{"id":91686,"date":"2015-11-06T08:59:44","date_gmt":"2015-11-06T13:59:44","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=91686"},"modified":"2015-11-06T10:46:21","modified_gmt":"2015-11-06T15:46:21","slug":"you-like-me-you-really-like-me-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/06\/you-like-me-you-really-like-me-and-other-news\/","title":{"rendered":"You Like Me, You Really Like Me, and Other News"},"content":{"rendered":"<div id=\"attachment_91687\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/constant-dullaart-hohenfriedeberg_-_attack_of_prussian_infantry_-_1745.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91687\" class=\"wp-image-91687\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/constant-dullaart-hohenfriedeberg_-_attack_of_prussian_infantry_-_1745.jpg\" alt=\"\" width=\"600\" height=\"291\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/constant-dullaart-hohenfriedeberg_-_attack_of_prussian_infantry_-_1745.jpg 1280w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/constant-dullaart-hohenfriedeberg_-_attack_of_prussian_infantry_-_1745-300x146.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/constant-dullaart-hohenfriedeberg_-_attack_of_prussian_infantry_-_1745-1024x497.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-91687\" class=\"wp-caption-text\">An image by Constant Dullaart, from Carl R\u00f6chling\u2019s <i>Attack of Prussian Infantry<\/i>, 1745.<\/p><\/div>\n<ul>\n<li>If we\u2019re going to gauge an artist\u2019s success by the number of Twitter and Instagram followers she has, an aspirant artist can and should game the system: don\u2019t wait for the followers, just go out and buy a bunch of fake ones. Constant Dullaart\u2019s art is all about buying your following: \u201cThe bots are accepted as part of our social fabric, as long as they don\u2019t spam us, right? But what actually happens to an art practice if you quantify the link between audience reception and market value? What is the quality of the followers, how many \u2018managed\u2019 or artificial identities are injected to increase market value? Many other artistic careers are justified in the press through their popularity on social media \u2026\u00a0<a href=\"http:\/\/hyperallergic.com\/251034\/why-im-amassing-an-army-of-fake-facebook-followers\/\" target=\"_blank\">My work was meant to comment on the value of audience quantification in the art world, in times when everything, even social relationships (now called social capital), can be defined in monetary terms<\/a>.\u201d<\/li>\n<li>Thirty years later, DeLillo\u2019s <em>White Noise <\/em>is still the prophetic, funny, deathward-moving classic everyone wanted it to be: \u201c<em>White Noise\u00a0<\/em>is bathed in the glare and hum of personal computers and refrigerators and color televisions. <a href=\"http:\/\/www.thedailybeast.com\/articles\/2015\/11\/05\/how-delillo-nailed-us-in-white-noise.html\" target=\"_blank\">Like bulletins from the subconscious, the text is intermittently interrupted by litanies of brand names designed to be pronounceable in a hundred languages<\/a>: Tegrin, Denorex, Selsun Blue \u2026 in 1985, as the world accelerated toward an unrecognizable automated future and nuclear dread had become normalized, even the words\u00a0<em>Toyota Celica\u00a0<\/em>sounded like a prayer.\u201d<\/li>\n<li>Today in poop jokes and the royal family: Isack van Ostade\u2019s 1643 painting <em>A Village Fair with a Church Behind<\/em> has been a part of England\u2019s royal collection since 1810. But this seemingly innocuous work contains the unthinkable: firm evidence that earlier generations of humankind defecated exactly as we do today. \u201cAs conservators began to clean the painting, they realized a bush in the painting\u2019s right foreground was not original to the work. <a href=\"http:\/\/www.smithsonianmag.com\/smart-news\/hidden-poop-joke-queen-elizabeth-painting-180957156\/?is_pocket=1\" target=\"_blank\">When\u00a0they removed the bush, they discovered a squatting man relieving himself<\/a> \u2026 Curators believe that the man was painted over in 1903 \u2026 Dutch artists often include people or animals answering the call of nature partly as a joke and partly to remind viewers of that crucial word \u2018nature,\u2019 the inspiration for their art.\u00a0 Queen Victoria thought the Dutch pictures in her collection were painted in a \u2018low style.\u2019 \u201d<\/li>\n<li>Roberto Calasso talks about his new memoir, <em>The Art of the Publisher<\/em>, and running the Italian publishing house Adelphi: \u201c \u2018At the beginning, <a href=\"http:\/\/www.nytimes.com\/2015\/11\/05\/arts\/international\/roberto-calasso-italys-publishing-maestro.html\" target=\"_blank\">we were considered rather eccentric and aristocratic. Then, when we started to have remarkable commercial successes, we were accused of being too populist<\/a>. That was curious because we were publishing exactly the same books \u2026 The word \u2018information\u2019 suffers from a kind of verbal inflation, which has confused the minds of lots of people. And that is really worrying. Not the simple fact of digitization, which I\u2019m not scared of, but that in the mind of some people, these two terms conflate. But they are opposites, sometimes.\u201d<\/li>\n<li>Pet names Nabokov had for his wife, V\u00e9ra: \u201cbeloved insecticle \u2026 his kittykin, his poochums, his mousikins, goosikins, monkeykins, sparrowling, kidlet \u2026 his skunky, his bird of paradise, his mothling, kitty-cat, roosterkin, mousie, tigercubkin.\u201d <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/2015\/nov\/19\/nabokov-his-joy-his-life\/\" target=\"_blank\">He wrote her hundreds of letters. She rarely wrote back.<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>If we\u2019re going to gauge an artist\u2019s success by the number of Twitter and Instagram followers she has, an aspirant artist can and should game the system: don\u2019t wait for the followers, just go out and buy a bunch of fake ones. Constant Dullaart\u2019s art is all about buying your following: \u201cThe bots are accepted [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[20113,1889,20112,20115,20111,16245,20114,20116,12543,15068,14079,967,16498],"class_list":["post-91686","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-constant-dullaart","tag-don-delillo","tag-followers","tag-isack-van-ostade","tag-likes","tag-poop","tag-poop-jokes","tag-robert-calasso","tag-social-media","tag-terms-of-endearment","tag-vera-nabokov","tag-vladimir-nabokov","tag-white-noise"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Young Artists: No Social Media Following? 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