{"id":92421,"date":"2015-12-01T09:22:56","date_gmt":"2015-12-01T14:22:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=92421"},"modified":"2015-12-01T11:02:33","modified_gmt":"2015-12-01T16:02:33","slug":"the-wonders-of-czech-book-design-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/","title":{"rendered":"The Wonders of Czech Book Design, and Other News"},"content":{"rendered":"<div id=\"attachment_92422\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-92422\" class=\"wp-image-92422\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg\" alt=\"\" width=\"600\" height=\"731\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg 1067w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek-246x300.jpg 246w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek-840x1024.jpg 840w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-92422\" class=\"wp-caption-text\">An illustration by Josef \u010capek in <i>Nov\u00e9 zp\u011bvy : kniha lyrick\u00fdch pr\u016fboj\u016f<\/i>, 1918.<\/p><\/div>\n<ul>\n<li>When Germans like to dramatize their politics, imbuing the theater with metaphors to suit the times, they always turn to one play: <em>Hamlet<\/em>. Over the centuries, <a href=\"http:\/\/www.newstatesman.com\/culture\/music-theatre\/2015\/11\/why-germany-so-obsessed-hamlet\" target=\"_blank\">the Dane has survived a dizzying number of interpretations and representations on German stages\u2014they\u2019re obsessed with the guy<\/a>. \u201cThe 1970s West German Hamlet was shown as powerless to affect his corrupt society, reflecting the experiences of intellectuals and theatre directors who failed to influence the politics of the 1960s revolutions \u2026 East German interpretations of <em>Hamlet<\/em> were unsurprisingly very different. In his speech at the 1964 Shakespeare festival, Cultural Minister Alexander Abusch praised Hamlet\u2019s socialist ideals and lambasted the corrupt society that prevented him carrying them out \u2026 The frequent revival of this old, familiar play does not signal a retreat in German theatre from innovative drama. In fact, the nation\u2019s changing role has sparked an exciting new phase in the depiction of the dithering protagonist \u2026 In a radical 2005 production in Munich, director Lars-Ole Walburg incorporated quotations from George W Bush and Michael Moore and references to the Rwandan genocide and the 2001 terrorist attacks in New York.\u201d<\/li>\n<li>The English major is in decline, and who can even rouse himself to defend it? There\u2019s no utilitarian value to it. It doesn\u2019t seem to make students more ethical or to improve their decision making. People would very probably still read books without it. So \u2026 uh \u2026 Adam Gopnik has a thought: \u201cThe best answer I have ever heard from a literature professor for studying literature came from a wise post-structuralist critic. Why was he a professor of literature? \u2018Because I have an obsessive relationship with texts.\u2019 <a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/why-teach-english\" target=\"_blank\">You choose a major, or a life, not because you see its purpose, which tends to shimmer out of sight like an oasis, but because you like its objects<\/a>. A good doctor said to me, not long ago, \u2018You really sort of have to like assholes and ear wax to be a good general practitioner\u2019; you have to really like, or not mind much, intricate and dull and occasionally even dumb arguments about books to study English.\u201d<\/li>\n<li>Good spelling has always had an uncomfortable correlation with good breeding\u2014before the advent of spell-check, and even to some extent after it, to spell well was to signify one\u2019s belonging in the upper classes. In the nineteenth century, two men tried to level the playing field with an ambitious overhaul to the language: \u201cOn December 5, 1846, in the first issue of a newspaper called <em>Di Anglo-Sacsun<\/em>, an introductory letter to readers heralded the day when \u2018<a href=\"http:\/\/www.theawl.com\/2015\/11\/giant-despair-of-doubting-castle\" target=\"_blank\">bad spelling, the monster that scares, and grins at, and harasses the people, will fall into fits, like the Giant Despair of Doubting Castle, and will die outright of his spasms<\/a>\u2019 \u2026 S. P. Andrews and Augustus Boyle, the editors of the <em>Di Anglo-Sacsun<\/em>, believed that they could end poverty by making literacy less time-consuming and more accessible, particularly for poor immigrants and slaves. As the written language formalized over the course of the first half of the nineteenth century through innovations like the steam press and energetic lexicographers like Noah Webster, standardized spelling had become a newly erected barrier between the upwardly mobile and those who had neither the time nor the resources to crack the code of literacy. Andrews and Boyle wanted to simplify the process by making spelling entirely phonetic.\u201d<\/li>\n<li>In the early twentieth century, Czech book design drew its influences from a surprisingly broad array of artistic movements\u2014<a href=\"http:\/\/hyperallergic.com\/250851\/czech-artists-radical-book-designs-of-the-early-20th-century\/\" target=\"_blank\">and a singular, stylish form of publishing emerged as a result<\/a>. \u201cOne popular trend during the turn of the century was to embellish literature with elaborate, local ornamentations that were mostly Romanesque in style, as exemplified by Josef M\u00e1nes\u2019 illustrations in a manuscript of thirteenth- and fourteenth-century Bohemian poems and songs. Floral motifs also became\u00a0popular Czech symbols \u2026 However, artists later dismissed floral and other ornate\u00a0symbolism as medieval decorations, especially as\u00a0Czech culture was increasingly exposed to foreign influences\u00a0that fueled\u00a0widespread experimentation \u2026 Some found the decorativeness of beautiful book illustrations extravagant, preferring to shape the appearance of books with bold and often stark photomontages.\u201d<\/li>\n<li>Reminder: your M.F.A. program is the product of specific political circumstances, and to write \u201cwell\u201d is essentially to play by the rules of the state: \u201cLess than a lifetime ago, reputable American writers would occasionally start fistfights, sleep in ditches and even espouse Communist doctrines. Such were the prerogatives and exigencies of the artist\u2019s existence, until M.F.A. programs arrived to impose discipline and provide livelihoods. Whether the professionalization of creative writing has been good for American literature has set off a lot of elegantly worded soul-searching and well-mannered debate recently \u2026 <a href=\"http:\/\/www.nytimes.com\/2015\/11\/29\/books\/review\/workshops-of-empire-by-eric-bennett.html?_r=0\" target=\"_blank\">Sponsored by foundations dedicated to defeating Communism, creative-\u00adwriting programs during the postwar period taught aspiring authors certain rules of propriety<\/a> \u2026 Certain seemingly timeless criteria of good writing are actually the product of historically bound political agendas.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>When Germans like to dramatize their politics, imbuing the theater with metaphors to suit the times, they always turn to one play: Hamlet. Over the centuries, the Dane has survived a dizzying number of interpretations and representations on German stages\u2014they\u2019re obsessed with the guy. \u201cThe 1970s West German Hamlet was shown as powerless to affect [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[8376,1975,17764,3159,20378,13208,247,1320,13398,17718,2426,948,14819],"class_list":["post-92421","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-adam-gopnik","tag-book-design","tag-czech-republic","tag-czechoslovakia","tag-di-anglo-sacsun","tag-english-majors","tag-germany","tag-hamlet","tag-humanities","tag-mfas","tag-politics","tag-shakespeare","tag-spelling"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Radical Czech Book Designs of the Twentieth Century<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Wonders of Czech Book Design, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"December 1, 2015 \u2013 When Germans like to dramatize their politics, imbuing the theater with metaphors to suit the times, they always turn to one play: Hamlet. Over the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-01T14:22:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-12-01T16:02:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1067\" \/>\n\t<meta property=\"og:image:height\" content=\"1300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"The Wonders of Czech Book Design, and Other News\",\"datePublished\":\"2015-12-01T14:22:56+00:00\",\"dateModified\":\"2015-12-01T16:02:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/\"},\"wordCount\":845,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg\",\"keywords\":[\"Adam Gopnik\",\"book design\",\"Czech Republic\",\"Czechoslovakia\",\"Di Anglo-Sacsun\",\"English majors\",\"Germany\",\"Hamlet\",\"humanities\",\"MFAs\",\"politics\",\"Shakespeare\",\"spelling\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/\",\"name\":\"The Radical Czech Book Designs of the Twentieth Century\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg\",\"datePublished\":\"2015-12-01T14:22:56+00:00\",\"dateModified\":\"2015-12-01T16:02:33+00:00\",\"description\":\"This and more in today\u2019s roundup...\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Wonders of Czech Book Design, and Other News\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Radical Czech Book Designs of the Twentieth Century","description":"This and more in today\u2019s roundup...","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/","og_locale":"en_US","og_type":"article","og_title":"The Wonders of Czech Book Design, and Other News by Dan Piepenbring","og_description":"December 1, 2015 \u2013 When Germans like to dramatize their politics, imbuing the theater with metaphors to suit the times, they always turn to one play: Hamlet. Over the","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-12-01T14:22:56+00:00","article_modified_time":"2015-12-01T16:02:33+00:00","og_image":[{"width":1067,"height":1300,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"The Wonders of Czech Book Design, and Other News","datePublished":"2015-12-01T14:22:56+00:00","dateModified":"2015-12-01T16:02:33+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/"},"wordCount":845,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg","keywords":["Adam Gopnik","book design","Czech Republic","Czechoslovakia","Di Anglo-Sacsun","English majors","Germany","Hamlet","humanities","MFAs","politics","Shakespeare","spelling"],"articleSection":["On the Shelf"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/","name":"The Radical Czech Book Designs of the Twentieth Century","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg","datePublished":"2015-12-01T14:22:56+00:00","dateModified":"2015-12-01T16:02:33+00:00","description":"This and more in today\u2019s roundup...","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/12\/josef-capek.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/12\/01\/the-wonders-of-czech-book-design-and-other-news\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"The Wonders of Czech Book Design, and Other News"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/92421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=92421"}],"version-history":[{"count":3,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/92421\/revisions"}],"predecessor-version":[{"id":92426,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/92421\/revisions\/92426"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=92421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=92421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=92421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}