{"id":91849,"date":"2015-11-11T17:02:29","date_gmt":"2015-11-11T22:02:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=91849"},"modified":"2015-11-11T17:12:24","modified_gmt":"2015-11-11T22:12:24","slug":"elle-nous-juge","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/","title":{"rendered":"Elle Nous Juge"},"content":{"rendered":"<div id=\"attachment_91869\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91869\" class=\"wp-image-91869\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg\" alt=\"\" width=\"600\" height=\"555\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg 2448w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303-300x277.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303-1024x947.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-91869\" class=\"wp-caption-text\">From\u00a0<i>Some Are More Human Than Others<\/i>.<\/p><\/div>\n<p>Early in 2016, New Directions will publish <em>All the Poems<\/em>, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which <a href=\"https:\/\/www.theparisreview.org\/blog\/2014\/02\/11\/a-chain-on-the-great-feelings\/\" target=\"_blank\">Diane Mehta<\/a> called \u201cplayful\u201d and \u201ccarnivalesque\u201d even as she acknowledged the elliptical voice\u2019s \u201cuncertain likeability\u201d\u2014have a well-deserved cult following. This makes sense. Her work has a whimsical flintiness, a combination she somehow pulls off; her performances were cannily theatrical such that people still talk about them today; and her books, as physical objects, are equally intriguing. Consider the literal\u00a0<em>Novel on Yellow Paper<\/em>, or the unapologetically bizarre<span class=\"apple-converted-space\">\u00a0<\/span><em><span style=\"font-family: Georgia;\"><a href=\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/05\/lol-cats\/\" target=\"_blank\">Cats in Colour<\/a>,\u00a0<\/span><\/em>one of the best acts of literary defiance ever written or published.\u00a0<!--more--><\/p>\n<p>One of the many charms of\u00a0<em>All the Poems<\/em><span class=\"apple-converted-space\">\u00a0<\/span>is that it\u2019s illustrated with her idiosyncratic line drawings. But if you\u2019re not quite ready to tackle seven hundred\u2013plus\u00a0pages of Smithiana (inexplicable!), may I suggest her fauna-themed sketchbook,\u00a0<em><a href=\"http:\/\/www.amazon.com\/Some-More-Human-Than-Others\/dp\/081121110X\" target=\"_blank\">Some Are More Human Than Others<\/a><\/em>? As James MacGibbon explains in the slim book\u2019s introduction, Smith would often write down snatches of overheard conversation and then illustrate them after the fact for her own amusement; this is the result. And like her poems, each sketch speaks volumes\u2014although in what language, one can never be sure. Why these are not tattooed over every limb in Brooklyn, I cannot say.<\/p>\n<p style=\"line-height: 18.0pt;\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2301.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-91873\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2301.jpg\" alt=\"\" width=\"600\" height=\"526\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2301.jpg 2448w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2301-300x263.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2301-1024x898.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p style=\"line-height: 18.0pt;\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-91872\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2300.jpg\" alt=\"\" width=\"600\" height=\"423\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2300.jpg 2495w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2300-300x211.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2300-1024x722.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p style=\"line-height: 18.0pt;\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2305.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-91871\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2305.jpg\" alt=\"\" width=\"600\" height=\"631\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2305.jpg 2448w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2305-285x300.jpg 285w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2305-973x1024.jpg 973w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p style=\"line-height: 18.0pt;\"><i>Sadie Stein is contributing editor of\u00a0<\/i>The Paris Review<em>, and the\u00a0<\/em>Daily<em>\u2019s correspondent.<a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg\"><br \/> <\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Early in 2016, New Directions will publish All the Poems, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which Diane Mehta called \u201cplayful\u201d and \u201ccarnivalesque\u201d even as she acknowledged the elliptical voice\u2019s \u201cuncertain likeability\u201d\u2014have a well-deserved cult following. This makes sense. Her work has a whimsical flintiness, a combination she somehow pulls off; her performances were [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13115],"tags":[20179,165,2047,13134,20180,7030],"class_list":["post-91849","post","type-post","status-publish","format-standard","hentry","category-our-daily-correspondent","tag-all-the-poems","tag-poetry","tag-poets","tag-sketches","tag-some-are-more-human-than-others","tag-stevie-smith"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Some Are More Human Than Others: Stevie Smith\u2019s Sketches<\/title>\n<meta name=\"description\" content=\"November 11, 2015 \u2013 Early in 2016, New Directions will publish All the Poems, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which Diane Mehta called \u201cplayful\u201d and\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elle Nous Juge by Sadie Stein\" \/>\n<meta property=\"og:description\" content=\"November 11, 2015 \u2013 Early in 2016, New Directions will publish All the Poems, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which Diane Mehta called \u201cplayful\u201d and\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-11T22:02:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-11-11T22:12:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2448\" \/>\n\t<meta property=\"og:image:height\" content=\"2263\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sadie Stein\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sadie Stein\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/\"},\"author\":{\"name\":\"Sadie Stein\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\"},\"headline\":\"Elle Nous Juge\",\"datePublished\":\"2015-11-11T22:02:29+00:00\",\"dateModified\":\"2015-11-11T22:12:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/\"},\"wordCount\":245,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg\",\"keywords\":[\"All the Poems\",\"poetry\",\"poets\",\"sketches\",\"Some Are More Human Than Others\",\"Stevie Smith\"],\"articleSection\":[\"Our Daily Correspondent\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/\",\"name\":\"Some Are More Human Than Others: Stevie Smith\u2019s Sketches\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg\",\"datePublished\":\"2015-11-11T22:02:29+00:00\",\"dateModified\":\"2015-11-11T22:12:24+00:00\",\"description\":\"November 11, 2015 \u2013 Early in 2016, New Directions will publish All the Poems, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which Diane Mehta called \u201cplayful\u201d and\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Elle Nous Juge\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\",\"name\":\"Sadie Stein\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"caption\":\"Sadie Stein\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Some Are More Human Than Others: Stevie Smith\u2019s Sketches","description":"November 11, 2015 \u2013 Early in 2016, New Directions will publish All the Poems, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which Diane Mehta called \u201cplayful\u201d and","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/","og_locale":"en_US","og_type":"article","og_title":"Elle Nous Juge by Sadie Stein","og_description":"November 11, 2015 \u2013 Early in 2016, New Directions will publish All the Poems, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which Diane Mehta called \u201cplayful\u201d and","og_url":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2015-11-11T22:02:29+00:00","article_modified_time":"2015-11-11T22:12:24+00:00","og_image":[{"width":2448,"height":2263,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg","type":"image\/jpeg"}],"author":"Sadie Stein","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Sadie Stein","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/"},"author":{"name":"Sadie Stein","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9"},"headline":"Elle Nous Juge","datePublished":"2015-11-11T22:02:29+00:00","dateModified":"2015-11-11T22:12:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/"},"wordCount":245,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg","keywords":["All the Poems","poetry","poets","sketches","Some Are More Human Than Others","Stevie Smith"],"articleSection":["Our Daily Correspondent"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/","url":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/","name":"Some Are More Human Than Others: Stevie Smith\u2019s Sketches","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg","datePublished":"2015-11-11T22:02:29+00:00","dateModified":"2015-11-11T22:12:24+00:00","description":"November 11, 2015 \u2013 Early in 2016, New Directions will publish All the Poems, the complete works of Stevie Smith. Smith\u2019s poetry\u2014which Diane Mehta called \u201cplayful\u201d and","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/img_2303.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/11\/elle-nous-juge\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Elle Nous Juge"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9","name":"Sadie Stein","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","caption":"Sadie Stein"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/91849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=91849"}],"version-history":[{"count":9,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/91849\/revisions"}],"predecessor-version":[{"id":91882,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/91849\/revisions\/91882"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=91849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=91849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=91849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}