{"id":89523,"date":"2015-09-04T09:25:19","date_gmt":"2015-09-04T13:25:19","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=89523"},"modified":"2015-09-04T10:48:02","modified_gmt":"2015-09-04T14:48:02","slug":"flush-with-talent-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/09\/04\/flush-with-talent-and-other-news\/","title":{"rendered":"Flush with Talent, and Other News"},"content":{"rendered":"<div id=\"attachment_89524\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/nishiyama_018.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89524\" class=\"wp-image-89524\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/nishiyama_018.jpg\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/nishiyama_018.jpg 1280w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/nishiyama_018-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/09\/nishiyama_018-1024x682.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89524\" class=\"wp-caption-text\">Minako Nishiyama, Miki Kasahara, Yuma Haruna, <i>Melting Dream<\/i>, 2014. Photo\u00a0by\u00a0Yasunori Takeuchi. Courtesy Toilennale<\/p><\/div>\n<ul>\n<li><a href=\"http:\/\/www.nytimes.com\/2015\/09\/06\/magazine\/the-misanthropic-genius-of-joy-williams.html?_r=0\" target=\"_blank\">Joy Williams has a new collection out<\/a>, and a reporter has found her in rare form:<em> \u201c<\/em>Williams does not have an email address. She uses a flip phone and often writes in motels and friends\u2019 houses on old Smith-Coronas; she brings one with her and keeps others everywhere she stays \u2026 Williams now splits her time among Tucson, her daughter\u2019s home in Maine and Laramie, migrating across the country with her dogs in her Toyota, which has 160,000 miles on it but is pretty new by her standards. (Her last car, her old Bronco, neared 360,000.) She eats a lot of Weetabix.\u201d<\/li>\n<li>You should be proud of your name: it\u2019s yours. It denotes <em>y<\/em>&#8211;<em>o<\/em>&#8211;<em>u<\/em>, and no one can take that away from you. Unfortunately, things get a bit complicated if your parents happen to have given you a necronym, that is, a death name: \u201c<a href=\"http:\/\/www.believermag.com\/issues\/201508\/?read=article_vanasco\" target=\"_blank\">It usually means a name shared with a dead sibling<\/a>. Until the late nineteenth century, necronyms were not uncommon among Americans and Europeans. If a child died in infancy, his or her name was often given to the next child, a natural consequence of high birth rates and high infant mortality rates \u2026 In their 1989 <em>Dictionary of Superstitions<\/em>, folklorists Iona Opie and Moira Tatum offer one reason for the necronym\u2019s decline: many parents feared it was a murderous curse.\u201d<\/li>\n<li>\u201cUnless ice burns and burning fire cools \/ No bard could look on you and not speak out \/ It can not be that I monopolize \/ The making of the songs that give you praise \/ Or that such pools as are your dearest eyes \/ Have just one bather.\u201d These lines, and about eight others like them, are worth seventy-five hundred pounds. That\u2019s not because they\u2019re excellent, necessarily. It\u2019s because Ezra Pound wrote them. They\u2019re from an unpublished sonnet he wrote to the British painter Isabel Codrington in April 1909; <a href=\"http:\/\/www.theguardian.com\/books\/2015\/sep\/03\/unseen-ezra-pound-poem-sold-at-auction\" target=\"_blank\">it sold at auction earlier this week<\/a>. \u201cHe obviously admired her,\u201d said a perceptive employee at the auction house.<\/li>\n<li>Let\u2019s go on <a href=\"http:\/\/www.mcsweeneys.net\/articles\/an-interactive-guide-to-ambiguous-grammar\" target=\"_blank\">an adventure with the passive voice<\/a>, shall we? Watch as, step-by-grammatically-irksome-step, \u201cThe quick brown fox jumps over the lazy dog\u201d becomes \u201cSpeed was involved in a jumping-related incident while a fox was brown.\u201d \u201cWe have finally fully arrived at the ultimate in passive voice: the past exonerative tense, so named because culpability is impossible when actions no longer exist. For the most extensive erasure of direct communicative value, the original object can now even be removed entirely.\u201d<\/li>\n<li>Duchamp is old hat. The future of toilet art is, like the future of most things, in Japan, where an exhibition called Toilennale \u201c<a href=\"http:\/\/hyperallergic.com\/232913\/japan-wipes-away-pretentiousness-with-art-festival-devoted-to-toilets\/\" target=\"_blank\">brings together Japanese artists who have transformed sixteen public restrooms into sites for art installations<\/a> \u2026 one park lavatory literally becomes a sweet site, transformed inside and out by a trio of artists into an enormous piece of pink candy titled \u2018Melting Dreams.\u2019 \u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Joy Williams has a new collection out, and a reporter has found her in rare form: \u201cWilliams does not have an email address. She uses a flip phone and often writes in motels and friends\u2019 houses on old Smith-Coronas; she brings one with her and keeps others everywhere she stays \u2026 Williams now splits her [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[3115,231,19354,7285,696,19353,19355,962,13401,15359],"class_list":["post-89523","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-ezra-pound","tag-grammar","tag-isabel-codrington","tag-joy-williams","tag-marcel-duchamp","tag-necronyms","tag-passive-voice","tag-sonnets","tag-toilets","tag-urinals"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Future of Toilet Art Is in Japan<\/title>\n<meta name=\"description\" content=\"A new exhibition is devoted entirely to toilets. This and more in today\u2019s roundup...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/09\/04\/flush-with-talent-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flush with Talent, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"September 4, 2015 \u2013 Joy Williams has a new collection out, and a reporter has found her in rare form: \u201cWilliams does not have an email address. 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