{"id":92163,"date":"2015-11-19T16:55:32","date_gmt":"2015-11-19T21:55:32","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=92163"},"modified":"2015-11-19T17:23:49","modified_gmt":"2015-11-19T22:23:49","slug":"paradise-fire","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/","title":{"rendered":"Paradise Fire"},"content":{"rendered":"<div id=\"attachment_92165\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-92165\" class=\"wp-image-92165\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg\" alt=\"\" width=\"600\" height=\"470\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg 2000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292-300x235.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292-1024x802.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-92165\" class=\"wp-caption-text\"><i>Ghost Forest, Eatonville, Washington, August 2015<\/i>, 2015, archival pigment print, 48&#8243; x 61&#8243;. Courtesy of the artist and Moran Bondaroff, Los Angeles.<\/p><\/div>\n<p><em>David Benjamin Sherry\u2019s exhibition \u201c<a href=\"http:\/\/moranbondaroff.com\/exhibits\/paradise-fire\/\" target=\"_blank\">Paradise Fire<\/a>\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American West using an unwieldy 8&#215;10 field camera.\u00a0<\/em><em>\u201cMy interest lays in the changing American landscape, and this new series of pictures reflects my unease,\u201d he wrote in a statement for the exhibition. He told <\/em><a href=\"http:\/\/www.openingceremony.us\/entry.asp?pid=5974\" target=\"_blank\">Opening Ceremony<\/a><em>,<\/em> <em>\u201cI was drawn into the desert for its sheer brilliance of fossilized time, the blinding luminosity of its stones and rocks, the infinite desolate space, the wildly varied and brightly colored sun-bleached palettes, the supernatural light, the invisibility of space and surroundings, the supreme silence like no other natural landscape, and the infinite horizon and endless repetition in minimal form.\u201d \u2014D. P.\u00a0<\/em><!--more--><\/p>\n<div id=\"attachment_92164\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1289.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-92164\" class=\"wp-image-92164\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1289.jpg\" alt=\"\" width=\"600\" height=\"466\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1289.jpg 2000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1289-300x233.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1289-1024x796.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-92164\" class=\"wp-caption-text\"><i>Near the Future Sight of Portal Preserve, a Housing Development, Lone Pine, California, July 2015<\/i>, 2015, archival pigment print, 48&#8243; x 61&#8243;. Courtesy of the artist and Moran Bondaroff, Los Angeles.<\/p><\/div>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1294.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-92166\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1294.jpg\" alt=\"\" width=\"600\" height=\"465\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1294.jpg 2000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1294-300x232.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1294-1024x793.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><div id=\"attachment_92167\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1296.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-92167\" class=\"wp-image-92167\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1296.jpg\" alt=\"\" width=\"600\" height=\"469\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1296.jpg 2000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1296-300x235.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1296-1024x801.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-92167\" class=\"wp-caption-text\"><i>Wildfire Rising Behind Crater Lake, Oregon<\/i>, August 2015, 2015, archival pigment print, 30&#8243; x 38&#8243;. Courtesy of the artist and Moran Bondaroff, Los Angeles.<\/p><\/div> <div id=\"attachment_92168\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1297.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-92168\" class=\"wp-image-92168\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1297.jpg\" alt=\"\" width=\"600\" height=\"763\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1297.jpg 1573w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1297-236x300.jpg 236w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1297-805x1024.jpg 805w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-92168\" class=\"wp-caption-text\"><i>Climbers on El Cap, Yosemite National Park, California, March 2014<\/i>, 2015, archival pigment print, 61&#8243; x 48&#8243;. Courtesy of the artist and Moran Bondaroff, Los Angeles.<\/p><\/div> <div id=\"attachment_92169\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1299.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-92169\" class=\"wp-image-92169\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1299.jpg\" alt=\"\" width=\"600\" height=\"470\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1299.jpg 2000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1299-300x235.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1299-1024x803.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-92169\" class=\"wp-caption-text\"><i>Wildfire near Cut Bank, Montana, August 2015<\/i>, 2015, archival pigment print, 30&#8243; x 38&#8243;. Courtesy of the artist and Moran Bondaroff, Los Angeles.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Benjamin Sherry\u2019s exhibition \u201cParadise Fire\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American West using an unwieldy 8&#215;10 field camera.\u00a0\u201cMy interest lays in the changing American landscape, and this new series of pictures reflects my unease,\u201d he wrote in a statement for the exhibition. He told Opening Ceremony, [&hellip;]<\/p>\n","protected":false},"author":900,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[142,35,20277,16425,7676,14521,20279,5256,13916,20278,100,10443,16818],"class_list":["post-92163","post","type-post","status-publish","format-standard","hentry","category-look","tag-america","tag-art","tag-david-benjamin-sherry","tag-exhibitions","tag-galleries","tag-landscapes","tag-moran-bondaroff-gallery","tag-opening-ceremony","tag-openings","tag-paradise-fire","tag-photography","tag-photos","tag-the-west"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Paradise Fire: Photography by David Benjamin Sherry<\/title>\n<meta name=\"description\" content=\"November 19, 2015 \u2013 David Benjamin Sherry\u2019s exhibition \u201cParadise Fire\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paradise Fire by David Benjamin Sherry\" \/>\n<meta property=\"og:description\" content=\"November 19, 2015 \u2013 David Benjamin Sherry\u2019s exhibition \u201cParadise Fire\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-19T21:55:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-11-19T22:23:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292-1024x802.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"802\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"David Benjamin Sherry\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"David Benjamin Sherry\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/\"},\"author\":{\"name\":\"David Benjamin Sherry\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/3e0af53566320da9131e39fc153afc11\"},\"headline\":\"Paradise Fire\",\"datePublished\":\"2015-11-19T21:55:32+00:00\",\"dateModified\":\"2015-11-19T22:23:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/\"},\"wordCount\":262,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg\",\"keywords\":[\"America\",\"art\",\"David Benjamin Sherry\",\"exhibitions\",\"galleries\",\"landscapes\",\"Moran Bondaroff Gallery\",\"Opening Ceremony\",\"openings\",\"Paradise Fire\",\"photography\",\"photos\",\"the West\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/\",\"name\":\"Paradise Fire: Photography by David Benjamin Sherry\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg\",\"datePublished\":\"2015-11-19T21:55:32+00:00\",\"dateModified\":\"2015-11-19T22:23:49+00:00\",\"description\":\"November 19, 2015 \u2013 David Benjamin Sherry\u2019s exhibition \u201cParadise Fire\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Paradise Fire\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/3e0af53566320da9131e39fc153afc11\",\"name\":\"David Benjamin Sherry\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/0786beb1c010a422dfe197ed5f445da2364acdccb98a3ad7eeef03c4ddfa9e4f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/0786beb1c010a422dfe197ed5f445da2364acdccb98a3ad7eeef03c4ddfa9e4f?s=96&d=mm&r=g\",\"caption\":\"David Benjamin Sherry\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dbsherry\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Paradise Fire: Photography by David Benjamin Sherry","description":"November 19, 2015 \u2013 David Benjamin Sherry\u2019s exhibition \u201cParadise Fire\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/","og_locale":"en_US","og_type":"article","og_title":"Paradise Fire by David Benjamin Sherry","og_description":"November 19, 2015 \u2013 David Benjamin Sherry\u2019s exhibition \u201cParadise Fire\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-11-19T21:55:32+00:00","article_modified_time":"2015-11-19T22:23:49+00:00","og_image":[{"width":1024,"height":802,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292-1024x802.jpg","type":"image\/jpeg"}],"author":"David Benjamin Sherry","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"David Benjamin Sherry","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/"},"author":{"name":"David Benjamin Sherry","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/3e0af53566320da9131e39fc153afc11"},"headline":"Paradise Fire","datePublished":"2015-11-19T21:55:32+00:00","dateModified":"2015-11-19T22:23:49+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/"},"wordCount":262,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg","keywords":["America","art","David Benjamin Sherry","exhibitions","galleries","landscapes","Moran Bondaroff Gallery","Opening Ceremony","openings","Paradise Fire","photography","photos","the West"],"articleSection":["Look"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/","name":"Paradise Fire: Photography by David Benjamin Sherry","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg","datePublished":"2015-11-19T21:55:32+00:00","dateModified":"2015-11-19T22:23:49+00:00","description":"November 19, 2015 \u2013 David Benjamin Sherry\u2019s exhibition \u201cParadise Fire\u201d is at Moran Bondaroff Gallery, in Los Angeles, through December 12. Sherry\u00a0photographs the American","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/dbs-mb1292.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/19\/paradise-fire\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Paradise Fire"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/3e0af53566320da9131e39fc153afc11","name":"David Benjamin Sherry","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/0786beb1c010a422dfe197ed5f445da2364acdccb98a3ad7eeef03c4ddfa9e4f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0786beb1c010a422dfe197ed5f445da2364acdccb98a3ad7eeef03c4ddfa9e4f?s=96&d=mm&r=g","caption":"David Benjamin Sherry"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dbsherry\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/92163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/900"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=92163"}],"version-history":[{"count":5,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/92163\/revisions"}],"predecessor-version":[{"id":92176,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/92163\/revisions\/92176"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=92163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=92163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=92163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}