{"id":90358,"date":"2015-09-30T09:03:33","date_gmt":"2015-09-30T13:03:33","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=90358"},"modified":"2015-09-30T11:24:24","modified_gmt":"2015-09-30T15:24:24","slug":"mourning-the-striped-pig-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/09\/30\/mourning-the-striped-pig-and-other-news\/","title":{"rendered":"Mourning the <i>Striped Pig<\/i>, and Other News"},"content":{"rendered":"<div id=\"attachment_90359\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-90359\" class=\"wp-image-90359\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/stripedpig.jpg\" alt=\"\" width=\"600\" height=\"439\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/stripedpig.jpg 1327w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/stripedpig-300x220.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/stripedpig-1024x750.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-90359\" class=\"wp-caption-text\">Time was you could find this fella on newsstands, getting sloshed.<\/p><\/div>\n<ul>\n<li>Fact: the American newspapers and gazettes of the nineteenth century had names that absolutely trounced their present-day counterparts where liveliness and creativity are concerned (with the exception of the <em>Modesto<\/em> <em>Bee<\/em>, which remains a truly great paper title). In simpler times, you could spend your mornings over <a href=\"http:\/\/pastispresent.org\/2015\/curatorscorner\/unusual-titles-the-answers\/\" target=\"_blank\">the <em>Horseneck Truth Teller and Gossip Journal<\/em>, <em>Estabrook\u2019s Great Public Chowder<\/em>, <em>Steven H. Branch\u2019s Alligator<\/em>, and the <em>Striped Pig<\/em><\/a>, among others.<\/li>\n<li>For a different kind of nostalgia, contemplate <em>MacGyver<\/em>, which hit the airwaves thirty years ago and has left in its wake a mess of nerdy white-male heroics and misplaced, quasi-racist adventure: \u201c<em><a href=\"http:\/\/www.theatlantic.com\/entertainment\/archive\/2015\/09\/killer-ants-stolen-diamonds-yetis-macgyvers-great-man-theory-of-adventure\/407998\/\">MacGyver <\/a><\/em><a href=\"http:\/\/www.theatlantic.com\/entertainment\/archive\/2015\/09\/killer-ants-stolen-diamonds-yetis-macgyvers-great-man-theory-of-adventure\/407998\/\">embraces its own insistent loneliness to an absurd degree<\/a>. And that, in turn, makes the whole show feel distinctly retrograde \u2026 <em>MacGyver<\/em>\u00a0sags under the weight of its old-school definition of heroism. It glorifies the single man\u2014the single mullet\u2014while treating other people as victims and saps.\u201d<\/li>\n<li>Not dissimilarly: in a new book, <em>Lions in the Balance<\/em>, Craig Packer attempts to careen between the MacGyver-esque machismo of those who hunt lions in the Serengheti and the \u201ccommunal emotionalism\u201d that so often animates conservation movements. \u201cIt is his position, as the story begins, that <a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/what-we-mourned-when-we-mourned-cecil?intcid=mod-latest\" target=\"_blank\">the lions of the Serengeti need sport hunters to survive; that Cecils must die if prides are to endure<\/a> \u2026 In his quest to restructure incentives, in his willingness to take the long view, in his commitment to numbers over narrative, Packer deems himself \u2018ultimately alone.\u2019 \u201d<\/li>\n<li>Trying to build a brand of one? Of course you are! This is the age of the brandividual. Let me tell you a few things you already knew, though: it\u2019s a futile project, authenticity is a myth, and branding strategists are working to make our society a waking nightmare of empty professionalism. \u201c<a href=\"http:\/\/www.newrepublic.com\/article\/122910\/my-paradoxical-quest-build-personal-brand\" target=\"_blank\">I don\u2019t think it\u2019s possible to appeal to everyone and still be authentic, let alone unique<\/a>. When [my branding strategist] declared my web-site font \u2018almost hippie-dippy,\u2019 I couldn\u2019t help but get a bit defensive. So what if it is? My truest self does not use \u2018impact as a verb.\u2019 My truest self likes to be catty about former employers that have done me wrong, not write pleasant summaries of what I was able to achieve while working there. My truest self is sending <small>GIF<\/small>s to my friends, not cheerfully influencing strangers\u2019 thoughts.\u201d<\/li>\n<li>Today in new and novel uses for the black crayon: Richard Serra\u2019s strangely affecting \u201cRamble Drawings\u201d are seventy-four works on paper, all \u201cvariations on Malevich\u2019s square, <a href=\"http:\/\/www.blouinartinfo.com\/news\/story\/1246048\/shows-that-matter-richard-serras-ramble-drawings\" target=\"_blank\">stretched out and pressed with black lithographic crayons to achieve different textures: <\/a><a href=\"http:\/\/www.blouinartinfo.com\/news\/story\/1246048\/shows-that-matter-richard-serras-ramble-drawings\" target=\"_blank\">oily, streaky, pocked, solid<\/a>. The pictures, stacked like rows of large, incongruous industrial cement bricks across the gallery walls, are anything but monotonous, however. Black never looked so colorful.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Fact: the American newspapers and gazettes of the nineteenth century had names that absolutely trounced their present-day counterparts where liveliness and creativity are concerned (with the exception of the Modesto Bee, which remains a truly great paper title). In simpler times, you could spend your mornings over the Horseneck Truth Teller and Gossip Journal, Estabrook\u2019s [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[35,19203,15253,19594,18848,19596,13856,19593,9295,11148,19595,8236,10148,7592],"class_list":["post-90358","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-art","tag-black","tag-branding","tag-cecil","tag-conservationism","tag-crayons","tag-lions","tag-macgyver","tag-names","tag-newspapers","tag-personal-brands","tag-richard-serra","tag-titles","tag-tv"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Striped Pig, and Other Great Old Newspaper Names<\/title>\n<meta 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