{"id":89107,"date":"2015-08-24T09:27:09","date_gmt":"2015-08-24T13:27:09","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=89107"},"modified":"2015-08-24T10:31:16","modified_gmt":"2015-08-24T14:31:16","slug":"the-horror-of-philosophy-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/","title":{"rendered":"The Horror of Philosophy, and Other News"},"content":{"rendered":"<div id=\"attachment_89108\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/haunted4april.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89108\" class=\"wp-image-89108\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/haunted4april.jpg\" alt=\"\" width=\"600\" height=\"437\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/haunted4april.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/haunted4april-300x219.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89108\" class=\"wp-caption-text\">From <i>This Magazine Is Haunted<\/i>, April 1952.<\/p><\/div>\n<ul>\n<li>Newly declassified documents have revealed that <a href=\"http:\/\/www.theguardian.com\/books\/2015\/aug\/21\/mi5-spied-on-doris-lessing-for-20-years-declassified-documents-reveal\" target=\"_blank\">the British government spied on Doris Lessing for some twenty years<\/a> and that they\u2019d thoroughly imbibed the rhetoric of J. Edgar Hoover: \u201cHer communist sympathies have been fanned almost to the point of fanaticism owing to her upbringing in Rhodesia, which has brought out in her a deep hatred of the colour bar,\u201d MI6 wrote of Lessing, whose \u201cplump build\u201d they were also sure to mention. \u201cColonial exploitation is her pet theme and she has now nearly become as irresponsible in her statements as \u2026 saying that everything black is wonderful and that all men and all things white are vicious.\u201d<\/li>\n<li>Say what you will about <em>The End of the Tour<\/em> as a depiction of David Foster Wallace\u2014it is, if nothing else, a smart take on the mechanics and ethics of celebrity profiles, the lifeblood of the magazine industry. \u201cThe movie is apt in its insinuation that <a href=\"http:\/\/www.newyorker.com\/culture\/cultural-comment\/the-artificial-intimacy-of-the-magazine-profile\" target=\"_blank\">there is sometimes very little daylight between doing the reporting necessary for a magazine profile of someone and compiling a surveillance dossier<\/a> upon him or her \u2026 the very structure of the reporting process, with its enforced proximity, can engender a precarious intimacy, even while the ultimate purpose of this intimacy\u2014an article that is to be written by one participant about the other\u2014is never forgotten.\u201d<\/li>\n<li>Teju Cole saw a photograph by Ren\u00e9 Burri: <a href=\"http:\/\/www.nytimes.com\/2015\/08\/23\/magazine\/shadows-in-sao-paulo.html?smid=tw-nytmag&amp;smtyp=cur&amp;_r=0\" target=\"_blank\">four men on a rooftop in S\u00e3o Paulo<\/a>. He resolved to discover the circumstances of its creation, and\u2014why not?\u2014to replicate it, if possible: \u201cTo me, it literally portrays the levels of social stratification and the enormous gap between those above and those below \u2026 \u2018Those four guys just came from nowhere, and went to nowhere,\u2019 Burri said of the men in his photograph.\u201d<\/li>\n<li>On philosophy and horror and the horror of philosophy and the philosophy of horror: \u201c<a href=\"http:\/\/www.3ammagazine.com\/3am\/horror-of-philosophy\/\" target=\"_blank\">Any reader of difficult philosophy books will have experienced their own kind of horror of philosophy<\/a>, reinforced today by public intellectuals, who most often use philosophy as a smokescreen for selling self-help books and promoting the cult of the guru \u2026 philosophy explains anything and everything, telling us that a horror films means this or that, reveals this or that anxiety, is representative of this or that cultural moment that we are living in, and so on. Perhaps genres such as the horror genre are interesting not because we can devise ingenious explanatory models for them, but because they cause us to question some of our most basic assumptions about the knowledge-production process itself.\u201d<\/li>\n<li>If you\u2019re looking for a good way to kill a lot of time at the end of the summer, head to Berlin, where, in a longstanding ritual, a cinema deep underground hosts a complete and unabridged viewing of Andrei Tarkovsky\u2019s filmography. \u201c<a href=\"http:\/\/www.vice.com\/read\/tarkovsky-does-berlin-0817\" target=\"_blank\">International filmgoers book their flights as soon as the schedule is released<\/a>, some in order to see the same set of films they saw last year. Judging from my seatmates at several screenings, the appeal crosses generational as well as national divides. The people want Tarkovsky, they want him on celluloid, and they want him whole.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Newly declassified documents have revealed that the British government spied on Doris Lessing for some twenty years and that they\u2019d thoroughly imbibed the rhetoric of J. Edgar Hoover: \u201cHer communist sympathies have been fanned almost to the point of fanaticism owing to her upbringing in Rhodesia, which has brought out in her a deep hatred [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[7497,6397,12071,19234,9036,1132,19230,7403,100,19232,19233,12012,19231],"class_list":["post-89107","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-andrei-tarkovsky","tag-berlin","tag-doris-lessing","tag-film-festivals","tag-horror","tag-interviews","tag-mi6","tag-philosophy","tag-photography","tag-profiles","tag-rene-burri","tag-teju-cole","tag-the-end-of-the-tour"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Horror of Philosophy, the Philosophy of Horror<\/title>\n<meta name=\"description\" content=\"A new book looks at the underpinnings of genre fiction. This and more in today\u2019s roundup...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Horror of Philosophy, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"August 24, 2015 \u2013 Newly declassified documents have revealed that the British government spied on Doris Lessing for some twenty years and that they\u2019d thoroughly imbibed the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-08-24T13:27:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-08-24T14:31:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/haunted4april.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"437\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"The Horror of Philosophy, and Other News\",\"datePublished\":\"2015-08-24T13:27:09+00:00\",\"dateModified\":\"2015-08-24T14:31:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/\"},\"wordCount\":539,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/haunted4april.jpg\",\"keywords\":[\"Andrei Tarkovsky\",\"Berlin\",\"Doris Lessing\",\"film festivals\",\"Horror\",\"interviews\",\"MI6\",\"philosophy\",\"photography\",\"profiles\",\"Ren\u00e9 Burri\",\"Teju Cole\",\"The End of the Tour\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/\",\"name\":\"The Horror of Philosophy, the Philosophy of Horror\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2015\/08\/24\/the-horror-of-philosophy-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/haunted4april.jpg\",\"datePublished\":\"2015-08-24T13:27:09+00:00\",\"dateModified\":\"2015-08-24T14:31:16+00:00\",\"description\":\"A new book looks at the underpinnings of genre fiction. 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