{"id":91522,"date":"2015-11-02T09:22:50","date_gmt":"2015-11-02T14:22:50","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=91522"},"modified":"2015-11-02T10:20:15","modified_gmt":"2015-11-02T15:20:15","slug":"the-journey-of-the-dancing-triangle-man-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/11\/02\/the-journey-of-the-dancing-triangle-man-and-other-news\/","title":{"rendered":"The Journey of the Dancing Triangle Man, and Other News"},"content":{"rendered":"<div id=\"attachment_91523\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91523\" class=\"wp-image-91523\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/mkgphotos05-copy.jpg\" alt=\"\" width=\"600\" height=\"498\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/mkgphotos05-copy.jpg 845w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/11\/mkgphotos05-copy-300x249.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-91523\" class=\"wp-caption-text\">Minya Diez-D\u00fchrkoop, <i>Dance costume for \u201cTechnik\u201d<\/i> (detail), 1924, black-and-white positive on silver gelatin paper.<\/p><\/div>\n<ul>\n<li>Suspense, mystery, confusion, a certain contemplative je ne sais quoi \u2026 you can use ellipses for just about anything these days. Try ending your e-mails with them for a much-needed injection of professional ambiguity. And remember their roots: \u201cPenny dreadful scribblers and yellow journalists adopted the mark wholeheartedly, entwining its brand with high melodrama, cheap commercialism, and camp \u2026 Adorno, noting the dots\u2019 prevalence in comic books and trashy romance, argued that a \u2018hack \u2026 must depend on typography to simulate \u2026 an infinitude of thoughts and associations, something [he] does not have\u2019 \u2026 Some ellipses feel hammy and overwrought. <a href=\"http:\/\/www.slate.com\/blogs\/lexicon_valley\/2015\/10\/29\/how_to_use_an_ellipsis_examples_from_the_great_gatsby_james_joyce_t_s_eliot.html\" target=\"_blank\">But others allude to charged material with superlative restraint<\/a> (as in Fitzgerald or Joyce). They can be gently mysterious \u2026 They convey the endless rovings of consciousness.\u201d<\/li>\n<li>Today in rediscovered Expressionist dance costumes: <a href=\"http:\/\/hyperallergic.com\/248602\/avant-garde-1920s-costumes-reemerge-revealing-their-makers-tragic-story\/\" target=\"_blank\">there are these<\/a>, which look to have come from a very forward-thinking children\u2019s sci-fi featurette. Two dancers from Hamburg, Lavinia Schulz\u00a0and Walter Holdt, designed the costumes in the 1920s. \u201cThe dancers created twenty full-body costumes for performances between\u00a01919 and\u00a01924, all accompanied by\u00a0avant-garde music, often composed by\u00a0Hans Heinz Stuckenschmidt.\u201d In 1924, Schulz shot Holdt and then herself, thus ensuring that their avant-garde costumes were tainted with bad memories and left in storage for many decades.<\/li>\n<li>As the notion of the \u201cbookless library\u201d wends its way from cheap joke to reality, James Gleick asks: Whither the library? \u201c<a href=\"http:\/\/www.nybooks.com\/blogs\/nyrblog\/2015\/oct\/26\/what-libraries-can-still-do-bibliotech\/\" target=\"_blank\">The library has no future as yet another Internet node<\/a>, but neither will it relax into retirement as an antiquarian warehouse. Until our digital souls depart our bodies for good and float away into the cloud, we retain part citizenship in the physical world, where we still need books, microfilm, diaries and letters, maps and manuscripts, and the experts who know how to find, organize, and share them \u2026 A transition to the digital can\u2019t mean shrugging off the worldly embodiments of knowledge, delicate manuscripts and fading photographs and old-fashioned books of paper and glue. To treat those as quaint objects of nostalgia is the technocrats\u2019 folly.\u201d<\/li>\n<li>The landscape painter Frederic Edwin Church lived in a mansion called Olana, which doubled as \u201ca 3-D landscape artwork with more than five miles of carriage roads.\u201d But what of its craftsmanship? A tour of Olana leaves one with more questions than answers: \u201cWe would learn that what was strange about this window, which appeared to be stained glass, was that its diamond-patterned grille was sagging at the edges; it was made of paper. \u2018<a href=\"http:\/\/harpers.org\/blog\/2015\/10\/still-there\/\" target=\"_blank\">Church cared more about appearances than authenticity<\/a>,\u2019 we were informed. From the hall we filed into a narrow private study, where the walls were bordered with a script I thought was Arabic, but when I asked its meaning, I was told that it was nonsense Church invented, because he liked the way it looked \u2026 There was an empty easel with a palette; shelves of art supplies; a painting by the artist\u2019s mentor, dim; a case of carved-stone artifacts collected on a trip to South America. \u2018Some of those objects are authentic, others made for tourists,\u2019 said the guide. \u2018Church didn\u2019t care.\u2019 \u201d<\/li>\n<li>Most people went to Studio 54 and the Paradise Garage to dance. Bill Bernstein went to take pictures. His work stands as a vibrant document of the disco era, which he remembers for its inclusiveness: \u201cOn a typical night of shooting, Bernstein would arrive at a club at around eleven p.m. or midnight, never drinking, <a href=\"https:\/\/paddle8.com\/editorial\/bill-bernsteins-disco-utopia\/\" target=\"_blank\">just wandering the dance floor and lounge areas looking for interesting subjects<\/a>. \u2018I would just sort of try to keep my eyes open, and stay there until I felt like I couldn\u2019t do any more, or I was exhausted,\u2019 he says. \u2018The speakers were gigantic and the room would vibrate. Between the room vibrating with the noise and the lighting, which was constantly flickering and moving, after about four hours, I was drained.\u2019 \u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Suspense, mystery, confusion, a certain contemplative je ne sais quoi \u2026 you can use ellipses for just about anything these days. Try ending your e-mails with them for a much-needed injection of professional ambiguity. And remember their roots: \u201cPenny dreadful scribblers and yellow journalists adopted the mark wholeheartedly, entwining its brand with high melodrama, cheap [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[20052,1257,55,7643,20048,20051,20049,7148,100,11915,20050],"class_list":["post-91522","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-bill-bernstein","tag-costumes","tag-dance","tag-disco","tag-ellipses","tag-frederic-edwin-church","tag-lavinia-schulz","tag-libraries","tag-photography","tag-punctuation","tag-walter-holdt"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rediscovered Avant-Garde Dance Costumes from the 1920s<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/11\/02\/the-journey-of-the-dancing-triangle-man-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Journey of the Dancing Triangle Man, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"November 2, 2015 \u2013 Suspense, mystery, confusion, a certain contemplative je ne sais quoi \u2026 you can use ellipses for just about anything these days. 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