drew","novels","Platinum Blonde","Shirley Temple","starlets","Whitman Authorized Editions","womanhood"],"articleSection":["Best of 2015"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/","name":"Who Is Nancy Drew, Really?","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg","datePublished":"2015-12-21T20:00:46+00:00","description":"Isabel Ortiz on the instability of Nancy Drew, especially as revealed by Whitman Authorized Editions.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/lilac.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/21\/nancy-drew-in-starlight-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Nancy Drew in Starlight"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/446325e52f4f142e14ea10a637e9b803","name":"Isabel Ortiz","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c6c6dbb03673664d5931cf7c92d8e6b668ab4a0c4401180b6e4936618a87e5fc?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c6c6dbb03673664d5931cf7c92d8e6b668ab4a0c4401180b6e4936618a87e5fc?s=96&d=mm&r=g","caption":"Isabel Ortiz"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/iortiz\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/93057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/879"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=93057"}],"version-history":[{"count":1,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/93057\/revisions"}],"predecessor-version":[{"id":93058,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/93057\/revisions\/93058"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=93057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=93057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=93057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}