{"id":87134,"date":"2015-06-30T08:42:02","date_gmt":"2015-06-30T12:42:02","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=87134"},"modified":"2015-06-30T10:57:22","modified_gmt":"2015-06-30T14:57:22","slug":"we-fucked-on-a-volcano-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2015\/06\/30\/we-fucked-on-a-volcano-and-other-news\/","title":{"rendered":"We Fucked on a Volcano, and Other News"},"content":{"rendered":"<div id=\"attachment_87136\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/vulkanausbruch_1827.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-87136\" class=\"wp-image-87136\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/vulkanausbruch_1827.jpg\" alt=\"Vulkanausbruch_1827\" width=\"600\" height=\"415\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/vulkanausbruch_1827.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2015\/06\/vulkanausbruch_1827-300x208.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-87136\" class=\"wp-caption-text\">Emilie Eisenhut, <i>Vulkanausbruch<\/i>, 1827, gouache on paper.<\/p><\/div>\n<ul>\n<li>\u201cOne cannot read a book,\u201d Nabokov famously said, \u201cone can only reread it.\u201d That\u2019s pleasant and all\u2014certainly it flatters our sense of elitism, suggesting that \u201caesthetic appreciation requires exhaustive knowledge only of the best\u201d\u2014but doesn\u2019t it amount to sophistry? \u201cNo reader ever really takes complete control of a book\u2014it\u2019s an illusion\u2014and perhaps to expend vast quantities of energy seeking to do so is a form of impoverishment \u2026 <a href=\"http:\/\/www.nybooks.com\/blogs\/nyrblog\/2015\/jun\/26\/reading-is-forgetting\/\" target=\"_blank\">Is it really wise to renounce all the impressions that a thousand books could bring<\/a>, all that living, for the wisdom of five or six?\u201d<\/li>\n<li>Today in the age of mechanical reproduction: <a href=\"http:\/\/www.theatlantic.com\/magazine\/archive\/2015\/07\/art-forgery\/395282\/\" target=\"_blank\">the Smithsonian is 3-D printing prehistoric skulls<\/a>. They have no intention of trying to pass off the replicas as authentic\u2014they just want to share more of their skulls with the world, and 3-D printing them is the easiest way to do so. \u201cStill, the proliferation of replicas does stand to diminish the value of the real thing. The museums that own the original skulls depend on income from visitors and model making, so the Smithsonian will limit production and keep the skulls\u2019 3-D \u2018blueprints\u2019 to itself.\u201d<\/li>\n<li>Great news for poets! Bots have obviated the need for your art. They are, in fact, your art. Condolences. \u201cI was thinking of writing a poem about bots, but that\u2019s already so ten minutes ago, and anyway, some bot has already written that poem. Does it matter? <a href=\"https:\/\/nplusonemag.com\/online-only\/online-only\/on-the-question-of-poetry-and-bots\/\" target=\"_blank\">These days people are writing poems about fucking on volcanoes<\/a>. \u2018We fucked on a volcano.\u2019 How does that help? \u2026 You can expand the poetic field to include \u2018we fucked on a volcano\u2019 or even \u2018the whole week we fucked on a volcano,\u2019 and you can expand it to include bots, and so what? It\u2019s bigger now\u00a0\u2026\u00a0everything is.\u201d<\/li>\n<li>Relatedly: <a href=\"https:\/\/nplusonemag.com\/online-only\/online-only\/some-folks\/\" target=\"_blank\">conversations between bots are nearly indistinguishable from Beckett plays<\/a>. Bots are dramatists, too.<br \/>\n<blockquote><p>Z.: Then leave.<br \/> Y.: How did you know?<br \/> Z.: Just leave.<br \/> Y.: You leave.<br \/> Z.: No.<br \/> Y.: Yes.<br \/> Z.: I don\u2019t even know how.<\/p><\/blockquote>\n<\/li>\n<li><a href=\"http:\/\/public.oed.com\/the-oed-today\/recent-updates-to-the-oed\/june-2015-update\/new-words-notes-june-2015\/\" target=\"_blank\">New to the <em>Oxford English Dictionary<\/em><\/a>: <em>twerk<\/em>, <em>intersectionality<\/em>, <em>staycation<\/em>, <em>presidentiable<\/em>, <small><em>SCOTUS<\/em><\/small>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cOne cannot read a book,\u201d Nabokov famously said, \u201cone can only reread it.\u201d That\u2019s pleasant and all\u2014certainly it flatters our sense of elitism, suggesting that \u201caesthetic appreciation requires exhaustive knowledge only of the best\u201d\u2014but doesn\u2019t it amount to sophistry? \u201cNo reader ever really takes complete control of a book\u2014it\u2019s an illusion\u2014and perhaps to expend vast [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[18589,4562,17365,425,3101,9351,165,53,459,2393],"class_list":["post-87134","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-3-d-printing","tag-beckett","tag-bots","tag-drama","tag-nabokov","tag-oed","tag-poetry","tag-reading","tag-smithsonian","tag-words"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bots Are Writing Poetry, So Humans Can Hang Up Our Hats<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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