{"id":90422,"date":"2015-10-01T09:01:27","date_gmt":"2015-10-01T13:01:27","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=90422"},"modified":"2015-10-01T10:24:10","modified_gmt":"2015-10-01T14:24:10","slug":"obnoxious-effluvia-at-every-turn-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/10\/01\/obnoxious-effluvia-at-every-turn-and-other-news\/","title":{"rendered":"Obnoxious Effluvia at Every Turn, and Other News"},"content":{"rendered":"<div id=\"attachment_90423\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/21594252148_b953ea1bed_b.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-90423\" class=\"wp-image-90423\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/21594252148_b953ea1bed_b.jpg\" alt=\"\" width=\"600\" height=\"457\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/21594252148_b953ea1bed_b.jpg 845w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/21594252148_b953ea1bed_b-300x228.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-90423\" class=\"wp-caption-text\">\u201cA London Fog\u201d (detail), 1802, colored aquatint.<\/p><\/div>\n<ul>\n<li>\u201cI love the nuance and depth of feeling in the poems of T.\u2009S. Eliot,\u201d you\u2019ve probably said to yourself, sighing: \u201cIf only the man had written more erotica!\u201d Reader, he did, and soon it will be yours to behold. <a href=\"http:\/\/www.theguardian.com\/books\/2015\/sep\/30\/new-edition-of-ts-eliot-poems-challenge-perceptions-of-his-sexuality\" target=\"_blank\">A new edition of Eliot\u2019s poems will feature several previously unpublished efforts dedicated to his second wife, Valerie<\/a>, and found in notebooks. Steel yourself for such succulent similes as \u201cHer breasts are like ripe pears that dangle \/ Above my mouth \/ Which reaches up to take them.\u201d And while the Eliot fire sale is in progress, you might as well get your hands on <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/2015\/oct\/08\/ts-eliot-return-foxy-grandpa\/\" target=\"_blank\">his formerly unpublished volume of several works by Alfred North Whitehead<\/a>. It contains the words \u201cFoxy Grandpa.\u201d<\/li>\n<li>The contemporary fascination with castrati has two sources. First, we\u2019ve never heard their music, and unheard music haunts us; second, they were people with no testicles, and we are, as a people, obsessed with testicles and wonder how they got along without them, what they did in bed, et cetera. \u201c<a href=\"http:\/\/www.lrb.co.uk\/v37\/n19\/colm-toibin\/ravishing\" target=\"_blank\">The very in-betweenness of castrati, their being neither women nor complete men, neither peasants nor aristocrats<\/a>, having access to kings\u2019 ears and girls\u2019 bedrooms, allowed them to move into positions of easy privilege and influence \u2026 From this middle ground he could have a great deal of fun and wield a good deal of influence. It is also important to remember, in this context, that same-sex relations did not have the same meaning as they would later come to have.\u201d<\/li>\n<li>The debate surrounding appropriation has reached a fever pitch: \u201cQuestions about the right to your creation and labor, the right to your identity, emerge out of old wounds in America, and they provoke familiar battle stances \u2026 <a href=\"http:\/\/www.nytimes.com\/2015\/10\/04\/magazine\/is-cultural-appropriation-always-wrong.html\" target=\"_blank\">Can some kinds of appropriation shatter stereotypes?<\/a> This has been literature\u2019s implicit promise: that entering into another\u2019s consciousness enlarges our own \u2026 What conversations about appropriation make clear is that our imaginations are unruly kingdoms governed by fears and fantasies. They are never neutral.\u201d<\/li>\n<li>In William Delisle Hay\u2019s 1880 novella, <em>The Doom of the Great City<\/em>, Londoners are \u201cchoked to death under a soot-filled fog\u201d\u2014an unsettlingly prescient conceit, from our vantage point. Or is it just kooky propaganda for the miasmatists, who believed that bad smells meant bad air? \u201cAt their best, the miasmatists practiced social medicine that included a focus on diet, education, and forms of social uplift. At their worst, they were racist and classist bureaucrats. But whatever their scientific and ideological deficiencies, miasmatists were amazingly successful at marshaling the resources and political will (often with the important tool of disgust at their disposal) <a href=\"http:\/\/publicdomainreview.org\/2015\/09\/30\/bad-air-pollution-sin-and-science-fiction\/\" target=\"_blank\">to create a compelling vision of the sanitary city<\/a>.\u201d<\/li>\n<li>The inimitable Peggy Guggenheim came into her second inheritance in 1937 and decided to open her first gallery in London. \u201c\u2018I am in Paris working hard for my gallery and fucking,\u2019 she wrote to her friend Emily Coleman the following January; and when Coleman remonstrated, Peggy wrote back to reassure her: \u2018My fucking is only a sideshow. <a href=\"http:\/\/www.newrepublic.com\/article\/122968\/artistic-outrageous-life-peggy-guggenheim\" target=\"_blank\">My work comes first every time<\/a>.\u2019\u2009\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI love the nuance and depth of feeling in the poems of T.\u2009S. Eliot,\u201d you\u2019ve probably said to yourself, sighing: \u201cIf only the man had written more erotica!\u201d Reader, he did, and soon it will be yours to behold. A new edition of Eliot\u2019s poems will feature several previously unpublished efforts dedicated to his second [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[13446,19611,19613,19614,7221,1772,19612],"class_list":["post-90422","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-appropriation","tag-castrati","tag-miasmatists","tag-peggy-guggenheim","tag-poems","tag-t-s-eliot","tag-william-delisle-hay"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Bad Air and Dubious Science of the Miasmatists<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/10\/01\/obnoxious-effluvia-at-every-turn-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Obnoxious Effluvia at Every Turn, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"October 1, 2015 \u2013 \u201cI love the nuance and depth of feeling in the poems of T.\u2009S. Eliot,\u201d you\u2019ve probably said to yourself, sighing: \u201cIf only the man had written more\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/10\/01\/obnoxious-effluvia-at-every-turn-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-01T13:01:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-10-01T14:24:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/21594252148_b953ea1bed_b.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"845\" \/>\n\t<meta property=\"og:image:height\" content=\"643\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/10\/01\/obnoxious-effluvia-at-every-turn-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/10\/01\/obnoxious-effluvia-at-every-turn-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Obnoxious Effluvia at Every Turn, and Other News\",\"datePublished\":\"2015-10-01T13:01:27+00:00\",\"dateModified\":\"2015-10-01T14:24:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/10\/01\/obnoxious-effluvia-at-every-turn-and-other-news\/\"},\"wordCount\":528,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/10\/01\/obnoxious-effluvia-at-every-turn-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/10\/21594252148_b953ea1bed_b.jpg\",\"keywords\":[\"appropriation\",\"castrati\",\"miasmatists\",\"Peggy Guggenheim\",\"poems\",\"T. 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