{"id":89078,"date":"2015-08-21T16:39:41","date_gmt":"2015-08-21T20:39:41","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=89078"},"modified":"2015-08-24T10:18:28","modified_gmt":"2015-08-24T14:18:28","slug":"beardsleys-poe","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/08\/21\/beardsleys-poe\/","title":{"rendered":"Beardsley\u2019s Poe"},"content":{"rendered":"<p><em>Illustrations by Aubrey Beardsley, made to accompany\u00a0Edgar Allan Poe\u2019s short stories. Beardsley, born on August 21, 1872, favored the grotesque and the erotic in his drawings and had a large influence on the developing the Art Nouveau style, though he lived only to twenty-five. He also illustrated work by Oscar Wilde and Alexander Pope and helped found <\/em>The Yellow Book.<\/p>\n<div id=\"attachment_89079\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89079\" class=\"wp-image-89079\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_1.jpg\" alt=\"\" width=\"600\" height=\"925\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_1.jpg 1305w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_1-195x300.jpg 195w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_1-664x1024.jpg 664w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89079\" class=\"wp-caption-text\">\u00a0\u00a0 \u00a0 From \u201cThe Murders in the Rue Morgue.\u201d<\/p><\/div>\n<p><!--more--><\/p>\n<p><div id=\"attachment_89080\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89080\" class=\"wp-image-89080\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_2.jpg\" alt=\"\" width=\"600\" height=\"928\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_2.jpg 1292w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_2-194x300.jpg 194w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_2-662x1024.jpg 662w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89080\" class=\"wp-caption-text\">\u00a0\u00a0\u00a0\u00a0\u00a0 From \u201cThe Black Cat.\u201d<\/p><\/div> <div id=\"attachment_89081\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_3.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89081\" class=\"wp-image-89081\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_3.jpg\" alt=\"\" width=\"600\" height=\"918\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_3.jpg 1312w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_3-196x300.jpg 196w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_3-669x1024.jpg 669w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89081\" class=\"wp-caption-text\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 From \u201cThe Fall of the House of Usher.\u201d<\/p><\/div> <div id=\"attachment_89082\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_4.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89082\" class=\"wp-image-89082\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_4.jpg\" alt=\"\" width=\"600\" height=\"929\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_4.jpg 1296w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_4-194x300.jpg 194w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/aubrey_beardsley_-_edgar_poe_4-662x1024.jpg 662w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89082\" class=\"wp-caption-text\">\u00a0\u00a0\u00a0\u00a0\u00a0 From \u201cThe Masque of the Red Death.\u201d<\/p><\/div> <div id=\"attachment_89083\" style=\"width: 489px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/lossy-page1-768px-image_from_illustrations_to_edgar_allan_poe_by_aubrey_beardsley_bl_7825.t.19-56.tif.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89083\" class=\"wp-image-89083 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/lossy-page1-768px-image_from_illustrations_to_edgar_allan_poe_by_aubrey_beardsley_bl_7825.t.19-56.tif.jpg\" alt=\"\" width=\"479\" height=\"691\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/lossy-page1-768px-image_from_illustrations_to_edgar_allan_poe_by_aubrey_beardsley_bl_7825.t.19-56.tif.jpg 479w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/lossy-page1-768px-image_from_illustrations_to_edgar_allan_poe_by_aubrey_beardsley_bl_7825.t.19-56.tif-208x300.jpg 208w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89083\" class=\"wp-caption-text\">\u00a0 Edgar Allan Poe.<\/p><\/div> <div id=\"attachment_89085\" style=\"width: 463px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0004.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89085\" class=\"wp-image-89085 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0004.jpg\" alt=\"\" width=\"453\" height=\"717\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0004.jpg 453w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0004-190x300.jpg 190w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89085\" class=\"wp-caption-text\">\u00a0\u00a0\u00a0\u00a0 From \u201cThe Black Cat.\u201d<\/p><\/div> <div id=\"attachment_89086\" style=\"width: 449px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0005.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89086\" class=\"wp-image-89086 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0005.jpg\" alt=\"\" width=\"439\" height=\"672\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0005.jpg 439w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/08\/03292_0005-196x300.jpg 196w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-89086\" class=\"wp-caption-text\">\u00a0\u00a0\u00a0\u00a0\u00a0 From \u201cThe Murders in the Rue Morgue.\u201d<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Illustrations by Aubrey Beardsley, made to accompany\u00a0Edgar Allan Poe\u2019s short stories. Beardsley, born on August 21, 1872, favored the grotesque and the erotic in his drawings and had a large influence on the developing the Art Nouveau style, though he lived only to twenty-five. He also illustrated work by Oscar Wilde and Alexander Pope and [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[14733,19227,16936,12976,1759,19229,9036,2783,19228],"class_list":["post-89078","post","type-post","status-publish","format-standard","hentry","category-look","tag-art-nouveau","tag-aubrey-beardsley","tag-decadence","tag-drawings","tag-edgar-allan-poe","tag-fall-of-the-house-of-usher","tag-horror","tag-illustrations","tag-murders-in-the-rue-morgue"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Aubrey Beardsley\u2019s Haunting Edgar Allan Poe Illustrations<\/title>\n<meta name=\"description\" content=\"August 21, 2015 \u2013 Illustrations by Aubrey Beardsley, made to accompany\u00a0Edgar Allan Poe\u2019s short stories. 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