{"id":89927,"date":"2015-09-18T09:21:29","date_gmt":"2015-09-18T13:21:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=89927"},"modified":"2015-09-18T10:43:16","modified_gmt":"2015-09-18T14:43:16","slug":"that-time-when-beckett-made-a-movie-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/09\/18\/that-time-when-beckett-made-a-movie-and-other-news\/","title":{"rendered":"That Time When Beckett Made a Movie, and Other News"},"content":{"rendered":"<div id=\"attachment_89928\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/beckett-with-film-strip-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89928\" class=\"wp-image-89928\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/beckett-with-film-strip-copy.jpg\" alt=\"\" width=\"600\" height=\"301\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/beckett-with-film-strip-copy.jpg 2008w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/beckett-with-film-strip-copy-300x150.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/beckett-with-film-strip-copy-1024x514.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89928\" class=\"wp-caption-text\">Beckett scrutinizes a filmstrip. Image via Moving Image Archives<\/p><\/div>\n<ul>\n<li>In 1965, an elderly Buster Keaton starred in <em>film<\/em>, a little experiment in cinema by one Samuel Beckett\u2014an unlikely collaboration, but an inspired one. The movie was almost entirely silent, and shot largely in the first person; Beckett regarded it as an interesting failure. Now there\u2019s <em>notfilm<\/em>, a documentary about <em>film<\/em>. \u201c<a href=\"http:\/\/www.movingimagearchivenews.org\/an-odd-couple-samuel-beckett-buster-keaton\/\" target=\"_blank\">Beckett\u2019s twenty-two-minute film dealt in striking ways with many aspects of motion-picture history<\/a>, and more generally, the nature of spectacle, of perception, and of being perceived by self and others \u2026 the film was shot over eleven days, with the camera chase, then a five-minute scene on some stairs, followed by a seventeen-minute sequence in a room.\u201d<\/li>\n<li>In which Kafka gets real, very real, maybe too real, <a href=\"http:\/\/www.biographile.com\/exorcising-the-demon-franz-kafkas-letter-to-the-father\/46977\/\" target=\"_blank\">in a letter to his father<\/a>: \u201cYou asked me recently why I maintain that I am afraid of you \u2026 we were so different and in our difference so dangerous to each other that if anyone had tried to calculate in advance how I, the slowly developing child, and you, the full-grown man, would behave toward one another, he could have assumed that you would simply trample me underfoot so that nothing was left of me. Well, that did not happen. Nothing alive can be calculated.\u201d<\/li>\n<li>Today in provisional libraries: at the Calais migrant camp, a British volunteer has set up \u201c<a href=\"http:\/\/www.spectator.co.uk\/features\/9635812\/meet-the-librarians-and-book-borrowers-of-the-calais-jungle\/\" target=\"_blank\">a book-filled haven of peace<\/a>.\u201d \u201cThe shed is filled floor-to-ceiling with books: chick lit, thrillers and a neat set of Agatha Christies line the shelves, alongside a large atlas, a few dictionaries and grammars, and the thin green spines of children\u2019s learning-to-read books. More books spill out of boxes stacked in the corner, and pens, notepads, bags of clothes, a globe, a guitar and a game of Battleship \u2026 I am taken aback when a man who has been flicking through various novels for at least half an hour, including classics like Steinbeck\u2019s <em>Of Mice and Men<\/em>, settles on a thin picture book about kittens. When I ask him if he really likes cats, he shrugs, mumbles a thank you, and leaves.\u201d<\/li>\n<li>And while we\u2019re on libraries, here are some items you can now check out at various centers of knowledge around the country: cake pans, snow shoes, ukuleles, American Girl dolls, mobile hot-spot devices, sewing machines. \u201cServices like the Library of Things and the \u2018Stuff-brary\u2019 in Mesa, outside Phoenix, are part of a broad cultural shift in which <a href=\"http:\/\/www.nytimes.com\/2015\/09\/15\/us\/these-public-libraries-are-for-snowshoes-and-ukuleles.html?_r=0\" target=\"_blank\">libraries increasingly view themselves as hands-on creative hubs<\/a>, places where people can learn new crafts and experiment with technology like 3-D printers.\u201d Rent-A-Center must be shaking in its corporate boots.<\/li>\n<li><a href=\"http:\/\/www.newstatesman.com\/culture\/books\/2015\/09\/edmund-de-waals-white-road-follows-journey-creativity\" target=\"_blank\">Where does porcelain come from<\/a>? Edmund de Waal endeavors to find its origins: \u201cTrace the origin of any physical object, from the <em>Mona Lisa<\/em> to an iPhone, and there will be a mass of human labor and human stories lurking behind it, no matter how purely a product of the solitary artist or glossy factory it might seem to be. What is striking about porcelain, however, is that while it appears to be the acme of artistry, it is, by and large, the result of relentlessly standardized piecemeal work.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In 1965, an elderly Buster Keaton starred in film, a little experiment in cinema by one Samuel Beckett\u2014an unlikely collaboration, but an inspired one. The movie was almost entirely silent, and shot largely in the first person; Beckett regarded it as an interesting failure. Now there\u2019s notfilm, a documentary about film. \u201cBeckett\u2019s twenty-two-minute film dealt [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[10851,19479,4857,11876,5410,7148,81,19480,4429],"class_list":["post-89927","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-buster-keaton","tag-calais","tag-edmund-de-waal","tag-fathers","tag-franz-kafka","tag-libraries","tag-movies","tag-porcelain","tag-samuel-beckett"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>When Samuel Beckett Teamed Up with Buster Keaton<\/title>\n<meta name=\"description\" content=\"The playwright\u2019s only film stars the comic actor. 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